Presents the story of the writing and recording of one of the most influential albums, Led Zeppelin IV. This book explains how Led Zeppelin, recognised as the first true rock gods with three platinum albums in quick succession, had been shrouded in intrigue, with legendary tales of debauched excesses, orgies, black magic, and satanic pacts.

In this wickedly entertaining and thoroughly informed homage to one of rock music's towering pinnacles, Erik Davis investigates the magic-black or otherwise-that surrounds this album. Carefully peeling the layers from each song, Davis reveals their dark and often mystical roots-and leaves the reader to decide whether [FOUR SYMBOLS] is some form of occult induction or just an inspired, brilliantly played rock album. Excerpt: Stripping Led Zeppelin's famous name off the fourth record was an almost petulant attempt to let their Great Work symbolically stand on its own two feet. But the wordless jacket also lent the album charisma. Fans hunted for hidden meanings, or, in failing to find them, sensed a strange reflection of their own mute refusal to communicate with the outside world. This helped to create one of the supreme paradoxes of rock history: an esoteric megahit, a blockbuster arcanum. Stripped of words and numbers, the album no longer referred to anything but itself: a concrete talisman that drew you into its world, into the frame. All the stopgap titles we throw at the thing are lame: Led Zeppelin IV, [Untitled], Runes, Zoso, Four Symbols. In an almost Lovecraftian sense, the album was nameless, a thing from beyond, charged with manna. And yet this uncanny fetish was about as easy to buy as a jockstrap.

Here is everything Led Zeppelin fans would need to know about conception of this masterpiece album, told by the musicians and engineers who produced it. Discover many unique new facts including the secrets of the mysterious symbols and cover artwork -- a song by song analysis tracing the composing and performance history of each track -- concert dates -- press reviews -- rare and promotional versions of the album -- and see the legendary stairway with the unique acoustics that was responsible for the album's incomparable sound.

This “oral autobiography” of Jimmy Page, the intensely private mastermind behind Led Zeppelin—one of the most enduring bands in rock history—is the most complete and revelatory portrait of the legendary guitarist ever published. More than 30 years after disbanding in 1980, Led Zeppelin continues to be celebrated for its artistic achievements, broad musical influence, and commercial success. The band's notorious exploits have been chronicled in bestselling books; yet none of the individual members of the band has penned a memoir nor cooperated to any degree with the press or a biographer. In Light & Shade, Jimmy Page, the band’s most reticent and inscrutable member, opens up to journalist Brad Tolinski, for the first time exploring his remarkable life and musical journey in great depth and intimate detail. Based on extensive interviews conducted with the guitarist/producer over the past 20 years, Light & Shade encompasses Page’s entire career, beginning with his early years as England’s top session guitarist when he worked with artists ranging from Tom Jones, Shirley Bassey, and Burt Bacharach to the Kinks, The Who, and Eric Clapton. Page speaks frankly about his decadent yet immensely creative years in Led Zeppelin, his synergistic relationships with band members Robert Plant, John Bonham, and John Paul Jones, and his notable post-Zeppelin pursuits. While examining every major track recorded by Zeppelin, including “Stairway to Heaven,” “Whole Lotta Love,” and “Kashmir,” Page reflects on the band’s sensational tours, the filming of the concert movie The Song Remains the Same, his fascination with the occult, meeting Elvis Presley, and the making of the rock masterpiece Led Zeppelin IV, about which he offers a complete behind-the-scenes account. Additionally, the book is peppered with “sidebar” chapters that include conversations between Page and other guitar greats, including his childhood friend Jeff Beck and hipster icon Jack White. Through Page’s own words, Light and Shade presents an unprecedented first-person view of one of the most important musicians of our era.

Led Zeppelin IV, often called heavy metal's greatest album, kicks off an exciting new series that takes a fresh, in-depth look at some of the greatest works from the most influential artists of the rock era. Fans may know the songs, but wait until they hear the stories behind them! The music contained in Led Zeppelin IV is part of the soundtrack to a generation. Released in 1971, it rocks, stomps, glides, and shimmers as it covers all the bases the band had mastered: heavy blues, barroom rock and roll, mandolin-driven folk, epic Tolkien-infused mysticism, acoustic Americana, and more. Certified gold one week after its release, the album went to #2 on the U.S. charts and #1 in the U.K. It remained on U.S. charts for 259 weeks. There probably isn't an aspiring rock guitarist anywhere who hasn't plucked out the notes and chords to "Stairway to Heaven" or "Black Dog," and yet many music lovers are unaware of the intriguing backstory to this genre-defining work. To this day there is confusion about what is the actual title of the album. And what about those mysterious symbols? Barney Hoskyns pierces those veils and more as he tells the fascinating story of the evocative set that cemented Led Zeppelin's standing as the biggest, baddest, loudest band in the world—and that remains today the apex of their art.

In this wickedly entertaining and thoroughly informed homage to one of rock music's towering pinnacles, Erik Davis investigates the magic—black or otherwise—that surrounds this album. Carefully peeling the layers from each song, Davis reveals their dark and often mystical roots—and leaves the reader to decide whether [FOUR SYMBOLS] is some form of occult induction or just an inspired, brilliantly played rock album. Excerpt: Stripping Led Zeppelin's famous name off the fourth record was an almost petulant attempt to let their Great Work symbolically stand on its own two feet. But the wordless jacket also lent the album charisma. Fans hunted for hidden meanings, or, in failing to find them, sensed a strange reflection of their own mute refusal to communicate with the outside world. This helped to create one of the supreme paradoxes of rock history: an esoteric megahit, a blockbuster arcanum. Stripped of words and numbers, the album no longer referred to anything but itself: a concrete talisman that drew you into its world, into the frame. All the stopgap titles we throw at the thing are lame: Led Zeppelin IV, [Untitled], Runes, Zoso, Four Symbols. In an almost Lovecraftian sense, the album was nameless, a thing from beyond, charged with manna. And yet this uncanny fetish was about as easy to buy as a jockstrap.

Hot off the press! A revised, expanded edition of the quintessential portrait of one of the blues' greatest artists and the popular poetry of her lyrics.