Told in an inimitable voice, Leaving Breezy Street is the stunning account of Brenda Myers-Powell’s brutal and beautiful life. “Careful—don’t think prostitution is just about money. It’s never just the money. It’s about slipping in at all the wrong places. Getting into dangerous situations and getting out of them. That’s exciting. That’s what you want. But you want something else, too.” What did Brenda Myers-Powell want? When she turned to prostitution at the age of fifteen, she wanted to support her two baby daughters and have a little money for herself. She was pretty and funny as hell, and although she called herself “Breezy,” she was also tough—a survivor in every sense of the word. Over the next twenty-five years, she would move across the country, finding new pimps, parties, drugs, and endless, profound heartache. And she would begin to want something else, something huge: a life of dignity, self-acceptance, and love. Astonishingly, she managed to find the strength to break from an unsparing world and save not only herself but also future Breezys. We have no say into which worlds we are born. But sometimes we can find a way out.

"Paul Larosa was a clueless kid growing up in a Bronx housing project when he was thrust into the city room of The New York Daily News as a copy boy. It was at the end of the vaunted Front Page era when reporters reveled in bad behavior; booze and anything they could get away with. A naif trapped in a tabloid world, Pual found himself--deliriously--in the center of it all."--Publisher.

Finalist for the Thurber Prize for American Humor "In this surprisingly upbeat memoir, Annabelle Gurwitch writes about the financial curveballs that can hit you in midlife . . . Somehow, Ms. Gurwitch manages to find humor in these setbacks. Ultimately, this is a story about harnessing resilience and learning how life’s disappointments can teach you about the things that matter most." —Tara Parker-Pope, The New York Times From the New York Times bestselling author of I See You Made an Effort comes a timely and hilarious chronicle of downward mobility, financial and emotional. With signature "sharp wit" (NPR), Annabelle Gurwitch gives irreverent and empathetic voice to a generation hurtling into their next chapter with no safety net and proves that our no-frills new normal doesn't mean a deficit of humor. In these essays, Gurwitch embraces homesharing, welcoming a housing-insecure young couple and a bunny rabbit into her home. The mother of a college student in recovery who sheds the gender binary, she relearns to parent, one pronoun at a time. She wades into the dating pool in a Miss Havisham-inspired line of lingerie and flunks the magic of tidying up. You're Leaving When? is for anybody who thought they had a semblance of security but wound up with a fragile economy and a blankie. Gurwitch offers stories of resilience, adaptability, low-rent redemption, and the kindness of strangers. Even in a muted Zoom.

A perfect summertime read for fans of John Green, Stephanie Perkins, and Sarah Dessen: It was Sloane who yanked Emily out of her shell and made life 100% interesting. But right before what should have been the most epic summer, Sloane just…disappears. All she leaves behind is a to-do list. On it, thirteen Sloane-inspired tasks that Emily would normally never try. But what if they could bring her best friend back? Apple picking at night? Okay, easy enough. Dance until dawn? Sure. Why not? Kiss a stranger? Um... Emily now has this unexpected summer, and the help of Frank Porter (totally unexpected), to check things off Sloane's list. Who knows what she’ll find? 'Some books leave a very real mark on you and Since You’ve Been Gone is one of those utterly brilliant books' - The Guardian 'A winning blend of touching moments, memorable characters and situational humor takes readers to a surprising revelation at the story’s end.' - Kirkus Reviews 'Morgan Matson is the epitome of YA contemporary.' - Ariel Bissett, Booktuber and blogger

Christine Feehan takes romance full throttle in the second gripping novel in her #1 New York Times bestselling Torpedo Ink series. Breezy Simmons was born into a ruthless motorcycle club—and now that she’s out, she’s never going to be that girl again. But when her past catches up with her, Breezy must go to Sea Haven to seek out the man who almost destroyed her. The man who chose his club over her and left her feeling used and alone. As vice president of Torpedo Ink, Steele is ride or die for the brothers he lived through hell with. He never thought he’d find something as pure as his feelings for Breezy, or that keeping her safe would mean driving her away with cruel words that turned her love for him to ash. Now, Steele won’t let her walk away twice. He’ll do whatever it takes to make Breezy his woman again—especially when he learns the real reason she came to him for help, and that the stakes are higher than he ever could have imagined…

Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. Leaving the Atocha Station is his first novel.

Blessed with beauty and brains, television writer Tracy McMillan was not only able to parlay her talents into a killer Hollywood career but also able to attract a rather eclectic assortment of men as well. Unfortunately, the "right" kind of men felt wrong all too often, while the "wrong" ones felt so, so right. The result was three failed marriages and countless catastrophic romances, all by the age of forty. Despite Tracy's successful ascension into the privileged world of pool houses, premieres, and big-time producer deals, she just couldn't break her pattern of questionable choices in matters of the heart. That is, until she finally figured out her relationship with the first man she ever loved: her father, a wildly flamboyant pimp, drug dealer, and convicted felon who spent most of his daughter's life behind bars . . . and until she set about raising the son who taught her everything else she needed to know about men, love, and life. I Love You and I'm Leaving You Anyway is the comic, tragic, unflinchingly real, and ultimately victorious true story of how one woman learned to love herself no matter what. It is an inspiring testament to the power of change that proves we can all grow from even our most flawed relationships.