Soon to be a TV show on Hulu Eve Babitz is a writer like no other—she “is to prose what Chet Baker is to jazz” (Vanity Fair)—and she has influenced a generation of writers and readers with her sophisticated, witty, and delightful work. L.A. Woman is quintessential Babitz, the story of Sophie, a twenty-something blonde Jim Morrison groupie gliding through a golden existence in L.A. and Lola, a German immigrant who settles in Hollywood in the twenties to drive Pierce Arrows recklessly down Sunset Boulevard and who knows that Maybelline mascara cakes and Rudolph Valentino are the essence of life. Sophie and Lola, like the many other women who move in and out of this electric saga know that while L.A. is constantly changing it is essentially eternal; through their eyes we see the mixture of high culture and low, the promises of youth and the fulfillment of nostalgia, the pink sunsets and the palm trees that are L.A. And through this fantastic tale, Babitz shares what it is to be a woman in what she convinces us is the capital of civilization.

A riveting memoir that works its magic like a slow-acting drug, revealing the story of Jim Morrison’s first love, a long-lost friendship, and the man who existed before the Doors. In the spring of 1965, Bill Cosgrave was smuggled across the border into the United States after receiving an irresistible invitation from his captivating friend Mary Werbelow. When he made it to her apartment in Los Angeles, Mary introduced Bill to her boyfriend, Jim Morrison. The two young men quickly bonded. When Jim and Mary’s relationship faltered, Jim headed for Venice beach with his notebook. Bill and Jim spent endless days together, enjoying the aimlessness of their youth and the freedom of the times, fuelled by Jim's unlimited supply of dope. Jim’s writing would morph into iconic hit songs, rocketing him to international fame as the hypnotic lead singer of the Doors. Beautiful Mary would set off on her own journey. After years of futile searching, Bill finally tracks down the woman he had secretly loved. He’s dying to know where her life has taken her and stunned by what he discovers.

Estevan Oriol is hailed as the eye of the new wave Latino aesthetic. Coming up from the streets and the Hip Hop scene, his rough and ready images of his neighborhood homies caught the attention of major media and music players. Oriol has since been commissioned by Nike and Cadillac, as well as directing music videos for Eminem, Linkin Park, D12 and Xzibit. He began taking pictures of his neighborhood and low-rider culture and soon discovered his incredible talent for capturing raw street life. He is now one of the most sought after photographers in the urban community.

Collects Hawkeye Annual #1, Hawkeye #14, #16, #18, #20.

Devastated that his wife and writing partner of 25 years left him on the eve of the new millennium, Lionel Rolfe set pen to paper in an attempt to make sense of the dance between men and women. But, as he began writing, a deeper understanding took hold the Grim Reaper stopped by. And not just once, but again and again. The deaths of Carl Kessler, the unrepentant Stalinist and trade union organizer, and Nieson Himmel, a close friend and veteran nighttime police reporter for the Los Angeles Times, hit him hard. But it was the death of Rolfe's uncle, the great violinist Yehudi Menuhin, that turned his life upside down. In the end, the emotional ordeal was a blessing in disguise. After all, without it, the world would not have DEATH AND REDEMPTION IN LONDON & L.A. an engrossing tale of one mans search for redemption in the only place it has ever been found within the soul. Come along with the author as he strives to deal with a life half-lived and dreams perpetually deferred. Youll laugh, youll cry. But most of all, youll see the world through the eyes of a man truly in touch with his sensibilities; a man wholl change your worldview forever.

Los Angeles is the labyrinth at the end of the American Dream, a city often celebrated, often condemned—rarely understood. In this fascinating and unusual collection David Reid has gathered together the novelists, journalists, and cultural critics who could best debunk the myths, define the truths, and decipher the strange iconography of this “bronzed paradise” of fourteen million inhabitants. Here are reports and reflections on: the new Latin-American and Asian populations of South Central and the East Side and the old establishment in the West Side’s hidden hilltop enclaves; Downtown with its heavily mortgaged office towers held by Canadian and Japanese landlords; the shuttered factories, thriving sweatshops, and gerrymandered “rotten boroughs” of post-industrial L.A.; architecture from Irving Gill to Frank O. Gehry; avatars and messiahs from Krishnamurti to L. Ron Hubbard; rituals of power and abjection in Movieland; and yoga and lust in Beverly Hills, Los Angeles Times and Nation columnist Alexander Cockburn; Mike Davis, author of City of Quartz; L.A. Weeklywriters Lynell George and Rubén Martínez; novelists Carolyn See, Eve Babitz, and David Thomson; architectural historian Thomas S. Hines; and Academy Award-winning screenwriter Jeremy Larner are among those who investigate the mysteries of the city which, as Cockburn writes, is “the only megalopolis of the First World growing at a rate comparable to those supercities—Sao Paulo, Cairo, and Canton—of the Third World.”

How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land. But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age. By the end of the 1980s, these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored.