Wealth, power, charm—they have it all. What else could these handsome Greek tycoons need? Brides. . . ?

Helen takes care of her best friend Delia’s son Nicholas, who was born out of wedlock. However, when her regular contact with Delia is broken, Helen feels an ominous premonition. Delia’s older brother, Leon, suddenly shows up at her doorstep with news of his sister’s death. With Helen shaken by the news but with Nicholas’s happiness as top priority, Leon proposes they enter into a marriage of convenience. Deciding that it will be the best thing for Nicholas, Helen agrees…without realizing just how much she might regret it later.

Bought: One Island, One Bride Susan Stephens Self–made billionaire Alexander Kosta has come to the island of Lefkis for revenge. He will see it destroyed, as it tried to destroy him. He doesn't count on feisty beauty Ellie Mendoras to be the thorn in his side! She's sought refuge on the island to escape her troubled past... now she'll fight the gorgeous Greek tycoon with all her strength. But there's a dangerous smile on Alexander's lips. As far as he's concerned, Ellie's a little firecracker who needs to be tamed. He'll seduce her into compliance, and then buy her body and soul!

Tracey has been a wild party girl for the past several years?nobody would guess that she has been living in fear of her grandfather’s abuse. When her grandfather dies, she becomes his successor. She wants the board members of his company to take her seriously, so she goes to see her old friend Nikos, a successful businessman, to ask for advice. But when they reunite, he acts coldly toward Tracey. He still believes her to be an unserious and shallow woman who enjoys the company of too many men, just like the gossip magazines say.

‘KUMBA AFRICA’, is a compilation of African Short Stories written as fiction by Sampson Ejike Odum, nostalgically taking our memory back several thousands of years ago in Africa, reminding us about our past heritage. It digs deep into the traditional life style of the Africans of old, their beliefs, their leadership, their courage, their culture, their wars, their defeat and their victories long before the emergence of the white man on the soil of Africa. As a talented writer of rich resource and superior creativity, armed with in-depth knowledge of different cultures and traditions in Africa, the Author throws light on the rich cultural heritage of the people of Africa when civilization was yet unknown to the people. The book reminds the readers that the Africans of old kept their pride and still enjoyed their own lives. They celebrated victories when wars were won, enjoyed their New yam festivals and villages engaged themselves in seasonal wrestling contest etc; Early morning during harmattan season, they gathered firewood and made fire inside their small huts to hit up their bodies from the chilling cold of the harmattan. That was the Africa of old we will always remember. In Africa today, the story have changed. The people now enjoy civilized cultures made possible by the influence of the white man through his scientific and technological process. Yet there are some uncivilized places in Africa whose people haven’t tested or felt the impact of civilization. These people still maintain their ancient traditions and culture. In everything, we believe that days when people paraded barefooted in Africa to the swarmp to tap palm wine and fetch firewood from there farms are almost fading away. The huts are now gradually been replaced with houses built of blocks and beautiful roofs. Thanks to modern civilization. Donkeys and camels are no longer used for carrying heavy loads for merchants. They are now been replaced by heavy trucks and lorries. African traditional methods of healing are now been substituted by hospitals. In all these, I will always love and remember Africa, the home of my birth and must respect her cultures and traditions as an AFRICAN AUTHOR.

This volume brings together archeologists, art historians, philologists, literary scholars, political scientists, and historians to articulate the ways in which western Greek theater was distinct from that of the Greek mainland and, at the same time, to investigate how the two traditions interacted. The chapters intersect and build on each other in their pursuit of a number of shared questions and themes: the place of theater in the cultural life of Sicilian and South Italian 'colonial cities;' theater as a method of cultural self-identification; shared mythological themes in performance texts and theatrical vase-painting; and the reflection and analysis of Sicilian and South Italian theater in the work of Athenian philosophers and playwrights. Together, the essays explore central problems in the study of western Greek theater. By gathering a number of different perspectives and methods, this volume offers the first wide-ranging examination of this hitherto neglected history.