Last Knight's Almanac celebrates life, love, and adventure, in the years following the death of King Arthur. But it also serves as a backdrop on which I can draw literary portraits of many of man's favorite things such as nature, astronomy, emotion, poetry, travel, history, fantasy, art, and so on. Arthurian legend is the main thread of the story and is also one of my favorite things, so this is important, too. What really happened inth Dark Ages? And yes, it's true, but only if you wish to believe it, that I unearthed these Chronicles from an iron box that was buried 1400 years ago under the Abbey of Glastonbury.

ToeQuestors from www.toequest.com discover the Secrets of the Universe, as well as the humorously dangerous implications that follow their possession of the Holy Grail of the genuine Theory of Everything.With the world's future hanging in the balance, they sharpen their wits and skills through the teachings of the learnéd Grand Masters.Extraordinary mixed media photo composites of tropical and otherworldly scenes beyond compare. Fun science, too. Much original humor.There is no greater quest than to know whence we came and what we are. Humerous and significent. Amazing poems between chapters. Several Theories of Everything looked at.This blend of prose drama and humor, poetry, illustration, and science makes for a totally glorious reading experience.

Is it that with grace, humor and style that we will describe all the realms of life, as well as answer the ultimate questions, some in seriously comedic adventures? We will it. Is the cause of the universe itself causeless? Yes, and we will learn why, just be-cause. Did the laws of the universe come from Nothing? Just about, but there is some further ado about near 'nothing'. Does everything amount to a total Nothing except for the quantum fluctuations of uncertainty? Certainly. Will we disprove the Supernatural? Naturally. What does the sum total of the information content of Everything add up to? Nothing. Nil. Null. Not a thing. Do we really learn Everything here, such as what is the origin of the universe and also the explanation of that which produced it. Yes. Really? Yes, for sure; you can count on it. Are any other of your books kind of like this one? Yes, see 'Butterflies At the Edge of Forever'.

An Exploration of the Joys of the Human Condition and the Astounding Secrets of the Universe and the Mind Through the Life of a Loving Couple Engaged in the Ultimate Relationship Across the Centuries and into the Future.Escaping from a monastery-abbey that engulfed itself in the flames of ignorance, such as the one in in the book "The Name of the Rose", they, our ever returning couple, salvage a mysterious book of quatrains that guides them through the joys and follies of the human condition as they live out its words, for the proof of all writing is to live it. So close in thought that they need not even be named at first, our couple takes a picaresque journey through the first part of the book to solve the difficulties of life as they are encountered in their travels through the forested countryside. Alive and positive, it makes you want to run right out and live. Includes the Book of Quatrains and the Journal. Many grayscale illustrations. Magical and Mystical.

Charles Knight: Educator, Publisher, Writer is the first modern book-length study of this important nineteenth-century educational reformer, author, and publisher. Though he made significant contributions during his lifetime to the cause of popular education, providing inexpensive but quality reading material for the newly literate working classes, Knight has been largely ignored by scholars. This neglect, the author suggests, may be related to Knight's association with the controversial Society for the Diffusion of Useful Knowledge and to the use scholars make of Knight's Penny Magazine and his two volumes on political economy to support their arguments on theories of social control and other issues. The author argues that Knight's reputation has suffered as a result. She reexamines the evidence to offer fresh assessments of Knight's life and work that illuminate his genuine achievements. She concludes with an evaluation of Knight's role as an innovative publisher who used the latest techniques to provide the emerging mass readership with unique combinations of text and image in his many 'pictorial' books and periodicals.

Presents a comprehensive overview of the medieval period.