"Kings of Tort chronicles a tale of judicial bribery and political intrigue in Mississippi ... . It features the story of Dickie Scruggs, who was largely credited with bringing down Big Tobacco in the early 1990s. From his ascent to a net worth of nearly a billion dollars to his downfall stemming from his role in improperly influencing two local judges to influence cases involving fee disputes with other lawyers, the book documents how those in Scruggs's own trusted circle of tort barons turned on him and cooperated with federal authorities. It also shows the political influence he wielded with judges, attorneys general, and even his own brother-in-law, former US Senator Trent Lott" --

**INSTANT NEW YORK TIMES BESTSELLER** In the vein of Mary Beth Keane’s Ask Again, Yes and Cynthia D'Aprix Sweeney's The Nest, Tracey Lange’s We Are the Brennans explores the staying power of shame—and the redemptive power of love—in an Irish Catholic family torn apart by secrets. When twenty-nine-year-old Sunday Brennan wakes up in a Los Angeles hospital, bruised and battered after a drunk driving accident she caused, she swallows her pride and goes home to her family in New York. But it’s not easy. She deserted them all—and her high school sweetheart—five years before with little explanation, and they've got questions. Sunday is determined to rebuild her life back on the east coast, even if it does mean tiptoeing around resentful brothers and an ex-fiancé. The longer she stays, however, the more she realizes they need her just as much as she needs them. When a dangerous man from her past brings her family’s pub business to the brink of financial ruin, the only way to protect them is to upend all their secrets—secrets that have damaged the family for generations and will threaten everything they know about their lives. In the aftermath, the Brennan family is forced to confront painful mistakes—and ultimately find a way forward, together.

Introduction : "A camera is a tool for learning how to see ...".

Mads Johansen Lange (1807-1856) was the most influential person that made Bali prosper during the mid 19th century. In order to receive favorable treatment and procure lucrative trade deals, he presented the kings of Bali with luxury goods. His philosophy was to unite and share rather than divide and conquer, so he treated all his relationships equally within the social-political system of the time. Lange strived to have peace maintained in Bali for his business to succeed and for the welfare of the inhabitants. The prosperity is evident in the luxury goods that he presented to his contacts, from valuable daggers with gold and precious gems, to elaborate temple sculptures, to fancy carved cabinets. Lange branded these gifts with his name, many with an image of his face or important scenes from his life. Portrait figures done in an unusual and animated style illustrate important events, from befriending royalty, to playful interactions with his wives, to negotiating peace treaties between the Balinese and the Dutch. Those who are closely or remotely familiar with Lange’s role in Balinese history will be fascinated by these artifacts as they increase the interest and understanding of him as a human being. These gifts remained hidden in palaces, temples, and caves across the island for nearly 200 years. This unique collection was made possible through the untiring efforts of a fellow Dane, Peter Bloch.

Brilliant, beautiful, driven, uncompromising, elusive, iconic—Jessica Lange is one of the most gifted and fascinating actors of her generation. From her rise to fame in Dino De Laurentiis's remake of King Kong (1976) and her Oscar-winning performances in Tootsie (1982) and Blue Sky (1994); to her Emmy-winning work in Grey Gardens (2009) and the American Horror Story series; and her Tony Award–winning turn in Eugene O'Neill's Long Day's Journey into Night (2016), Lange has had a long and illustrious career on-screen and onstage. She has worked with some of the most celebrated names in the business, including Jack Nicholson, Bob Fosse, Martin Scorsese, Kim Stanley, Halle Berry, and Kathy Bates. Jessica Lange: An Adventurer's Heart, the first full-length biography of Lange, presents a comprehensive study of the life and work of an exceptional actress. Beginning with her upbringing in Minnesota, author Anthony Uzarowski traces Lange's formative years as a restless soul who found solace in art and a life on the road before turning to acting. While critics initially questioned her talent, she refused to be dismissed as yet another pretty face. She continued to study her craft and immersed herself in her roles, honing the poignant and emotionally charged performances for which she is renowned. Lange was introduced to a whole new generation of fans with her acclaimed work in Ryan Murphy's anthology series, American Horror Story. Murphy later created another chance for Lange to shine with his television miniseries, Feud: Bette and Joan, costarring Susan Sarandon. This meticulously researched and wide-ranging biography also gives a glimpse into Lange's carefully guarded private life: her years as a free-spirited artist in the 1960s, her dedication to motherhood, and her legendary partnership with Sam Shepard, which was one of the most passionate, tumultuous, and secretive long-term relationships in Hollywood.

The Videography of Darcy Lange is a critical monograph of a pivotal figure in early analogue video. Trained as a sculptor at the Royal College of Art, Lange developed a socially engaged video practice with remarkable studies of people at work in industrial, farming, and teaching contexts that drew from conceptual art, social documentary and structuralist filmmaking. Lange saw in portable video a democratic tool for communication and social transformation, continuing the legacy of the revolutionary avant-garde projects that merged art with social life and turned audiences into producers. This book follows Lange's trajectory from his early observational studies to the crisis of representation and socially engaged video and activism, as it is shaped by, and resists, the artistic, cultural and political preoccupations of the 1970s and 1980s. It strikes a balance between being a monographic account providing a close analysis of Lange's oeuvre and drawing from unpublished archival materials—a sort of catalogue raisonné—whilst maintaining a breadth with theoretical discourses around the themes of labour and class, education, and indigenous struggles central to his work. The book's frameworks of Conceptual Art, structuralist and ethnographic film theory, social documentary and the critique of representation, video as social practice and the notion of 'feedback', participatory socially engaged art and postcolonial and indigenous theory,—expand our understanding of video outside the predominant structuralist tendencies. Lange's transnational and nomadic career introduces notions of alterity and challenges nationalistic accounts that excluded him in the past.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 There are only three things that humans can do: think, feel, and act. We are constantly thinking, feeling, and acting, and we must learn how to direct and control our responses to those who push our buttons. #2 There are four main screwball feelings: excessive anxiety, anger/defensiveness, depression/burnout, and guilt. If you get excessively anxious, you will not handle that situation effectively. If you get excessively angry, you will not handle it well. #3 When you are overreacting, you are making yourself excessively guilty. When you are excessively guilty, others can manipulate you, and you will make decisions for all the wrong reasons. #4 The ABC’s are a model that I developed in 1955 when I began practicing Rational Emotive Behavior Therapy, the first of today’s cognitive behavior therapies. They represent specific people and things that could push your buttons. The two types of Activating Events are major crises like flood, famine, disease, or war, and daily hassles, frustrations, worries, problems, decisions, and difficult people.