Giles Fairhaven, Viscount Kincade, does not believe his life can get much worse after his purse is stolen at an inn before he has paid his bill and then he is set upon by three ruffians in the inn yard before he can leave. But it does grow worse when a little slip of a lady clad only in a flannel nightgown and wielding a large black man's umbrella comes to his rescue and puts his assailants to rout and then--after he has left--pays his reckoning at the inn plus the money he lost the evening before in a card game with a fellow guest plus what he owed the barmaid with whom he spent the night. The ensuing gossip is almost too much humiliation for Giles to bear. Yet when he finds and confronts Daisy Morrison in London, far from being cowed by his displeasure, she declares with sunny good nature that if he insists upon repaying the slight favour she was able to do for him, then he can recommend a lady sponsor to her so that she may find a husband for her younger sister among the gentlemen of the ton. Inexplicably, Giles finds himself agreeing. His troubles are only just beginning.

A young girl who has lost her father finds herself at the mercy of a mysterious woman who is not quite what she seems in this atmospheric and unputdownable novel from the New York Times bestselling author of the Flowers in the Attic series turned into popular Lifetime movies. Left on a train platform in an unfamiliar village, little Saffron Faith Anders is certain her father will return shortly, just like he promised. She holds out hope even as the hours pass and the station grows dark. When a strange old woman with a large umbrella approaches and inquiries about her situation, Saffron doesn’t immediately trust the imposing do-gooder, but with the chances of her father returning growing ever slimmer, she agrees to rest at the old woman’s house. Her stay was supposed to be for a few minutes, hours at most, but soon, Saffron soon realizes she has been confined to a house of dark secrets and is now at the mercy of the enigmatic Umbrella Lady. One minute grandmotherly and the next wickedly cruel, she shears Saffron’s hair, burns all the clothes she had in her suitcase, and pretends that the photo of a young girl hanging on her bedroom wall is no one in particular. When strange letters arrive from Saffron’s father, claiming that he will send for her shortly, hope returns to her young heart. But Saffron soon discovers that those who claim to love you will often hurt you the most....

Fiction. Gothic twists and pop-up trivia from the day-before-yesterday mark these ten fairytales of female lives. At turns reminiscent of Angela Carter, David Lynch, and Isak Dinesen, Nicolette de Csipkay's debut collection signals a fresh, versatile talent worthy of wide attention. "This is a polished gem of a book. Exquisitely written, elegantly imagined, de Csipkay's stories are dreams hardened into dagger points. From the pleasure trip that becomes a little too Kafkesque to the floral sacrifice that turns deadly, de Csipkay's precise and dazzling prose twists and mutates, serpentine, from fairy tale to gothic horror, from banality to peril. Populated by unforgettable characters, in a style too fierce to be false, BLACK UMBRELLA STORIES is simultaneously enchanting and disturbing, and is an absolutely orginal debut"--Jeffrey DeShell.

In the rich and varied life stories in Under the Black Umbrella, elderly Koreans recall incidents that illustrate the complexities of Korea during the colonial period. Hildi Kang here reinvigorates a period of Korean history long shrouded in the silence of those who endured under the "black umbrella" of Japanese colonial rule. Existing descriptions of the colonial period tend to focus on extremes: imperial repression and national resistance, Japanese subjugation and Korean suffering, Korean backwardness and Japanese progress. "Most people," Kang says, "have read or heard only the horror stories which, although true, tell only a small segment of colonial life." The varied accounts in Under the Black Umbrella reveal a truth that is both more ambiguous and more human—the small-scale, mundane realities of life in colonial Korea. Accessible and attractive narratives, linked by brief historical overviews, provide a large and fully textured view of Korea under Japanese rule. Looking past racial hatred and repression, Kang reveals small acts of resistance carried out by Koreans, as well as gestures of fairness by Japanese colonizers. Impressive for the history it recovers and preserves, Under the Black Umbrella is a candid, human account of a complicated time in a contested place.

Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.

Henry Birks (30 November 1840 - 16 April 1928) was a Canadian businessman and founder of Henry Birks and Sons, a chain of high-end Canadian jewellery stores.He was born to English immigrants from Yorkshire, England. His parents moved to Canada in 1832. Son of John Birks, a pharmacist, and Ann Marie, he did his schooling in commercial studies at the High School of Montreal. In 1857, Birks was hired as a clerk at Savage and Lyman in Montreal, reputed to be the finest jeweller and watchmaker in the Province of Canada at that time. Although Birks eventually became a partner in the firm in 1868, the company's later financial difficulties encouraged Birks to leave in 1877 With an investment of C$3000, Birks opened his own small jewellery shop in 1879 on Saint Jacques Street in the heart of Montreal's financial and commercial district. In 1893, Birks went into partnership with his three sons (William, John and Gerald), and the name of the firm became Henry Birks and Sons.

The mysterious author of Dreams of a Stranger advises: reader beware. Unconstrained by interpretation or explanation, the lucid dreams and nightmares catalogued herein are hectic, morbid, and disturbing. From a mind overcome by night terrors, each dated entry is a challenge. Do you dare escape into such an estranging dreamscape of darkness and light?