This book is a multi-faceted, interdisciplinary examination of the music and figure of Lady Gaga, combining approaches from scholars in cultural studies, art, fashion, and music. It represents one of the first scholarly volumes devoted to Lady Gaga, who has become, over a few short years, central to both popular (and, indeed, populist) as well as more scholarly thought in these areas and who, the contributors argue, is helping to shape—directly and indirectly—thought and culture both in the fields of the "scholarly" and the "everyday." Lady Gaga's output is firmly embedded in a self-consciously intellectual pop culture tradition, and her music videos are intertextually linked to icons of pop culture intelligentsia like Alfred Hitchcock and open to multiple interpretations. In examining her music and figure, this volume contributes both to debates on the status of intertextuality, held in tension with originality, and to debates on the figuring of the sexualized female body, and representations of disability. There is interest in these issues from a wide range of disciplines: popular musicology, film studies, queer studies, women’s studies, gender studies, disability studies, popular culture studies, and the burgeoning sub-discipline of aesthetics and philosophy of fashion.

This book is a multi-faceted, interdisciplinary examination of the music and figure of Lady Gaga, combining approaches from scholars in cultural studies, art, fashion, and music. It represents one of the first scholarly volumes devoted to Lady Gaga, who has become, over a few short years, central to both popular (and, indeed, populist) as well as more scholarly thought in these areas and who, the contributors argue, is helping to shape—directly and indirectly—thought and culture both in the fields of the "scholarly" and the "everyday." Lady Gaga's output is firmly embedded in a self-consciously intellectual pop culture tradition, and her music videos are intertextually linked to icons of pop culture intelligentsia like Alfred Hitchcock and open to multiple interpretations. In examining her music and figure, this volume contributes both to debates on the status of intertextuality, held in tension with originality, and to debates on the figuring of the sexualized female body, and representations of disability. There is interest in these issues from a wide range of disciplines: popular musicology, film studies, queer studies, women’s studies, gender studies, disability studies, popular culture studies, and the burgeoning sub-discipline of aesthetics and philosophy of fashion.

Lady Gaga is an American singer-songwriter and performer best known for her flamboyant outfits, provocative lyrics, and powerful vocal abilities. Her songs "Just Dance," "Bad Romance," and "Born This Way" have gained tremendous mainstream popularity. She began learning music at a young age and by the time she was a teenager, she was playing onstage in New York City clubs. She attended Manhattan's Convent of the Sacred Heart, an all-girls academy, before going on to study music at New York University's Tisch School of the Arts. She spent two years at Tisch before dropping out to pursue her own career. She started transforming herself from Germanotta into Lady Gaga after dropping out, with a style that mixed glam rock and over-the-top fashion design. She and Lady Starlight, a performance artist, created the Ultimate Pop Burlesque Rockshow in 2007. Lady Gaga, who has written songs for Fergie, the Pussycat Dolls, and Britney Spears, was signed by Akon and Interscope Records in the same year and started working on her debut album, The Fame, which was released in 2008.

Discusses the career of Stefani Germanotta, aka Lady Gaga, and her public social activism.

Series consultant and author Mark Mussari takes readers on a journey from the beginnings of rock and roll and the nascent youth culture of the 1950s and 1960s through the materialistic years of the 1980s into the still-being-defined early twenty-first century. In this fascinating book, this record of the ever-changing world of American culture is highlighted with a fabulous variety of photographs from the last six decades.

This title examines the fascinating life of Lady Gaga. Readers will learn about Lady Gaga's childhood, family, education, and rise to fame. Colorful graphics, oversize photos, and informative sidebars accompany easy-to-read, compelling text that explores Lady Gaga's early interest in music that led to the release of her albums The Fame, The Fame Monster, and Born This Way, her Grammy Awards, her philanthropic efforts toward the gay and lesbian community and raising awareness about HIV/AIDS, and her unique style. Features include a table of contents, glossary, selected bibliography, Web links, source notes, and an index, plus a timeline and fun facts. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.

This book investigates the stardom of Lady Gaga within a cultural-sociological framework. Resisting a reductionist perspective of fame as a commodity, Mathieu Deflem offers an empirical examination of the social conditions that informed Lady Gaga’s rise to fame. The book delves into topics such as the marketing of Lady Gaga; the legal issues that have dogged her career; the media; her audience; her activism; issues of sex, gender, and sexuality; and Lady Gaga’s unique artistry. By training a spotlight on this singular pop icon, Lady Gaga and the Sociology of Fame invites readers to consider the nature of stardom in an age of celebrity.