Each summer between 1790 and 1860, hundreds and eventually thousands of southern men and women left the diseases and boredom of their plantation homes and journeyed to the healthful and entertaining Virginia Springs. While some came in search of a cure, most traveled over the mountains to enjoy the fashionable society and participate in an array of social activities. At the springs, visitors, as well as their slaves, interacted with one another and engaged in behavior quite different from the picture presented by most historians. In the leisurely and pleasure-filled environment of the springs, plantation society's hierarchies became at once more relaxed and more contested; its rituals and rules sometimes changed and reformed; and its gender divisions often softened and blurred. In Ladies and Gentlemen on Display, Charlene Boyer Lewis argues that the Virginia Springs provided a theater of sorts, where contests for power between men and women, fashionables and evangelicals, blacks and whites, old and young, and even northerners and southerners played out—away from the traditional roles of the plantation. In their pursuit of health and pleasure, white southerners created a truly regional community at the springs. At this edge of the South, elite southern society shaped itself, defining what it meant to be a "Southerner" and redefining social roles and relations.

Written as a dissertation in history at the U. of Virginia, this study recreates the societal mores displayed at summer resorts at Virginia Springs from 1790-1860, as this was recorded in the letters and other archives of families who sojourned there. Lewis (history, Widener U.) suggests that her history provides a new insight into plantation society by recording responses to unusual events and lack of routine. She supplements the account with some analysis of the sources for the romantic and idealistic views of this culture. Annotation copyrighted by Book News, Inc., Portland, OR

After his widely celebrated debut, Mr. Peanut, Adam Ross now presents a darkly compelling collection of stories about brothers, loners, lovers, and lives full of good intentions, misunderstandings, and obscured motives. A hotshot lawyer, burdened by years of guilt and resentment, comes to the rescue of his irresponsible, irresistible younger brother. An unsettling story resonates between the dysfunctional couple telling it and their listening friends as well. A lonely professor, frequently regaled with unbelievably entertaining tales by the office handyman, suddenly fears he’s being asked to abet a murderous fugitive. An awkward but nervy adolescent uses his brief career as a child actor to further his designs on a WASPy friend’s seemingly untouchable sister. A man down on his luck closes in on a mysterious, much-needed job offer while doing a good turn for his fragile neighbor, with results at once surreal and hilarious. And when two college kids goad each other on in an escalating series of breathtaking dares, the outcome is as tragic as it is ambiguous. Laced with glimmers of redemption, youthful energy, and hard-won wisdom, these noirish stories unspool purposefully and fluidly; together they confirm the arrival of—as Michiko Kakutani put it in The New York Times—“an enormously talented writer.”

In the hands of a skilled trial lawyer, the closing argument offers the courtroom's greatest dramatic possiblilities. It is the advocate's last opportunity to convince the jury of their version of the "truth" before the defendent's fate is sealed. Every argument included here is a finely crafted verbal work of art - they represent the modern-day, highest form of an ancient profession and art: that of the storyteller. The only available collection of great closing arguments - complete with insightful analysis and biographical profiles of the lawyers involved - this fascinating volume gathers the passionate finales of the most celebrated cases in history. Included are the climactic closes to the Nuremberg War Trials; Gerry Spence's crusade against the Kerr-McGee Nuclear Power Plant after the mysterious death of Karen Silkwood; Vincent Bugliosi's successful prosecution of cult leader Charles Manson and his followers; the astounding acquittal of John Delorean despite video evidence of his offences and the prosecution resulting from the Mai Lai massacre.

Looking for guidance in understanding the ways and means of Southern culture? Look no further. Florence King's celebrated field guide to the land below the Mason-Dixon Line is now blissfully back in print, just in time for the Clinton era. The Failed Souther Lady's classic primer on Dixie manners captures such storied types as the Southern Woman (frigid, passionate, sweet, bitchy, and scatterbrained--all at the same time), the Self-Rejuvenating Virgin, and the Good Ole Boy in all his coats and stripes. (The Clinton questions--is he a G.O.B. or isn't he?--Miss king covers in her hilarious new Afterword.) No one has ever made more sharp, scathing, affectionate, real sense out of the land of the endless Civil War than Florence King in these razor-edged pages.