Brings Lacan and Nietzsche together as part of a common effort to rethink the tradition of Western ethics. Bringing together Jacques Lacan and Friedrich Nietzsche, Tim Themi focuses on their conceptions of ethics and on their accounts of the history of ethical thinking in the Western tradition. Nietzsche blames Plato for setting in motion a degenerative process that turned ethics away from nature, the body, and its senses, and thus eventually against our capacities for reason, science, and a creative, flourishing life. Dismissing Plato’s Supreme Good as a “mirage,” Lacan is very much in sympathy with Nietzsche’s reading. Following this premise, Themi shows how Lacan’s ethics might build on Nietzsche’s work, thus contributing to our understanding of Nietzsche, and also how Nietzsche’s critique can strengthen our understanding of Lacan.

Bringing together Jacques Lacan and Friedrich Nietzsche, Tim Themi focuses on their conceptions of ethics and on their accounts of the history of ethical thinking in the Western tradition. Nietzsche blames Plato for setting in motion a degenerative process that turned ethics away from nature, the body, and its senses, and thus eventually against our capacities for reason, science, and a creative, flourishing life. Dismissing Plato's Supreme Good as a "mirage," Lacan is very much in sympathy with Nietzsche's reading. Following this premise, Themi shows how Lacan's ethics might build on Nietzsche's work, thus contributing to our understanding of Nietzsche, and also how Nietzsche's critique can strengthen our understanding of Lacan.

Bringing together Bataille with Lacan and Nietzsche, Tim Themi examines the role of aesthetics implicit in each and how this invokes an erotic process celebrating the real of what is usually excluded from articulation. Bataille came to deem eroticism as the standpoint from which to grasp humanity as a whole, based on his understanding of our transition to humanity being founded on a series of taboos placed on inner animality. An erotic outlet for the latter was historically the aesthetic dimensions of our religions, but Bataille’s view of how this was gradually diminished has much in keeping with Nietzsche’s critique of Christian-Platonic dualism and Lacan’s of the desexualised Good of Western metaphysics. Building from these often surprising proximities, Themi closely examines Bataille’s many interventions into the history of aesthetics — from his confrontations with Breton’s surrealism to his own novels and encounter with the animal cave paintings of Lascaux — radically re-illuminating the corollary phenomena of Dionysos in Nietzsche’s philosophy and the “jouissance [enjoyment] of transgression” in the psychoanalysis of Lacan. A new ethical criterion for aesthetic works and creations on this basis becomes possible.

The Quarrel Between Poetry and Philosophy: Perspectives Across the Humanities is an interdisciplinary study of the abiding quarrel to which poet-philosopher Plato referred centuries ago in the Republic. The book presents eight chapters by four humanities scholars that historically contextualize and cross-interpret aspects of the quarrel in question. The authors share the view that although poets and philosophers continually quarrel, a harmonious union between the two groups is achievable in a manner promising application to a variety of contemporary cultural-political and aesthetic debates, all of which have implications for the current status of the humanities.

In this reissused work, first published in 1991, John Rajchman isolates the question of ethics in the work of Foucault and Lacan and explores its ramifications and implications for the present day. He demonstrates that the question of ethics was at once the most difficult and the most intimate question for these two authors, offering a complex point of intersection between them. As such, he argues that it belongs to the great tradition that is concerned with the passion or eros of philosophy and of its "will to truth". Truth and Eros suggests a way of reading Foucault and Lacan as philosophers who re-eroticised the activity of thought in our time, opeing new and different spaces for thought and action - new types of subjectivity.

With its privileging of the unconscious, Jacques Lacan's psychoanalytic thought would seem to be at odds with the goals and methods of philosophy. Lacan himself embraced the term "anti-philosophy" in characterizing his work, and yet his seminars undeniably evince rich engagement with the Western philosophical tradition. These essays explore how Lacan's work challenges and builds on this tradition of ethical and political thought, connecting his "ethics of psychoanalysis" to both the classical Greek tradition of Socrates, Plato, and Aristotle, and to the Enlightenment tradition of Kant, Hegel, and de Sade. Charles Freeland shows how Lacan critically addressed some of the key ethical concerns of those traditions: the pursuit of truth and the ethical good, the ideals of self-knowledge and the care of the soul, and the relation of moral law to the tragic dimensions of death and desire. Rather than sustaining the characterization of Lacan's work as "anti-philosophical," these essays identify a resonance capable of enriching philosophy by opening it to wider and evermore challenging perspectives.

This book re-explores Friedrich Nietzsches critique of nihilism through the lenses of Gilles Deleuze. A Deleuzian reading of Nietzsche is motivated by a post-deconstructive style of interpretation, inasmuch as Deleuze goes beyond, or in between, hermeneutics and deconstruction. The book is not about Deleuzes reading per se; rather, it is an appraisal of Nietzsches critique of nihilism using Deleuzes experimental reading. As such, the book is an experiment in itself, as it shows how to partly gloss Nietzsches critique of nihilism through Deleuzian phraseology.