After two decades of searching for La Salle’s lost ship La Belle, Texas Historical Commission (THC) divers in 1995 located a shipwreck containing historic artifacts of European origin in the silty bottom of Matagorda Bay, off the coast of Texas. The first cannon lifted from the waters bore late seventeenth-century French insignias. The ill-fated La Belle had been found. Under the direction of then-THC Archeology Division Director James Bruseth, the THC conducted a full excavation of the water-logged La Belle. The conservation was subsequently completed at Texas A&M University’s Conservation Research Laboratory, resulting in preservation of more than one million artifacts from the wreck. An official naval vessel granted to La Salle by the king of France in 1684, La Belle is still considered a sovereign naval vessel belonging to the French government under international maritime law. A formal agreement negotiated by the French Republic, the Musée national de la Marine, the US Department of State, and the THC allows the ship and artifacts to remain in Texas permanently and to be housed in an exhibit at the Bob Bullock Texas State History Museum in Austin, opening October 2014. This richly illustrated catalog will accompany the exhibit.

An account of the discovery and excavation of the French ship La Belle, shipwrecked in 1686 in Matagorda Bay, Texas.

Named "One of the 100 best books ever published in Canada" (The Literary Review of Canada), Rites of Spring is a brilliant and captivating work of cultural history from the internationally acclaimed scholar and writer Modris Eksteins. Dazzling in its originality, witty and perceptive in unearthing patterns of behavior that history has erased, Rites of Spring probes the origins, the impact and the aftermath of World War I--from the premiere of Stravinsky's ballet Le Sacre du Printemps in 1913 to the death of Hitler in 1945. "The Great War," Eksteins writes, "was the psychological turning point...for modernism as a whole. The urge to create and the urge to destroy had changed places." In this extraordinary book, Eksteins goes on to chart the seismic shifts in human consciousness brought about by this great cataclysm through the lives and words of ordinary people, works of literature, and such events as Lindbergh's transatlantic flight and the publication of the first modern bestseller, All Quiet on the Western Front. Rites of Spring is a remarkable and rare work, a cultural history that redefines the way we look at our past and toward our future.

The years before the First World War have long been romanticized as a zenith of French culture—the “Belle Époque.” The era is seen as the height of a lost way of life that remains emblematic of what it means to be French. In a vast range of texts and images, it appears as a carefree time full of joie de vivre, fanfare and frills, artistic daring, and scientific innovation. The Moulin Rouge shared the stage with the Universal Exposition, Toulouse-Lautrec rubbed elbows with Marie Curie and La Belle Otero, and Fantômas invented automatic writing. This book traces the making—and the imagining—of the Belle Époque to reveal how and why it became a cultural myth. Dominique Kalifa lifts the veil on a period shrouded in nostalgia, explaining the century-long need to continuously reinvent and even sanctify this moment. He sifts through images handed down in memoirs and reminiscences, literature and film, art and history to explore the many facets of the era, including its worldwide reception. The Belle Époque was born in France, but it quickly went global as other countries adopted the concept to write their own histories. In shedding light on how the Belle Époque has been celebrated and reimagined, Kalifa also offers a nuanced meditation on time, history, and memory.

NEW YORK TIMES BESTSELLER Philip Pullman returns to the parallel world of His Dark Materials--now an HBO original series starring Dafne Keen, Ruth Wilson, Andrew Scott, and Lin-Manuel Miranda--to expand on the story of Lyra, “one of fantasy’s most indelible heroines” (The New York Times Magazine). Don’t miss Volume II of The Book of Dust: The Secret Commonwealth! Malcolm Polstead and his daemon, Asta, are used to overhearing news and the occasional scandal at the inn run by his family. But during a winter of unceasing rain, Malcolm finds a mysterious object—and finds himself in grave danger. Inside the object is a cryptic message about something called Dust; and it’s not long before Malcolm is approached by the spy for whom this message was actually intended. When she asks Malcolm to keep his eyes open, he begins to notice suspicious characters everywhere: the explorer Lord Asriel, clearly on the run; enforcement agents from the Magisterium; a gyptian named Coram with warnings just for Malcolm; and a beautiful woman with an evil monkey for a daemon. All are asking about the same thing: a girl—just a baby—named Lyra. Lyra is at the center of a storm, and Malcolm will brave any peril, and make shocking sacrifices, to bring her safely through it. “Too few things in our world are worth a seventeen-year wait: The Book of Dust is one of them.” —The Washington Post “The book is full of wonder. . . . Truly thrilling.” —The New York Times “People will love the first volume of Philip Pullman’s new trilogy with the same helpless vehemence that stole over them when The Golden Compass came out.” —Slate

The Porticello Shipwreck provides unique information on seafaring technologies and trade practices at the turn of the fifth century B.C. This volume is the final report of the excavation, including detailed analyses of the ship and its contents and a thorough catalog of artifacts associated with the shipwreck. The Porticello wreck documents for the Classical period aspects of anchor, sail, and hull construction. The cargo provides the earliest evidence for maritime trade in ink and the export of Athenian lead to the Mediterranean, and the cargo of amphoras is the largest assemblage of Greek and Punic amphoras from a shipwreck site. Of particular importance are the fragments of bronze Greek sculpture of the Classical period, which include a strikingly realistic bearded head. These pieces strongly suggest that techniques of Classical Greek bronze casting were much more varied and complex than art historians previously has though possible. The information in this book will be of great value to students of Classical Greek archaeology, sculpture, and economics as well as those interested in ancient maritime history.