True story of a polar bear cub raised by a bear keeper at Zoo Berlin.

When Americans remember him at all, they no doubt think of Knut Hamsun (1859–1952) as the author of Hunger or as the Norwegian who, along with Vidkun Quisling, betrayed his country by supporting the Nazis during World War II. Yet Hamsun, winner of the Nobel Prize in 1920 for his novel The Growth of the Soil, was and remains one of the most important and influential novelists of his time. Knut Hamsun Remembers America is a collection of thirteen essays and stories based largely on Hamsun’s experiences during the four years he spent in the United States when he was a young man. Most of these pieces have never been published before in an English translation, and none are readily available. Hamsun’s feelings about America and American ways were complex. For the most part, they were more negative than positive, and they found expression in many of his writings—directly in his reminiscences and indirectly in his fiction. In On the Cultural Life of Modern America, his first major book, he portrayed the United States as a land of gross and greedy materialism, populated by illiterates who were utterly lacking in artistic originality or refinement. Although the pieces in this collection are not all anti-American, most of them emphasize the strangeness and unpleasantness, as the author saw it, of life in what he called Yankeeland. Arranged chronologically, the pieces fall into three categories: Critical Reporting, Memory and Fantasy, and Mellow Reminiscence. The Critical Reporting section includes articles that appeared in Norwegian or Danish newspapers soon after each of Hamsun’s two visits to America and that give his views on a variety of American subjects, and includes an essay devoted to Mark Twain. Memory and Fantasy comprises narratives of life in America, most of which are presented as personal experiences but which actually are blends of fact and fiction. Mellow Reminiscence includes later and fonder recollections and impressions of the United States. The pieces in this collection provide variations on a theme that runs through much of American history—European criticism of American ways. They give vivid, at times distorted, pictures of life as it was in the United States. They tell us something about the development of the worldview of a man who became a great writer, only to jeopardize his reputation by defending the Nazi oppressors of his own people. Knut Hamsun Remembers America will appeal to anyone interested in the history of American civilization or, more specifically, in the history of anti-Americanism.

This is the first comprehensive study in English of the novels of Knut Hamsun, Nobel Laureate in literature for 1920, from the radically innovative Hunger (1890) to The Ring Is Closed (1936). The texts are discussed in depth, with analysis of recurrent themes, narrative modes, and generic idiosyncrasies, and are evaluated in terms of originality and artistic integrity. Reviews and other critical opinions are cited to broaden the evaluative spectrum and throw light on the novels' receptions. Although the book is scholarly, its blend of commentary and summarizing description - of settings, characters and story lines - will also interest the general reader.

Cover Flap English children learn that Knut the Great was a pre-Norman king born of Royal Danish blood who thought he could command the ocean tides. The rest of Europe learn that he was the Emperor of the North Sea, the Baltic Sea, the Irish Sea and the Channel. Knut was the son of Sweyn Forkbeard, a Danish king of kings who by 1000AD ruled all of Scandinavia. His empire was at peace, trade was thriving, and life was better than anyone could remember. But then the King of the Anglo Saxons, Aethelred the ‘Ill Advised’, ordered the massacre of all Danes on St. Brice’s market day. Why? When surely such a slaughter would be avenged? About the Author Skye Smith is my pen name. My interest in Knut stems from the endless research I did while writing “The Hoodsman” series of historical novels about the Norman invasion of England. That invasion by William the Conqueror was not a quick subjugation of an Anglo-Saxon England, but a long and bitter genocide of an Anglo-Danish England and the destruction of Knut’s great legacy. The first novel “Knut - Jomsviking” sets the characters and scene for the entire series, so if you haven’t yet read it, now would be a good time. This sixth novel in historical sequence describes how the vengeance of the Danes began against Aethelred the Unread. Other Novels By The Same Author: The Hoodsman – 12 historical adventures set in the Norman conquest. Maya’s Aura – 8 new age adventures while tripping around the world. The Pistoleer – 9 historical adventures set in the English Civil War. Knut – many historical adventures set in the Viking Era. Knut #1 – Jomsviking (980 – 984) Knut #2 – Varangian (986 – 992) Knut #3 – Strandhogg (993 – 994) Knut #4 – Forkbeard’s Peace (995 – 999) Knut #5 – Brice’s Massacre (1000 – 1002) Knut #6 – Vengeance (1002 – 1004) Knut #7 – Invasion (1004 – 1006 coming soon)

Cover Flap English children learn that Knut the Great was a pre-Norman king born of Royal Danish blood and was so conceited as to think that he could command the ocean tides. The rest of Europe learn that he was the Emperor of the North Sea, the Baltic Sea, the Irish Sea and the Channel. Directly or indirectly he ruled most of the peoples living around those seas and thus the trade between them flourished. Knut inherited the empire that his father, King Sweyn Forkbeard of the Danes had glued together. The glue he had used was the promise of wealth and technology through trade, and mercenary work in the Byzantine Empire. But the glue was being weakened by random strandhogg raids on his people. About the Author Skye Smith is my pen name. My interest in Knut stems from the endless research I did while writing “The Hoodsman” series of historical novels about the Norman invasion of England. That invasion by William the Conqueror was not a quick subjugation of an Anglo-Saxon England, but a long and bitter genocide of an Anglo-Danish England and the destruction of Knut’s great legacy. The first novel “Knut - Jomsviking” sets the characters and scene for the entire series, so if you haven’t yet read it, now would be a good time. This is the third novel in the series where Knut’s story continues with the further adventures of his father, King Sweyn Forkbeard of the Danes as he becomes more and more involved with the politics of England. The chapter headings identify the dates and places. The Appendix gives historical insight and a list of characters. Enjoy. Other Novels By The Same Author: The Hoodsman – 12 historical adventures set in the Norman conquest. Maya’s Aura – 8 new age adventures while tripping around the world. The Pistoleer – 9 historical adventures set in the English Civil War. Knut – many historical adventures set in the Viking Era. Knut #1 – Jomsviking (980 – 984) Knut #2 – Varangian (986 – 992) Knut #3 – Strandhogg (993 – 994) Knut #4 – Forkbeard’s Peace (995 – 999) Knut #5 – Brice’s Massacre (1000 – 1002 coming soon)

Cover Flap English children learn that Knut the Great was a pre-Norman king born of Royal Danish blood and was so conceited as to think that he could command the ocean tides. The rest of Europe learn that he was the Emperor of the North Sea, the Baltic Sea, the Irish Sea and the Channel. Directly or indirectly he ruled most of the peoples living around those seas and thus the trade between them flourished. Knut inherited the empire that his father, King Sweyn Forkbeard of the Danes had glued together. Glued with the technology and wealth gained from the Byzantine trade via the river routes to the Black Sea, and with Varangian warriors trained in the Byzantine. About the Author Skye Smith is my pen name. My interest in Knut stems from the endless research I did while writing “The Hoodsman” series of historical novels about the Norman invasion of England. That invasion by William the Conqueror was not a quick subjugation of a Brit-Saxon England, but a long and bitter genocide of Brit-Danish England and the destruction of Knut’s great legacy. The first novel “Knut - Jomsviking” sets the characters and scene for the entire series, so if you haven’t yet read it, now would be a good time. This is the second novel in the series where Knut’s story continues with the adventures of his father, King Sweyn Forkbeard of Denmark as he entwines the politics of Baltic and Black Seas with the politics of England. The chapter headings identify the dates and places. The Appendix gives historical insight and a list of characters. Enjoy. Other Novels By The Same Author: The Hoodsman – 12 historical adventures set in the Norman conquest. Maya’s Aura – 8 new age adventures while tripping around the world. The Pistoleer – 9 historical adventures set in the English Civil War. Knut – many historical adventures set in the Viking Era. Knut #1 – Jomsviking (980 – 984) Knut #2 – Varangian (986 – 992) Knut #3 – Strandhogg (993 – 994) Knut #4 – Forkbeard’s Peace (995 – 999) Knut #5 – Brice’s Massacre (1000 – 1002 coming soon)

Awarded the Nobel Prize for Literature in 1920, Knut Hamsun (1859–1952) was a towering figure of Norwegian letters. He was also a Nazi sympathizer and supporter of the German occupation of Norway during the Second World War. In 1943, Hamsun sent his Nobel medal to Third-Reich propaganda minister Joseph Goebbels as a token of his admiration and authored a reverential obituary for Hitler in May 1945. For decades, scholars have wrestled with the dichotomy between Hamsun’s merits as a writer and his infamous ties to Nazism. In her incisive study of Hamsun, Monika Zagar refuses to separate his political and cultural ideas from an analysis of his highly regarded writing. Her analysis reveals the ways in which messages of racism and sexism appear in plays, fiction, and none-too-subtle nonfiction produced by a prolific author over the course of his long career. In the process, Zagar illuminates Norway’s changing social relations and long history of interaction with other peoples. Focusing on selected masterpieces as well as writings hitherto largely ignored, Zagar demonstrates that Hamsun did not arrive at his notions of race and gender late in life. Rather, his ideas were rooted in a mindset that idealized Norwegian rural life, embraced racial hierarchy, and tightly defined the acceptable notion of women in society. Making the case that Hamsun’s support of Nazi political ideals was a natural outgrowth of his reactionary aversion to modernity, Knut Hamsun serves as a corrective to scholarship treating Hamsun’s Nazi ties as unpleasant but peripheral details in a life of literary achievement.