They advocated economic independence from whites and founded insurance companies that became some of the largest black-owned corporations.--L. Diane Barnes "Alabama Review"

Winner of the Jules and Frances Landry Award Historians have long considered the diary of William Johnson, a wealthy free Black barber in Natchez, Mississippi, to be among the most significant sources on free African Americans living in the antebellum South. Timothy R. Buckner’s The Barber of Natchez Reconsidered reexamines Johnson’s life using recent scholarship on Black masculinity as an essential lens, demonstrating a complexity to Johnson previously overlooked in academic studies. While Johnson’s profession as a barber helped him gain acceptance and respectability, it also required his subservience to the needs of his all-white clientele. Buckner’s research counters earlier assumptions that suggested Johnson held himself apart from Natchez’s Black population, revealing instead a man balanced between deep connections to the broader African American community and the necessity to cater to white patrons for economic and social survival. Buckner also highlights Johnson’s participation in the southern performance of manliness to a degree rarely seen in recent studies of Black masculinity. Like many other free Black men, Johnson asserted his manhood in ways beyond simply rebelling against slavery; he also competed with other men, white and Black, free and enslaved, in various masculine pursuits, including gambling, hunting, and fishing. Buckner’s long-overdue reevaluation of the contents of Johnson’s diary serves as a corrective to earlier works and a fascinating new account of a free African American business owner residing in the prewar South.

Examines the history of black-owned barber shops in the United States, from pre-Civil War Era through today.

The Promised Land tells of a warrior angel, anointed by God to punish those who have turned to evil and save those who suffer but whose faith never falter. Vengeance will rain down on those who do the bidding of the evil one. The land that God created has lost its purity and splendor due to the plague of filth and corruption brought by man. God is deeply hurt and disappointed by what Satan has done to Gods most precious creations and by these creations choice to embrace evil and turn their backs against the Lord. To stop evil from shrouding the world in its gloomy veil, God summons his warrior named Zorra. Armed with his faith and the power given to him by God, Zorra enters the world of mortals to destroy the evil that threatens to bring mankind apart. Zorras entry to the world leads him to Hampshire, England. He immediately notices the suffering of the Jews and the cruelty of the rich and powerful with King Richard, the ruler of England, as the worst of them all. Zorra knows King Richards demise is the key to restore peace in the kingdom. But God does not want King Richard to die; the former still wants to give the latter a chance to repent and change his ways. King Richard might resist, but Zorra is determined to end the kings cruelty to the Jews and save Gods chosen people from the rulers cruel hands. To do this, Zorra must return the Jews to Jerusalem, The Promised Land.

Loyalties will be tested and lives will be lost. Jace is a brother, now turned president, of the Cerberus Legends Motorcycle club. It wasn't by choice. The presidency came at the cost of his best friend's, Fork's, life. Fork was shot by a rival motorcycle gang, the Chiron Knights. Jace is forced to finish the job. It tears holes inside of him bigger than any bullet could do. He finds comfort in the arms (and legs) of Classic, a bar dancer at the Iron Hog. Classic belongs to one of the Chiron Knight brothers and Jace must immediately choose bros before hoes. When Classic is critically injured while riding her motorbike, it's clear the Chiron Knights tried to take her out of the picture. Disgusted by their ruthless antics, Jace declares war against the Knights. Loyalties are tested and lives will be lost, all in the name of the brotherhood of the road. Battle lines is the COMPLETE Collection of the Bad Boy Alpha Series NOTE: Battle Lines is formerly titled Alpha Bad Boy Series. Sorry for any confusion ! Search Terms: cheating husbands, HEA, heart break, action adventure, MC Biker, mc romance, mc series, alpha, badboy romanc, romance, Motorcycle Club, best seller series, lexy timms, Cassie Alexander, love, romance love triangle, New Adult & College Romance, romance billionaire series, Biker Romance Series, free romance series, free ebooks, contemporary romance, sweet romance, hot romance, hei, arranged marrige, marriage, love triangle, motorcycle club romance, Alpha male romance, romantic suspense, motorcycle romance, reapers motorcycle club series, Romantic Action & Adventure, Alpha Bad Boy, bad boy, bad boy obsession, billionaire, hot and steamy

How good was Negro League Baseball (1920-1948)? Some experts maintain that the quality of play was equal to that of the American and National Leagues. Some believe the Negro Leagues should be part of Major League Baseball's official record and that more Negro League players should be in the Hall of Fame. Skeptics contend that while many players could be rated highly, NL organizations were minor league at best. Drawing on the most comprehensive data available, including stats from more than 2,000 interracial games, this study finds that black baseball was very good indeed. Negro leaguers beat the big leaguers more than half the time in head-to-head contests, demonstrated stronger metrics within their own leagues and excelled when finally allowed into the majors. The authors document the often duplicitous manner in which MLB has dealt with the legacy of the Negro Leagues, and an appendix includes the scores and statistics from every known contest between Negro League and Major League teams.

This book presents the first comprehensive study of the philosopher and art historian Edgar Wind's critique of modern art. The first student of Erwin Panofsky, and a close associate of Aby Warburg, Edgar Wind was unusual among the 'Warburgians' for his sustained interest in modern art, together with his support for contemporary artists. This culminated in his respected and influential book Art and Anarchy (1963), which seemed like a departure from his usual scholarly work on the iconography of Renaissance art. Based on extensive archival research and bringing to light previously unpublished lectures, Edgar Wind and Modern Art reveals the extent and seriousness of Wind's thinking about modern art, and how it was bound up with theories about art and knowledge that he had developed during the 1920s and 30s. Wind's ideas are placed in the context of a closely connected international cultural milieu consisting of some of the leading artists and thinkers of the twentieth century. In particular, the book discusses in detail his friendships with three significant artists: Pavel Tchelitchew, Ben Shahn and R. B. Kitaj. In the process, the existence of an alternative to the prevailing formalist approach of Alfred Barr and Clement Greenberg to modern art, based on the enduring importance of the symbol, is revealed.