The 'Silver Age' of Spain ran from 1898 to 1939 and was characterized by intense urbanization, widespread class struggle and mobility and a boom in mass culture. This book offers the most detailed scholarly analysis of kiosk literature, one of the mass culture's manifestations, examined through the lens of contemporary interdisciplinary theories.

Winner, Gourmand World Cookbook Awards, 2023—Best Women of the World Book, Spain We are living in a moment in which famous chefs, Michelin stars, culinary techniques, and gastronomical accolades attract moneyed tourists to Spain from all over the world. This has prompted the Spanish government to declare its cuisine as part of Spanish patrimony. Even with this widespread global attention, we know little about how Spanish cooking became a litmus test for demonstrating Spain's modernity and, relatedly, the roles ascribed to the modern Spanish women responsible for daily cooking. Efforts to articulate a new, modern Spain infiltrated writing in multiple genres and media. Women's Work offers a sharp reading of diverse sources, placed in their historical context, that yields a better understanding of the roles of food within an inherently uneven modernization process. Further, author Rebecca Ingram's perceptive critique reveals the paradoxical messages women have navigated, even in texts about a daily practice that shaped their domestic and work lives. Women's Work posits that this is significant because of the degree to which domestic activities, including cooking, occupied women's daily lives, even while issues like their fitness as citizens and participation in the public sphere were hotly debated. At the same time, progressive intellectuals from diverse backgrounds began to invoke Spanish cooking and eating as one measure of Spanish modernity. Women's Work shows how culinary writing engaged these debates and reached women at the site of much of their daily labor—the kitchen—and, in this way, shaped their thinking about their roles in modernizing Spain.

This edited volume examines the historical, political, cultural, and aesthetic implications of re-visiting Restoration Spain (1874-1931) in television costume dramas produced since 2000. Contributors analyze, from different theoretical approaches and disciplinary perspectives, the appeal that the late nineteenth and early twentieth centuries hold for twenty-first-century Spanish audiences, as well as for international viewers who consume these programs through new media platforms. Themes and issues explored include: the production of televisual heritage, representations of period technologies, evolving constructions of gender, hybridization of television genres, and television as historian. Expanding the scope of inquiry in Spanish media studies, this collection seeks to bring Spain into wider discussions of media and historical representation and visual and material culture in Europe, the Americas, and beyond.

The contributors ask the following questions: • What are the different rhetorical strategies employed by writers, artists, filmmakers, and activists to react to the degradation of life and climate change? • How are urban movements using environmental issues to resist corporate privatization of the commons? • What is the shape of Spanish debates on reproductive rights and biotechnology? • What is the symbolic significance of the bullfighting debate and other human/animal issues in today's political turmoil in Spain? Hispanic Issues Series Nicholas Spadaccini, Editor-in-Chief Hispanic Issues Online hispanicissues.umn.edu/online_main.html

The food-secure and/or privileged worldwide no longer eat and drink simply to maintain life itself. They have the advantage and choice to regard "sustenance" not just as fuel for the body/machine but as a source of pleasure and entertainment for the mind/intellect. This enhanced concept of "sustenance" embraces all the senses: visual, auditory, olfactory, gustatory and tactile, thus including not just food & drink but ceremonies & art forms dealing with them. This book explores the substantive ways food & drink impact human existence. The work comprises five parts: medicine; ceremonies; literature & cinema; art & artists; space/architecture & advertising/art. Food & drink start with the physical, morph into nutrition, the most basic requirements for organic life, but progress from the beginning of physical process to ceremony and expression. The result and the experience highlight physiological and sensual concepts, and indeed, preference. Food & drink staples are determined by geographic availability and cuisine & beverage are closely associated with culture & ethnicity. Contributor exploration is wide-ranging: Aztec, Mexican & Spanish medicine; African & Roman Catholic rites; cookbook discourse and socio-gender influence; literature, including cultural comparisons of cooking and cooks; preparation & representation of food & drink as artistic endeavours, including by Latin American women, and types of inspirational "fodder", especially in the context of Picasso's art in Spain & France, & Spanish wine museums & labelling. Sustenance for the Body & Soul is the seventh book in the Hispanic Worlds series, details of which are available on the press website.

Philosophers have contemplated the meaning of life, the who & the why, since nascent self-consciousness of the evolving hominid species. Yet practical efforts, i.e., control of life, have always transcended the philosophical: how to dominate what happens to the physical body itself, how to control the environment, and the interaction therefrom. Thus are born rites, rituals & religions. A rite can be a prescribed religious or other solemn ceremony or act it can be a social custom or practice, or even a mundane conventional act. A ritual can be the established form for a ceremony, the order of words used for example; a ritual observance can be either a system of ceremonial acts or actions, or an act or series of acts regularly repeated in a set precise manner. Religion generally encompasses a socio-cultural system of designated behaviors and practices, morals, beliefs, worldviews, texts, sanctified places, prophecies, ethics, or organizations, that relates humanity to supernatural, transcendental, and spiritual elements. Religion is a set of beliefs, especially when considered as the creation of a superhuman agency or agencies, usually involving devotional and ritual observances (rites and rituals). Control efforts highlighted in this volume range from prehistoric cave paintings, Amerindian ceremonies, Christian denominational (especially Roman Catholic), traditions & Afro-Caribbean syncretic rites, to crossovers, which deal with the more socio-cultural rites of passage like the quinceanera, and/or dance rites & rituals like the Southern Cone tango, African candombe, Cuban habanera and European waltzes and polkas and the corrida, from the public ritual known as tauromaquia. The premise behind this comparative volume is to discover how rites, rituals & religions are addressed in real life in these divergent societies by exploring the visual and literary representations of control. Rites, Rituals and Religions is eighth and final volume in the Hispanic Worlds series

A reflection on Federico García Lorca’s life, his haunting death, and the fame that reinvigorated the marvelous in the modern world “A galaxy of critical insights into the cultural shock waves circling and crisscrossing Lorca’s execution and his unknown resting place, there is not a single book on Lorca like this one.”—Andrés Zamora, Vanderbilt University There is something fundamentally unfinished about the life and work of Federico García Lorca (1898–1936), and not simply because his life ended abruptly. Noël Valis reveals how this quality gives shape to the ways in which he has been continuously re-imagined since his death. Lorca’s execution at the start of the Spanish Civil War was not only horrific but transformative, setting in motion many of the poet’s afterlives. He is intimately tied to both an individual and a collective identity, as the people’s poet, a gay icon, and fabled member of a dead poets’ society. The specter of his violent death continues to haunt everything connected to Lorca, fueling the desire to fill in the gaps in the poet’s biography.