Neil Kingsblood is a white middle-class man who discovers, while researching his family background, that he is directly descended from an African adventurer on the American frontier. Through various machinations, Kingsblood loses his banking job and takes a lesser one. He begins to be treated differently by former acquaintances, despite the lack of visible black African ancestry. He is forced to choose between continuing what he has come to see as a hollow existence in the white community and taking on the oppressed minority status of the black community. After Kingsblood tells several white friends about his newfound ancestry, the news quickly spreads, and he finds that acquaintances change their behavior toward him. He engages in a quixotic struggle against the racism newly apparent but widespread in his community.

A neglected tour de force by the first American to win the Nobel Prize in literature, Kingsblood Royal is a stirring & wickedly funny portrait of a man who resigns from the white race. When Neil Kingsblood a typical middle-American banker with a comfortable life makes the shocking discovery that he has African-American blood, the odyssey that ensues creates an unforgettable portrayal of two Americas, one black, one white. As timely as when it was first published in 1947, one need only open today's newspaper to see the same issues passionately being discussed between blacks & whites that we find in Kingsblood Royal, says Charles Johnson. Perhaps only now can we fully appreciate Sinclair Lewis's astonishing achievement.

In the 1920s, black janitor Sylvester Long reinvented himself as Chief Buffalo Child Long Lance, and Elizabeth Stern, the native-born daughter of a German Lutheran and a Welsh Baptist, authored the immigrant's narrative I Am a Woman--and a Jew; in the 1990s, Asa Carter, George Wallace's former speechwriter, produced the fake Cherokee autobiography, The Education of Little Tree. While striking, these examples of what Laura Browder calls ethnic impersonator autobiographies are by no means singular. Over the past 150 years, a number of American authors have left behind unwanted identities by writing themselves into new ethnicities. Significantly, notes Browder, these ersatz autobiographies have tended to appear at flashpoints in American history: in the decades before the Civil War, when immigration laws and laws regarding Native Americans were changing in the 1920s, and during the civil rights era, for example. Examining the creation and reception of such works from the 1830s through the 1990s--against a background ranging from the abolition movement and Wild West shows to more recent controversies surrounding blackface performance and jazz music--Browder uncovers their surprising influence in shaping American notions of identity.

Weaving the fantasy appeal of Game of Thrones with the shocking details of real history, New York Times bestselling author of Sex with Kings Eleanor Herman reimagines the greatest emperor the world has ever known, Alexander the Great, in book one of the Blood of Gods and Royals series. Imagine a time when the gods turn a blind eye to the agony of men, when the last of the hellions roam the plains and evil stirs beyond the edges of the map. A time when cities burn and, in their ashes, empires rise. Alexander, Macedon's sixteen-year-old heir, is on the brink of discovering his fated role in conquering the known world, but finds himself drawn to a newcomer... Katerina must navigate the dark secrets of court life while keeping her own mission hidden: kill the queen. But she doesn't account for her first love... Jacob will go to unthinkable lengths to win Katerina, even if it means competing with Hephaestion, a murderer sheltered by the prince. And far across the sea, Zofia, a Persian princess and Alexander's unmet fiancée, wants to alter her destiny by seeking the famed and deadly Spirit Eaters.

Neil Kingsblood, a typical middle-American banker with a comfortable life, makes the shocking discovery that he has African-American blood.