King of the Bowery is the first full-length biography of Timothy D. "Big Tim" Sullivan, the archetypal Tammany Hall leader who dominated New York City politics—and much of its social life—from 1890 to 1913. A poor Irish kid from the Five Points who rose through ambition, shrewdness, and charisma to become the most powerful single politician in New York, Sullivan was quick to perceive and embrace the shifting demographics of downtown New York, recruiting Jewish and Italian newcomers to his largely Irish machine to create one of the nation's first multiethnic political organizations. Though a master of the personal, paternalistic, and corrupt politics of the late nineteenth century, Sullivan paradoxically embraced a variety of progressive causes, especially labor and women's rights, anticipating many of the policies later pursued by his early acquaintances and sometimes antagonists Al Smith and Franklin D. Roosevelt. Drawing extensively on contemporary sources, King of the Bowery offers a rich, readable, and authoritative potrayal of Gotham on the cusp of the modern age, as refracted through the life of a man who exemplified much of it. "... a necessary book for anyone unsatisfied by the usual histories of Irish-American urban political machines. ... The Irish-American boss has rarely been awarded the careful appraisal of the kind that Welch ... gives Sullivan. ... But caveat lector: you don't have to be Irish American or a New Yorker or a Democrat to enjoy this book. All you have to be is interested in a well-told story that is also a first-rate work of history." — Peter Quinn, Commonweal

In the decades before the Civil War, the miserable living conditions of New York City's lower east side nurtured the gangs of New York. This book tells the story of the Bowery Boys, one gang that emerged as part urban legend and part street fighters for the city's legions of young workers. Poverty and despair led to a gang culture that was easily politicized, especially under the leadership of Mike Walsh who led a distinct faction of the Bowery Boys that engaged in the violent, almost anarchic, politics of the city during the 1840s and 1850s. Amid the toppled ballot boxes and battles for supremacy on the streets, many New Yorkers feared Walsh's gang was at the frontline of a European-style revolution. A radical and immensely popular voice in antebellum New York, Walsh spoke in the unvarnished language of class conflict. Admired by Walt Whitman and feared by Tammany Hall, Walsh was an original, wildly unstable character who directed his aptly named Spartan Band against the economic and political elite of New York City and New England. As a labor organizer, state legislator, and even U.S. Congressman, the leader of the Bowery Boys fought for shorter working hours, the right to strike, free land for settlers on the American frontier, against child labor, and to restore dignity to the city's growing number of industrial workers.

The Revolution of ’28 explores the career of New York governor and 1928 Democratic presidential nominee Alfred E. Smith. Robert Chiles peers into Smith’s work and uncovers a distinctive strain of American progressivism that resonated among urban, ethnic, working-class Americans in the early twentieth century. The book charts the rise of that idiomatic progressivism during Smith’s early years as a state legislator through his time as governor of the Empire State in the 1920s, before proceeding to a revisionist narrative of the 1928 presidential campaign, exploring the ways in which Smith’s gubernatorial progressivism was presented to a national audience. As Chiles points out, new-stock voters responded enthusiastically to Smith's candidacy on both economic and cultural levels. Chiles offers a historical argument that describes the impact of this coalition on the new liberal formation that was to come with Franklin Delano Roosevelt’s New Deal, demonstrating the broad practical consequences of Smith’s political career. In particular, Chiles notes how Smith’s progressive agenda became Democratic partisan dogma and a rallying point for policy formation and electoral success at the state and national levels. Chiles sets the record straight in The Revolution of ’28 by paying close attention to how Smith identified and activated his emergent coalition and put it to use in his campaign of 1928, before quickly losing control over it after his failed presidential bid.

In 1935 Sidney Kingsley's play about streetwise urban kids, Dead End, opened on Broadway featuring 14 adolescent actors. For two years on Broadway and then on tour, Kingsley's play delivered its social commentary contrasting affluent neighborhoods and tenement slums on New York City's East River. The film industry picked up the story and in 1937 released Dead End which spawned 23 more years of films and serials featuring the Dead End Kids and their offshoots, Little Tough Guys, East Side Kids and the Bowery Boys. This chronicle follows the street kids through the many assorted incarnations, shifting casts and studios. First the reader is introduced to how the original play and film came about. A cast list and analysis of each production follows. For the major players, the author provides a biography and filmography, and several of these entries include a tribute from a friend or family member. Brief biographical profiles are given for other actors. Sketches of the "Dead End" revivals of 1978 and 2005 follow.