A cruise to die for is about David and his beautiful bride Nicky taking a cruise around the Caribbean sea. David and Nicky captain Duane and his crew and the rest of the passengers have no idea that there is a killer lurking around the ship. No one knows what the killer looks like or how tall the killer is or what color his hair and eyes are. From the time they leave Miami until they dock in the Cayman islands the killer lurks around the ship for the perfect prey as the killer strikes every night. As David and Nicky make friends the killer kills them one by one. Then one day the killer kills David and Nicky as David finds out who the killer really is? This story reads like a roller coaster it has its ups and downs along with some twist and turns before David finds out who the killer!

He thought the past was finally behind him Shade Sterling has carried a torch for Lizzy Conners since senior year of high school. But the timing never felt right for them, especially since his ex-girlfriend, Ariel, disappeared without a trace years ago. Now, with their ten-year class reunion approaching, Shade is tired of waiting. Determined to move on with his life and take a chance with Lizzy, he’s all in…until a car is dredged up from a local pond and Ariel’s remains are found inside. As the newly appointed sheriff, Lizzy must investigate every single lead—including the ones that point right to Shade. She knows she can’t let her heart get in the way of an investigation, but she can’t accept that Shade is guilty. Now if she can only prove it—both to the town out for justice and to herself.

This book examines the significance of cabins and other temporary seasonal dwellings as important symbols in modern Norwegian cultural and literary history. The author uses Michel Foucault’s notion of the “heterotopia”—an actual place that also functions imaginatively as a kind of real-world utopia—to examine how cabins have signified differently during successive periods, from an Enlightenment trope of simplicity and moderation, through the rise of tourism, into a period of increasing individualism and alienation from nature. For each period discussed, the author relates a widely recognized real world cabin to a cluster of thematically related literary texts from a wide variety of genres. Cabins in Modern Norwegian Literature considers both central canonical works, such as Camilla Collett’s The District Governor’s Daughters, Bjørnstjerne Bjørnson’s Synnøve Solbakken, Henrik Ibsen’s When We Dead Awaken, and Knut Hamsun’s The Growth of the Soil, as well as less widely known literary works and texts from marginal genres such as hunting narratives and crime fiction. In addition, the book contains analyses of a few key films from the contemporary period that also activate the cabin as a motif. The central argument is that while Norwegians today tend to think of cabin culture as essentially unchanging over a long span of time, it has in fact changed dramatically over the past two hundred years, and that it is an extremely rich and complex cultural phenomenon deeply imbedded in the construction of national identity.

Mark is back with a new case. Three cabins destroyed and all the occupants killed in a grizzly way. The killer still roams the countryside; Mark’s job is to find out who the killer is and how the victims died. The town swears a ghost is involved, no one has ever seen the killer and the notes left by the victims do not say anything except for seeing muzzle flash’s. The killers are never seen. Adults only, Strong violence

On a cold, windy December night in 1926, hell was unleashed on a tenant farm near Farwell, the last Texas town before the New Mexico border. Prone to the bottle and fits of rage, the burly man with the smiling blue eyes was in no mood to quarrel with his third wife over his bootleg whisky and sexual abuse of his stepdaughter. He went from room to room in the house, killing his wife and each child with primitive cutting tools and his bare hands. By the time he concluded his bloody work, he had taken the lives of nine family members ranging in age from 2 to 41, committing what one local reporter called “the blackest crime” in the history of the West Texas Panhandle. Husband, father, uncle, embezzler, serial mass murderer, philanderer, child molester, convict, and military deserter, George Jefferson Hassell was many things to many people, most of them bad. His pattern of familicide crime had begun in 1917, when he slaughtered his common-law wife and her three kids in Whittier, California. Later, in Texas, he married his brother’s wife and became stepfather to her eight children. Using Hassell’s confessions and his many interviews with reporters as well as the trial transcripts and reminiscences of those who crossed paths with him in Texas, Oklahoma, and California, Mitchel P. Roth presents the first comprehensive account of the life and crimes of one of the least known multiple murderers in Texas, let alone American, history. Roth situates Hassell’s saga within the 1920s Texas criminal justice system, including the death penalty, which Hassell ultimately received from Old Sparky, the electric chair at Huntsville.

Distributed to some depository libraries in microfiche.