The true story of the bizarre 1998 murder of a pregnant wife by her cheating husband, who recruited a paid assassin to do the job, in the small town of Cottonwood, California. of photos. Original.

Twelve years of enduring domestic violence at its absolute worse. Constant abuse, control, manipulation, and threats. Sadistic sexual deviance and sexual violence. It was only going to end one way: someone would die in our bed and someone would go to prison for murder.

The darkly twisted story of a young man forced to kill bad people, and how he struggles to keep his secret as it slowly begins to ruin his life and the lives of his friends and loved ones. Both a thriller and a deconstruction of vigilantism, KILL OR BE KILLED is unlike anything this award-winning team has done before. Collects KILL OR BE KILLED #1-4.

In recent years, there has been a surge in school shootings, workplace homicides, hate violence, and deadly terrorist attacks in the United States. This has resulted in a greater focus on homicidal behavior, its antecedents, ways to recognize warning signs of at-risk victims and offenders, and preventive measures. It has also led to increased efforts by lawmakers to create and pass tough crime legislation as well as improved federal, state, and local law enforcement response to murder and other violent crimes. The Dynamics of Murder: Kill or Be Killed is a multifaceted probe of murder offenses, offenders, victims, and characteristics of homicide in American society. This book breaks new ground in homicide studies by examining issues generally ignored or neglected among researchers. Topics include murders occurring in the workplace and in schools, those perpetrated by gangs and terrorists, those incited by bias, and intimate and intrafamilial murders. The book discusses sexual killers, serial and mass murderers, and suicide. It also examines psychological and sociological theories on murder and violence, as well as the increasing role the Internet plays in these crimes. Case studies of actual murderers are included, including serial killers Gerald and Charlene Gallego, mass murderer Byran Koji Uyesugi, the murder/suicide case of Sahel Kazemi, and the intrafamilial murders committed by Charles Stuart and Sarah Marie Johnson. A comprehensive exploration of the crime of murder in American society, this fascinating study is an essential resource for researchers, criminologists, and other professionals in a wide range of disciplines.

Bella Mackie’s How to Kill Your Family is a darkly humorous debut novel that follows a cunning antihero as she gets her revenge. When I think about what I actually did, I feel somewhat sad that nobody will ever know about the complex operation that I undertook. Getting away with it is highly preferable, of course, but perhaps when I’m long gone, someone will open an old safe and find this confession. The public would reel. After all, almost nobody else in the world can possibly understand how someone, by the tender age of twenty-eight, can have calmly killed six members of her family. And then happily got on with the rest of her life, never to regret a thing. When Grace Bernard discovers her absentee millionaire father has rejected her dying mother’s pleas for help, she vows revenge and coldly sets out to get her retribution—by killing them all, one by one. Compulsively readable, Bella Mackie’s debut novel is driven by a captivating first-person narrator who talks of self-care and social media while calmly walking the reader through her increasingly baroque acts of murder. But then, Grace is imprisoned for a murder she didn’t commit. Outrageously funny, compulsive, and subversive, How to Kill Your Family is a wickedly dark romp about class, family, love . . . and murder. “Funny, sharp, dark, and twisted.” —Jojo Moyes

A harrowing and unforgettable look at reporting in Mexico, one of the world's most dangerous countries to be a journalist In 2017, Mexico edged out Iraq and Syria as the deadliest country in the world in which to be a reporter, with at least fourteen journalists killed over the course of the year. The following year another ten journalists were murdered, joining the almost 150 reporters who have been killed since the mid-2000s in a wave of violence that has accompanied Mexico's war on drugs. In Killing the Story, award-winning journalist and filmmaker Témoris Grecko reveals how journalists are risking their lives to expose crime and corruption. From the streets of Veracruz to the national television studios of Mexico City, Grecko writes about the heroic work of reporters at all levels—from the local self-trained journalist, Moises Sanchez, whose body was found dismembered by the side of a road after he reported on corruption by the state's governor, to high-profile journalists such as Javier Valdez Cárdenas, gunned down in the streets of Sinaloa, and Carmen Aristegui, battling the forces attempting to censor her. In the vein of Charles Bowden's Murder City and Anna Politskaya's A Russian Diary, Killing the Story is a powerful memorial to the work of Grecko's lost colleagues, which shows a country riven by brutality, hypocrisy, and corruption, and sheds a light on how those in power are bent on silencing those determined to reveal the truth and bring an end to corruption.

Dylan has committed himself, but now trapped behind the walls of a mental institution, he finds the evil and corruption of the outside world have followed him there. Collects KILL OR BE KILLED #15-20