This book challenges the widespread view of Kierkegaard’s idiosyncratic and predominantly religious position on mimesis. Taking mimesis as a crucial conceptual point of reference in reading Kierkegaard, this book offers a nuanced understanding of the relation between aesthetics and religion in his thought. Kaftanski shows how Kierkegaard's dialectical-existential reading of mimesis interlaces aesthetic and religious themes, including the familiar core concepts of imitation, repetition, and admiration as well as the newly arisen notions of affectivity, contagion, and crowd behavior. Kierkegaard’s enduring relevance to the malaises of our own day is firmly established by his classic concern for the meaning of human life informed by reflective meditation on the mimeticorigins of the contemporary age. Kierkegaard, Mimesis, and Modernity will be of interest to scholars and advanced students working on Kierkegaard, Continental philosophy, the history of aesthetics, and critical and religious studies. Chapter 6 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

The connections between the emergence of modern society and the experience of melancholy are explored through a comprehensive re-examination of Soren Kierkegaard's rich and insightful writings.

Covering a diversity of themes, this collection still reflects consensus--Kierkegaard is to be taken seriously as a philosopher at the turn of the twenty-first century.

Soren Kierkegaard: Subjectivity, Irony, and the Crisis of Modernity examines the thought of Soren Kierkegaard, a unique figure, who has inspired, provoked, fascinated, and irritated people ever since he walked the streets of Copenhagen. At the end of his life, Kierkegaard said that the onlymodel he had for his work was the Greek philosopher Socrates. This work takes this statement as its point of departure. Jon Stewart explores what Kierkegaard meant by this and to show how different aspects of his writing and argumentative strategy can be traced back to Socrates. The main focus isThe Concept of Irony, which is a key text at the beginning of Kierkegaard's literary career. Although it was an early work, it nevertheless played a determining role in his later development and writings. Indeed, it can be said that it laid the groundwork for much of what would appear in his laterfamous books such as Either/Or and Fear and Trembling.

Soren Kierkegaard: Subjectivity, Irony, and the Crisis of Modernity examines the thought of Soren Kierkegaard, a unique figure, who has inspired, provoked, fascinated, and irritated people ever since he walked the streets of Copenhagen. At the end of his life, Kierkegaard said that the only model he had for his work was the Greek philosopher Socrates. This work takes this statement as its point of departure. Jon Stewart explores what Kierkegaard meant by this and to show how different aspects of his writing and argumentative strategy can be traced back to Socrates. The main focus is The Concept of Irony, which is a key text at the beginning of Kierkegaard's literary career. Although it was an early work, it nevertheless played a determining role in his later development and writings. Indeed, it can be said that it laid the groundwork for much of what would appear in his later famous books such as Either/Or and Fear and Trembling.

Søren Kierkegaard's radical protestant philosophy of the individual—in which a person's leap of faith is favored over general ethics—has become a model for many contemporary political theorists. Thinkers such as Slavoj Žižek and Alain Badiou have drawn on its revolutionary spirit to position truth above the constraints of political systems. In Kierkegaard and Political Theory, contributors from a wide range of disciplines—including theology, sociology, philosophy, and aesthetics—examine just how crucial Kierkegaard's anti-institutional thinking has been to such efforts and to modernity as a whole. The contributors convincingly position Kierkegaard's radical philosophy as the starting point for contemporary political theory. They show how he pioneered a modernity defined as an argument— an experience—of the impossibility of rationally comprehending a system of thinking. They show how religious and aesthetic experiences function as a response to this impossibility, how their coherence in politics must always be questioned, especially in history's extreme example: totalitarianism. Engaging this and many other subjects, they provide a compelling new line in Kierkegaard studies that illuminates new contours of our political thought. Armen Avanessian is founder of the research platform Speculative Poetics at the Free University Berlin. Sophie Wennerscheid is professor of Scandinavian Studies at the University of Ghent.

The long period from the Renaissance to the nineteenth century supplied numerous sources for Kierkegaard's thought in any number of different fields. The present, rather heterogeneous volume covers the long period from the birth of Savonarola in 1452 through the beginning of the nineteenth century and into Kierkegaard's own time. The Danish thinker read authors representing vastly different traditions and time periods. Moreover, he also read a diverse range of genres. His interests concerned not just philosophy, theology and literature but also drama and music. The present volume consists of three tomes that are intended to cover Kierkegaard's sources in these different fields of thought. Tome II is dedicated to the wealth of theological and religious sources from the beginning of the Reformation to Kierkegaard's own day. It examines Kierkegaard's relations to some of the key figures of the Reformation period, from the Lutheran, Reformed and Catholic traditions. It thus explores Kierkegaard's reception of theologians and spiritual authors of various denominations, most of whom are known to history primarily for their exposition of practical spirituality rather than theological doctrine. Several of the figures investigated here are connected to the Protestant tradition of Pietism that Kierkegaard was familiar with from a very early stage. The main figures in this context include the "forefather" of Pietism Johann Arndt, the Reformed writer Gerhard Tersteegen, and the Danish author Hans Adolph Brorson. With regard to Catholicism, Kierkegaard was familiar with several popular figures of Catholic humanism, Post-Tridentine theology and Baroque spirituality, such as François Fénelon, Ludwig Blosius and Abraham a Sancta Clara. He was also able to find inspiration in highly controversial and original figures of the Renaissance and the early Modern period, such as Girolamo Savonarola or Jacob Böhme, the latter of whom was at the time an en vogue topic among trendsetting philosophers and theologians such as Hegel, Franz von Baader, Schelling and Hans Lassen Martensen.