Everything kids need to know to make their rock star dreams come true! From writing cool songs and getting a group together to putting on shows and shooting music videos, this is all aspiring rockers need to take the world by stage—just like the Kidz Bop kids do! Plus! As an added bonus, these enthusiastic song lovers will be able to participate online with Kidz Bop and vote on storylines, upload original videos for e-book inclusion, and access special bonus content.

Music is a great way for children to explore their creativity. This book guides readers through the process of getting into the music business, from starting a band to making and promoting a demo tape. Aspiring musicians and singers will learn the basics of stage presence and some fun facts about their favorite pop stars.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

(Piano/Vocal/Guitar Songbook). This fun collection features kid-friendly versions of 18 big pop hits from the blockbuster album series! Songs include: Airplanes * Baby * Bad Day * Cooler Than Me * Dynamite * Firework * Hey, Soul Sister * I Gotta Feeling * Just the Way You Are * Party in the U.S.A. * and more.

In the early years of the twenty-first century, the US music industry created a new market for tweens, selling music that was cooler than Barney, but that still felt safe for children. In Tween Pop Tyler Bickford traces the dramatic rise of the “tween” music industry, showing how it marshaled childishness as a key element in legitimizing children's participation in public culture. The industry played on long-standing gendered and racialized constructions of childhood as feminine and white—both central markers of innocence and childishness. In addition to Kidz Bop, High School Musical, and the Disney Channel's music programs, Bickford examines Taylor Swift in relation to girlhood and whiteness, Justin Bieber's childish immaturity, and Miley Cyrus/Hannah Montana and postfeminist discourses of work-life balance. In outlining how tween pop imagined and positioned childhood as both intimate and public as well as a cultural identity to be marketed to, Bickford demonstrates the importance of children's music to core questions of identity politics, consumer culture, and the public sphere.

Fill in the blanks for Kidz Bop fun! Now for the first time, millions of devoted fans can create their own stories starring the most talented young stars in America: the Kidz Bop kids. Kidz Bop fans will love this interactive fill-in-the-blanks story, in which they jam with all of their fave Kidz Bop stars! Plus! As an added bonus, these enthusiastic song lovers will be able to participate online with Kidz Bop and vote on storylines, upload original videos for e-book inclusion, and access special bonus content.

The Routledge Comedy Studies Reader is a selection of the most outstanding critical analysis featured in the journal Comedy Studies in the decade since its inception in 2010. The Reader illustrates the multiple perspectives that are available when analysing comedy. Wilkie’s selections present an array of critical approaches from interdisciplinary scholars, all of whom evaluate comedy from different angles and adopt a range of writing styles to explore the phenomenon. Divided into eight unique parts, the Reader offers both breadth and depth with its wide range of interdisciplinary articles and international perspectives. Of interest to students, scholars, and lovers of comedy alike, The Routledge Comedy Studies Reader offers a contemporary sample of general analyses of comedy as a mode, form, and genre.