This book defines the history of modern interior design through the reuse of existing buildings. This approach allows the history of the interior to be viewed as separate from the history of architecture and instead enables the interior to develop its own historical narrative.

This book defines the history of modern interior design through the reuse of existing buildings. This approach allows the history of the interior to be viewed as separate from the history of architecture and instead enables the interior to develop its own historical narrative. The book is organized around six thematic chapters: home, work, retail, display, leisure and culture. Each one comprises a selection of case studies in chronological order. 52 key examples dating from 1900 to the present are explored in terms of context, concept, organization and detail and are illustrated with photographs, plans, sections, concept drawings and sketches. This unique history will be invaluable for students of interior architecture and design seeking a survey tailored especially for them, as well as appealing to interested general readers.

This book defines the history of modern interior design through the reuse of existing buildings. This approach allows the history of the interior to be viewed as separate from the history of architecture and instead enables the interior to develop its own historical narrative. The book is organized around six thematic chapters: home, work, retail, display, leisure and culture. Each one comprises a selection of case studies in chronological order. 52 key examples dating from 1900 to the present are explored in terms of context, concept, organization and detail and are illustrated with photographs, plans, sections, concept drawings and sketches. This unique history will be invaluable for students of interior architecture and design seeking a survey tailored especially for them, as well as appealing to interested general readers.

The subject of interior architecture currently lacks a detailed and educationally focussed text. The new Basics Interior Architecture series will fill this gap, and expand students knowledge of interior design/interior architecture and give an insight into some of the principles and methods of professional interior architects. The first book in the Basics Interior Architecture series, Form & Structure will propose a method of analysis, understanding and exploitation of the existing building that can be used to realise the design of a new insertion.

Newly updated and overflowing with color, this well-established history of interior design describes and illustrates each movement and change in taste throughout the twentieth century. Interior design experienced an extraordinary amount of changes in taste and style during the twentieth century. From William Morris and the Arts and Crafts movement to expressionism, postmodernism, and green design, Interior Design Since 1900 charts them all. Featuring more than two hundred color illustrations of interiors from around the world, this book reveals the fundamental changes in style that occurred throughout the century. The 1900s saw the emergence of professional designers and a growing appetite to redesign homes to keep up with popular fashion. In recent decades, the focus has shifted toward public spaces and sustainable design. In this survey, Anne Massey explores the social, political, economic, and cultural contexts of these developments. This book has been a classic introduction to interior design for almost thirty years. The new, fourth edition is brought up-to-date with a chapter on transnational design, encompassing mid-century modernist work in Singapore and Sri Lanka, as well as more recent interior spaces, including luxury hotels in Dubai and a contemporary art museum in Cape Town. Through this book, Massey shows how a shared language of design and cutting-edge technology are reshaping interiors around the globe.

The first book that reveals the history of 20th-century interior design by showcasing the styles and offering the trade secrets of the key decorators and designers who have shaped -- and continue to shape -- today's taste.The art of interior design as we know it emerged at the beginning of the 20th century, and Influential Interiors chronicles the most significant people, styles, and moments in its history. From early stars such as Elsie de Wolfe, Syrie Maugham and Jean-Michel Frank to today's leading practitioners, such as Andree Putman, Peter Marino and Sills & Huniford, biographical details, photographs and explanations of important projects and key designs (e.g. for furniture or fabrics) are supplied and their influence worldwide is discussed. Twenty-four designers are featured in depth; their work, in each case outlined over several spreads, has had a lasting influence on those that followed them. And for six major figures, a full-color scrapbook-like collage breaks down the key elements of the designer's signature style, offering at a glance the types of colors, fabrics, patterns, furniture and accessories that characterize t

Appropriated Interiors uncovers the ways interiors participate explicitly and implicitly in embedded cultural and societal values and explores timely emergent scholarship in the fields of interior design history, theory, and practice. What is "appropriate" and "inappropriate" now? These are terms with particular interest to the study of the interior. Featuring thirteen original curated essays, Appropriated Interiors explores the tensions between normative interiors that express the dominant cultural values of a society and interiors that express new, changing, and even transgressive values. With case studies from the late eighteenth century to the twenty-first century, these historians, theorists, and design practitioners investigate the implications of interior design as it relates to politics, gender, identity, spatial abstraction, cultural expression, racial expression, technology, and much more. An informative read for students and scholars of design history and theory, this collection considers the standards, assumptions, codes, and/or conventions that need to be dismantled and how we can expand our understanding of the history, theory, and practice of interior design to challenge the status quo.