Philosopher, alchemist, and privateer, Kenelm Digby (1603-1665) cut a striking figure across Europe in the middle of the 17th century. Digby corresponded with Galileo, Descartes, Gassendi, Gilbert and Harvey, and was one of the founding members of the Royal Society. In 1644 he published his major philosophical work, Two Treatises: Of Bodies and of Man's Soul - the first comprehensive philosophical work in the English language. In the Two Treatises Digby discussed at length a vast array of philosophical ideas: elements, matter, mechanism, motion, force and causation, as well as sensation, perception, memory, imagination, intellect, reason, and immortality. MacDonald's edition is the first scholarly edition of this great work since it went out of print in 1669: it offers a normalized text, copious annotations, and a lengthy introduction which situates Digby's ideas in the currents of 17th century philosophical thought.

Sir Kenelm Digby (1603-1665) ist eine der Hauptgestalten des 17. Jhs. Mit Descartes und Hobbes verband ihn Freundschaft. Digby steht am Beginn der englischen Descartes-Rezeption. In seinem Werk Two Treatises unternimmt er den Versuch, die Gegensatze zwischen der aristotelischen Schule, den Vertretern einer mechanistischen Weltauffassung und dem kontinentalen Idealismus seiner Zeit auszugleichen. Er entwickelt in diesem Zusammenhang eine differenzierte Korpuskulartheorie, analysiert den Erkenntnisvorgang und den Substanzbegriff, um daraus schliesslich einen Beweis fur die Unsterblichkeit der Seele abzuleiten.

French Huguenots made enormous contributions to the life and culture of colonial New York during the seventeenth and eighteenth centuries. Huguenot craftsmen were the city's most successful artisans, turning out unrivaled works of furniture which were distinguished by unique designs and arcane details. More than just decorative flourishes, however, the visual language employed by Huguenot artisans reflected a distinct belief system shaped during the religious wars of sixteenth-century France. In Fortress of the Soul, historian Neil Kamil traces the Huguenots' journey to New York from the Aunis-Saintonge region of southwestern France. There, in the sixteenth century, artisans had created a subterranean culture of clandestine workshops and meeting places inspired by the teachings of Bernard Palissy, a potter, alchemist, and philosopher who rejected the communal, militaristic ideology of the Huguenot majority which was centered in the walled city of La Rochelle. Palissy and his followers instead embraced a more fluid, portable, and discrete religious identity that encouraged members to practice their beliefs in secret while living safely—even prospering—as artisans in hostile communities. And when these artisans first fled France for England and Holland, then left Europe for America, they carried with them both their skills and their doctrine of artisanal security. Drawing on significant archival research and fresh interpretations of Huguenot material culture, Kamil offers an exhaustive and sophisticated study of the complex worldview of the Huguenot community. From the function of sacred violence and alchemy in the visual language of Huguenot artisans, to the impact among Protestants everywhere of the destruction of La Rochelle in 1628, to the ways in which New York's Huguenots interacted with each other and with other communities of religious dissenters and refugees, Fortress of the Soul brilliantly places American colonial history and material life firmly within the larger context of the early modern Atlantic world.