Kashmiri Life Narratives takes as its central focus writings -- memoirs, non-fictional and fictional Bildungsromane -- published circa 2008 by Kashmiris/Indians living in the Valley of Kashmir, India or in the diaspora. It offers a new perspective on these works by analyzing them within the framework of human rights discourse and advocacy. Literature has been an important medium for promoting the rights of marginalized Kashmiri subjects within Indian-occupied Kashmir, successfully putting Kashmir back on the global map and shifting discussion about Kashmir from the political board rooms to the international English-language book market. In discussing human rights advocacy through literature, this book also effects a radical change of perspective by highlighting positive rights (to enjoy certain things) rather than negative ones (to be spared certain things). Kashmiri life narratives deploy a language of pleasure rather than of physical pain to represent the state of having and losing rights.

Over the last three decades, Kashmir has been ravaged by insurgency. While reams have been written on it - in human rights documents, academic theses, non-fiction accounts of the turmoil, and government and military reports - the effects of the violence on its inhabitants have rarely been rendered in fiction. Feroz Rather's The Night of Broken Glass corrects that anomaly. Through a series of interconnected stories, within which the same characters move in and out, the author weaves a tapestry of the horror Kashmir has come to represent. His visceral imagery explores the psychological impact of the turmoil on its natives - Showkat, who is made to wipe off graffiti on the wall of his shop with his tongue; Rosy, a progressive, jeans-wearing 'upper-caste' girl who is in love with 'lower-caste' Jamshid; Jamshid's father Gulam, a cobbler by profession who never finds his son's bullet-riddled body; the ineffectual Nadim 'Pasture', who proclaims himself a full-fledged rebel; even the barbaric and tyrannical Major S, who has to contend with his own nightmares. Grappling with a society brutalized by the oppression of the state, and fissured by the tensions of caste and gender, Feroz Rather's remarkable debut is as much a paean to the beauty of Kashmir and the courage of its people as it is a dirge to a paradise lost.

A pioneering and comprehensive study of the historical imagination in Kashmir, this book explores the conversations between the ideas of Kashmir and the ideas of history taking place within Kashmir’s multilingual historical tradition. Analysing the deep linkages among Sanskrit, Persian, and Kashmiri narratives, Kashmir’s Contested Pasts contends that these traditions drew on and influenced each other to imagine Kashmir as far more than simply an unsettled territory or a tourist paradise. By offering a historically grounded reflection on the memories, narrative practices, and institutional contexts that have informed, and continue to inform, imaginings of Kashmir and its past, the book suggests new ways of understanding the debates over history, territory, identity, and sovereignty that shape contemporary South Asia.

The stereotypical Kashmir narrative runs on a grinding machine of disinformation, half truths, and concocted accounts unrelentingly flowing from Pakistan. This is an obfuscation of truth. Through the cruel, merciless arms of terrorism, atrocities, and pain have been inflicted upon the Kashmiris. Hair-raising terrorist atrocities over more than 30 years tell the story of how Pakistan has ripped apart the life and happiness of Kashmiris. It is never easy to challenge the narrative constructed by Pakistan on Kashmir. This is not an exoneration of the state for its faults and follies. But Kashmir desperately needs a new intellectual discourse. It needs new perspectives. The beneficiaries shall be all of us: We, our loved ones, our society—all of Kashmir that wants to live an abundant, enriched, and peaceful life.

Rahul Pandita was fourteen years old when he was forced to leave his home in Srinagar along with his family. They were Kashmiri Pandits-the Hindu minority within a Muslim-majority Kashmir that was by 1990 becoming increasingly agitated with the cries of 'Azaadi' from India. Our Moon Has Blood Clots is the story of Kashmir, in which hundreds of thousands of Pandits were tortured, killed and forced to leave their homes by Islamist militants, and forced to spend the rest of their lives in exile in their own country. Pandita has written a deeply personal, powerful and unforgettable story of history, home and loss.

Set in the once-fabled land of Kashmir, Behold, I Shine moves beyond male voices and focuses, instead, on what the struggle means for the Valley's women and children-those whose husbands remain untraceable; whose mothers are half-widows; those who have confronted the wrath of 'Ikhwanis', or the scrutiny of men in uniform, and what it means to stand up to it all. This book also brings to focus the resilience of the Valley's women and children-of activists like Parveena Ahangar and Anjum Zamrud Habib, who, after debilitating losses, start human rights organizations; of ordinary homemakers like Munawara who have taken on the judiciary; and of a young generation of thinkers like Uzma Falak and Essar Batool who foreground the interaction of gender, politics and religion, and won't let Kashmir forget. Stitching together their narratives, Behold, I Shine not only memorializes women's voices-thus far forgotten, unwritten, suppressed or sidelined-but also celebrates the mighty spirit of the Valley.

Partitioned Lives: Narratives of Home, Displacement, and Resettlement features fifteen essays that focus on personal, subjective experiences of partition, rather than on official accounts. The book analyses fiction, films, and biographical and autobiographical accounts relating to the experience and influence of Partition. It also studies partition-related migrations not only to and from West Pakistan, East Pakistan, and India, but also to the West. Essays discuss how partition continues to influence cultural identities both in the subcontinent and among the diaspora.