The rich photography and narrative in this book presents an overview of approximately 5,000 years of Native American rock art painted and engraved on the canyon walls and boulders within the greater Grand Canyon region, an area stretching south from the Arizona-Utah border to the Mogollon Rim. The authors and their associates have recorded and documented more than 450 rock art sites within the region over the past 25 years in cooperation with the Kaibab National Forest, Grand Canyon National Park, Bureau of Land Management/Arizona Strip, and the Grand Canyon-Parashant National Monument. Their work presents a preliminary classification of this rock art within a chronological framework and associated cultural affiliations. These enigmatic images are placed within their environmental and archaeological context, essential in deriving potential clues as to their function and significance. Several interpretation theories exist in the literature and these are carefully examined in light of this current research. Importantly, rock art is an endangered cultural heritage and the question of its protection, preservation, and conservation also receives attention. While rock art offers a view into one aspect of the prehistoric cultural landscape, the religious and social importance of these images continues to have relevance to contemporary Native American peoples as well as representing an engaging cultural legacy for all humanity.

A mouse couple, in search of the mightiest husband for their daughter, approach the sun, the clouds, the wind, and a butte, before the unexpected victor finally appears.

"An engaging glimpse into a world both fascinating and fundamentally unknowable to those who aren't born into it." —R. E. BURRILLO, author of Behind the Bears Ears Craig Childs bears witness to rock art of the Colorado Plateau—bighorn sheep pecked behind boulders, tiny spirals in stone, human figures with upraised arms shifting with the desert light, each one a portal to the open mouth of time. With a spirit of generosity, humility, and love of the arid, intricate landscapes of the desert Southwest, Childs sets these ancient communications in context, inviting readers to look and listen deeply.

An illustrated overview of the rock art of the Colorado Plateau includes 207 color photos, mini-essays for each site, and an introductory essay examining the history of these petroglyphs and pictographs.

The comprehensive book on Indian petroglyphs in the Southwest.

The Plains region that stretches from northern Colorado to southern Alberta and from the Rockies to the western Dakotas is the land of the Cheyenne and the Blackfeet, the Crow and the Sioux. Its rolling grasslands and river valleys have nurtured human cultures for thousands of years. On cave walls, glacial boulders, and riverside cliffs, native people recorded their ceremonies, vision quests, battles, and daily activities in the petroglyphs and pictographs they incised, pecked, or painted onto the stone surfaces. In this vast landscape, some rock art sites were clearly intended for communal use; others just as clearly mark the occurrence of a private spiritual encounter. Elders often used rock art, such as complex depictions of hunting, to teach traditional knowledge and skills to the young. Other sites document the medicine powers and brave deeds of famous warriors. Some Plains rock art goes back more than 5,000 years; some forms were made continuously over many centuries. Archaeologists James Keyser and Michael Klassen show us the origins, diversity, and beauty of Plains rock art. The seemingly endless variety of images include humans, animals of all kinds, weapons, masks, mazes, handprints, finger lines, geometric and abstract forms, tally marks, hoofprints, and the wavy lines and starbursts that humans universally associate with trancelike states. Plains Indian Rock Art is the ultimate guide to the art form. It covers the natural and archaeological history of the northwestern Plains; explains rock art forms, techniques, styles, terminology, and dating; and offers interpretations of images and compositions.