Juan Garcia Esquivel was born in Mexico and grew up to the sounds of mariachi bands. He loved music and became a musical explorer. Defying convention, he created music that made people laugh and planted images in their minds. Juan's space-age lounge music popular in the fifties and sixties has found a new generation of listeners.

First study of Juan Esquivel, a highly significant figure in Spanish musical life in the late sixteenth and early seventeenth centuries. Juan Esquivel was a cathedral choirmaster and composer, active in Spain during the period c.1580-c .1623 in which all aspects of the arts flourished, and one of the few peninsular composers of his generation to see his works published. He is known to have produced three large volumes of sacred polyphony - masses, motets, hymns, psalms, magnificats, and Marian antiphons - under the titles Liber primus missarum, Motecta festorum([both published 1608)and Tomus secondus, psalmorum, hymnorum... et missarum (published 1613); they reveal him to be a highly skilled craftsman. This first full-length study of his life and works presents a critical assessment of the man and his music, setting him within the social and religious context of the so-called Counter-Reformation. Beginning by outlining the facts of his life, the book goes on to offer an analysis and assessment of his output. Clive Walkley was until his retirement a lecturer in music and music education at Lancaster University.

This unique collection emphasizes the human element in the study of Latin American history by focusing on the lives of twenty-three men, women, and children. Though they differ widely from each other in background and circumstance, these individuals share a common experience: all are caught up in some way by the profound, sometimes devastating, changes that accompany the modernization of a traditional society. Their stories bring vividly to life the impact that revolution, economic upheaval, urbanization, destruction of community life, and the disruption of family and gender roles have on ordinary people. These studies also bring out the various ways, often creative and courageous, in which Latin Americans have coped with the fortunes and vicissitudes of 'progress.'

(Book). This ultimate guide to big bands includes hundreds of entries spanning the history of this American musical style. Each entry contains the band name, its leader, essential personnel, the years it existed, tops hits, and a brief description of the band.

An account of the way social relations governing the production of cotton in Peru's South Coast changed as capitalism penetrated Peru's agrarian base; the analysis is unusual in that the author looks at the plantation system from a "peasant" poi