The Making of the Epic Film.

Not Thinkin'... Just Rememberin'... is a tour de force. This manuscript is very thorough and exhaustively researched. The sheer size of the manuscript might seem intimidating, but what else should one expect when The Alamo and John Wayne are the subjects? Of course, The Alamo is no ordinary movie, so the telling of the making of the movie is no small feat. Mr. Farkis is an adept writer. He knows his subject extremely well. His knowledge is intensive and extensive. It's quite easy to tell that, while he is a scholar, he is also a fan of both The Alamo and John Wayne. He does a great job of keeping the retelling of this information entertaining and interesting. The story of the making of the Alamo is told chronologically. This is the best way to tell the story because this allows for several other sub-stories to be told while the main story is unfolding. The tone and writing style is very approachable and open. It works well for this manuscript. There are many lighthearted moments that help anchor the overall manuscript, and they serve as counterpoints to the weightier discussions about politics, disagreements, and money issues that surrounded John Wayne's ambitious endeavor.

JOHN WAYNE'S "THE ALAMO" takes you behind the scenes of the epic film that told the story of the brave men who fought & died there. Since its release in 1960, THE ALAMO has stood the test of time. John Wayne, arguably the greatest film box office star of all time, knew that he had produced a shining star for his film career when he made THE ALAMO. For more information or to order contact: R & G Productions, P.O. Box 605, Hillside, IL 60162-0605.

The Pulitzer Prize-winning author of Lincoln at Gettysburg brings his eloquence, wit, and on-target perceptions of American life and politics to this fascinating, well-drawn protrait of a twentieth-century hero. In this work of great originality—the biography of an idea—Garry Wills shows how John Wayne came to embody Amercian values and influenced our cultoure to a degree unmatched by any other public figure of his time. In Wills's hands, Waynes story is tranformed into a compelling narrative about the intersection of popular entertainment and political realities in mid-twentieth-century America.

A New York Times bestseller! “Lively and absorbing. . ." — The New York Times Book Review "Engrossing." —Wall Street Journal “Entertaining and well-researched . . . ” —Houston Chronicle Three noted Texan writers combine forces to tell the real story of the Alamo, dispelling the myths, exploring why they had their day for so long, and explaining why the ugly fight about its meaning is now coming to a head. Every nation needs its creation myth, and since Texas was a nation before it was a state, it's no surprise that its myths bite deep. There's no piece of history more important to Texans than the Battle of the Alamo, when Davy Crockett and a band of rebels went down in a blaze of glory fighting for independence from Mexico, losing the battle but setting Texas up to win the war. However, that version of events, as Forget the Alamo definitively shows, owes more to fantasy than reality. Just as the site of the Alamo was left in ruins for decades, its story was forgotten and twisted over time, with the contributions of Tejanos--Texans of Mexican origin, who fought alongside the Anglo rebels--scrubbed from the record, and the origin of the conflict over Mexico's push to abolish slavery papered over. Forget the Alamo provocatively explains the true story of the battle against the backdrop of Texas's struggle for independence, then shows how the sausage of myth got made in the Jim Crow South of the late nineteenth and early twentieth century. As uncomfortable as it may be to hear for some, celebrating the Alamo has long had an echo of celebrating whiteness. In the past forty-some years, waves of revisionists have come at this topic, and at times have made real progress toward a more nuanced and inclusive story that doesn't alienate anyone. But we are not living in one of those times; the fight over the Alamo's meaning has become more pitched than ever in the past few years, even violent, as Texas's future begins to look more and more different from its past. It's the perfect time for a wise and generous-spirited book that shines the bright light of the truth into a place that's gotten awfully dark.

This is the HARDBACK version. Not Thinkin'... Just Rememberin'... is a tour de force. This manuscript is very thorough and exhaustively researched. The sheer size of the manuscript might seem intimidating, but what else should one expect when The Alamo and John Wayne are the subjects? Of course, The Alamo is no ordinary movie, so the telling of the making of the movie is no small feat. Mr. Farkis is an adept writer. He knows his subject extremely well. His knowledge is intensive and extensive. It's quite easy to tell that, while he is a scholar, he is also a fan of both The Alamo and John Wayne. He does a great job of keeping the retelling of this information entertaining and interesting. The story of the making of the Alamo is told chronologically. This is the best way to tell the story because this allows for several other sub-stories to be told while the main story is unfolding. The tone and writing style is very approachable and open. It works well for this manuscript. There are many lighthearted moments that help anchor the overall manuscript, and they serve as counterpoints to the weightier discussions about politics, disagreements, and money issues that surrounded John Wayne's ambitious endeavor.

The family photo abums, the classic film costumes, the telgrams and medals, from the internationally-beloved icon, The Duke! All collected here for the first time. An undisputed American icon, John Wayne is recognized the world over for his signature drawl and confident swagger; the ultimate personification of American courage and honor. This fall, John Wayne Enterprises has chosen powerHouse Books to produce the first-ever exclusively authorized photographic record of his life, both on-screen and off. John Wayne: The Legend and the Man celebrates Duke's life and legacy through film stills and backstage photos and snapshots ranging from his cinematic masterpieces-True Grit, Rio Grande, Sands of Iwo Jima, The Quiet Man, The Man Who Shot Liberty Valance, Fort Apache, and The Alamo-to a surprising variety of early-career, leading-man films: The Big Trail, Stagecoach, Flying Tigers, They Were Expendable. Also included are a wide selection of fan mail art; family albums, photos from friends and loved ones, and the many treasures gathered over the years in his immense archive (famed film costumes, publicity photos exchanged with costars, telegrams and medals), many of the photos and these personal effects being published for the first time, and all from Duke's personal archive. Duke was more than just his on-screen persona-he was known by loved ones for his warmth, charm, charisma, passion, loyalty, and spirit. Through an in-depth expose of the memorabilia, the private moments, the inner thoughts, and familial memories, John Wayne: The Legend and the Man captures both the man and the myth and furthers the legacy of this giant of American cinema. "This wonderful collection of photographs gives us John Wayne the figurehead, John Wayne the actor, and John Wayne the human being. It's a rich experience to look through these pages and see where Wayne's three roles converged and diverged.... And in all the photos, you see another, earlier America with different ideas of glamor, beauty, fashion, and behavior, a world that now feels as distant as the renaissance. A movie-made hero...a superstar, one of the very first...an image of manhood...and a great American artist. This book affords us a generous look at John Wayne from every angle." -Martin Scorsese, from the Introduction "To the people of the world, John Wayne is the United States of America. He is what they believe it to be. He is what they hope it will be. And he is what they hope it will always be." -Maureen O'Hara "In my acting, I have to identify with something in the character. The big tough boy on the side of right-that's me. Simple themes. Save me from the nuances. All I do is sincerity, and I've been selling the hell out of that ever since I started." -John Wayne (Time, June 9, 1967)