Three voices. Three acts of defiance. One mass injustice. The story of camp as you’ve never seen it before. Japanese Americans complied when evicted from their homes in World War II -- but many refused to submit to imprisonment in American concentration camps without a fight. In this groundbreaking graphic novel, meet JIM AKUTSU, the inspiration for John Okada’s No-No Boy, who refuses to be drafted from the camp at Minidoka when classified as a non-citizen, an enemy alien; HIROSHI KASHIWAGI, who resists government pressure to sign a loyalty oath at Tule Lake, but yields to family pressure to renounce his U.S. citizenship; and MITSUYE ENDO, a reluctant recruit to a lawsuit contesting her imprisonment, who refuses a chance to leave the camp at Topaz so that her case could reach the U.S. Supreme Court. Based upon painstaking research, We Hereby Refuse presents an original vision of America’s past with disturbing links to the American present.

No-No Boy, John Okada’s only published novel, centers on a Japanese American who refuses to fight for the country that incarcerated him and his people in World War II and, upon release from federal prison after the war, is cast out by his divided community. In 1957, the novel faced a similar rejection until it was rediscovered and reissued in 1976 to become a celebrated classic of American literature. As a result of Okada’s untimely death at age forty-seven, the author’s life and other works have remained obscure. This compelling collection offers the first full-length examination of Okada’s development as an artist, placing recently discovered writing by Okada alongside essays that reassess his lasting legacy. Meticulously researched biographical details, insight from friends and relatives, and a trove of intimate photographs illuminate Okada’s early life in Seattle, military service, and careers as a public librarian and a technical writer in the aerospace industry. This volume is an essential companion to No-No Boy.

Florida Historical Society Harry T. And Harriette V. Moore Award Opening a window onto the little-known Japanese-American heritage of Florida, Yamato Colony is the true tale of a daring immigrant venture that left behind an important legacy. Ryusuke Kawai tells how a Japanese farming settlement came to be in south Florida, far from other Japanese communities in the United States. Kawai’s captivating story takes readers back to the early twentieth century, a time when Japanese citizens were beginning to look to possibilities for individual wealth and success overseas. Poor, unlucky in love, and dreaming of returning rich to marry his sweetheart, a young man named Sukeji Morikami boarded a passenger steamer at the port of Yokohama and set off to make his fortune. Morikami was drawn by promises from his compatriot Jo Sakai, founder of an agricultural community called Yamato between Boca Raton and Delray Beach, Florida. Sakai extolled the prospects of raising pineapples and other crops amid the state’s economic boom and exciting developments like Flagler’s East Coast Railway. This book follows the experiences of Morikami and his fellow Yamato settlers through World War II, when the struggling colony closed for good. Morikami held on to his hopes for Yamato until the end, when at last, the lone survivor, he donated the land that would become the widely visited Morikami Museum and Japanese Gardens. Celebrating the lives of ordinary men and women who left their homes and traveled an enormous distance to settle and raise their families in Florida, this book brings to light a unique moment in the state’s history that few people know about today.

This study explores the cultural trajectory of Japanese American internment, both during and after World War II. It also provides the most exhaustive biographical outline of John Okada to date and refutes the assumption that his novel No-No Boy was all but shunned when first published. A close reading positions the book within world literature.

A beautiful collectible hardcover edition of the father of Korean American literature's "wonderfully resplendent evocation of a newcomer's America" (Chang-rae Lee, author of Native Speaker) A Penguin Vitae Edition Having fled Japanese-occupied Korea for the gleaming promise of the United States with nothing but four dollars and a suitcase full of Shakespeare to his name, the young, idealistic Chungpa Han arrives in a New York teeming with expatriates, businessmen, students, scholars, and indigents. Struggling to support his studies, he travels throughout the United States and Canada, becoming by turns a traveling salesman, a domestic worker, and a farmer, and observing along the way the idealism, greed, and shifting values of the industrializing twentieth century. Part picaresque adventure, part shrewd social commentary, East Goes West casts a sharply satirical eye on the demands and perils of assimilation. It is a masterpiece not only of Asian American literature but also of American literature. Penguin Vitae―loosely translated as "Penguin of one's life"―is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

A Japanese-American's personal account of growing up in Seattle in the 1930s and of being subjected to relocation during World War II.