Forty-three of the finest songs by foremost lute performer and composer of the early 17th century; includes two dances for solo guitar, original lute tablature, and complete song texts.

Affordable, handsomely engraved edition contains 45 songs by foremost lute player of the early 17th century, transcribed for voice and guitar. Includes three airs from A Musicall Banquet.

For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. the book is intended for the guitarist with intermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland's music, renaissance lute tuning (capo on the third fret with the G string tuned to F sharp) is used throughout. the pieces progress more or less in order of increasing difficulty, and special care has been taken to be sure any group of consecutive pieces can be played with satisfying results. Standard notation only. Includes FREE downloadable companion audio files.

Ten Songs by English Renaissance composer-lutenist-singer John Dowland, arranged for voice and classical guitar (in standard notation and tablature). Includes: Away with These Self-Loving Lads, Come Again Sweet Love, Come Heavy Sleep, Dear If You Change, Flow My Tears, Go Crystal Tears, If My Complaints, The Lowest Trees Have Tops, Weep You No More, Who Ever Thinks or Hopes. Note: These arrangements have been transposed down from the original keys, and, as such, they are most suitable for soloists with an alto or bass (8vb) range. For sopranos and tenors (8vb), guitarist uses capo to raise pitch a few steps to singer's desired key.

Unsurpassed in his day as a lute virtuoso, John Dowland (1563–1626) today continues to delight singers, musicians, and music lovers alike. This collection of 45 songs includes all the works in Dowland's original third and fourth books of lute songs, the composer's contributions to his son's anthology of 1610, and a dance for solo guitar.

John Dowland (1563 – 1626), a contemporary of both William Shakespeare and Queen Elizabeth I, was recognized as one of the greatest musicians of his time, writing songs, ensemble music and solos for the lute. Early music has long been part of the classic guitar repertoire and more recently, it has been adopted with enthusiasm by ukulele players. This book presents sixteen of Dowland's most beautiful lute songs that can be performed by ukulele players, with or without a vocalist. Two versions of each song – one easier and another more advanced—are offered in both standard notation and tablature for soprano, concert, and tenor ukuleles in re-entrant (gCEA) tuning. Various vocal ensemble renditions of the songs, as well as the author’s video performances of each solo arrangement are available online. For vocalists and their audiences, and for all musicians and songwriters to fully connect with the emotion of the songs, Dowland’s sublime lyrics are also included.

"Spring focuses on the lute in Britain, but also includes two chapters devoted to continental developments: one on the transition from medieval to renaissance, the other on renaissance to baroque, and the lute in Britain is never treated in isolation. Six chapters cover all aspects of the lute's history and its music in England from 1285 to well into the eighteenth century, whilst other chapters cover the instrument's early history, the lute in consort, lute song accompaniment, the theorbo, and the lute in Scotland."--Jacket.