Jillian Guzmán, who is nine years old at the beginning of the book, communicates through drawings rather than speech as she travels with her mother, Angie O'Malley, throughout the borderlands of Arizona and northwestern Mexico. Later she creates survival maps for border crossers and paints murals at the Casa de los Olvidados, a refuge in Sonora run by the traditional healer Juana of God. These darkly funny tales, focusing on Mexican-American, Euro-American, and Mexican characters, feature visionary experiences, ghosts, faith healers, a deer's head that speaks, a dog who channels spirits of the dead--and a young woman whose drawings begin to create realities instead of just reflecting them.

From our earliest schooldays, we are shown the world as a colorful collage of countries, each defined by their own immutable borders. What we often don't realize is that every political boundary was created by people. No political border is more natural or real than another, yet some international borders make no apparent sense at all. While focusing on some of these unusual border shapes, this fascinating book highlights the important truth that all borders, even those that appear "normal," are social constructions. In an era where the continued relevance of the nation state is being questioned and where transnationalism is altering the degree to which borders effectively demarcate spaces of belonging, the contributors argue that this point is vital to our understanding of the world. The unique and compelling histories of some of the world's oddest borders provide an ideal context for this group of experts to offer accessible and enlightening discussions of cultural globalization, economic integration, international migration, imperialism, postcolonialism, global terrorism, nationalism, and supranationalism. Each author's regional expertise enriches a textured account of the historical context in which these borders came into existence as well as their historical and ongoing influence on the people and states they bound. To view more maps from the David Rumsey Map Collection, visit www.davidrumsey.com. Contributions by: Eric D. Carter, Karen Culcasi, Alexander C. Diener, Joshua Hagen, Reece Jones, Robert Lloyd, Nick Megoran, Julian V. Minghi, David Newman, Robert Ostergren, and William C. Rowe.

An enlightening, entertaining look at what the term “lesbian” really means—and what it means to be a lesbian Twenty-First Century Lesbian Studies focuses on the field’s institutionalization into the humanities and social sciences, examining how the term “lesbian” is used in activist, community, and cultural contexts, and how its use impacts the lives of women who have chosen it as an identity. The book’s contributors include many of the world’s foremost experts in lesbian studies, as well as scholars whose primary research is in bisexuality, transsexuality and transgender, intersex, and queer theory. The innovative essays touch on five individual themes—“Genealogies,” “Readings,” “Theories,” “Identities,” and “Locations”—as they explore the past, present, and future of lesbian studies. Twenty-First Century Lesbian Studies places the term “lesbian” at the center of analysis, whether as a concept, a category, an identity, a political position, or an object choice. The book’s cutting-edge essays examine the various meanings of “lesbian;” the risks taken by women who live and/or act, write, and speak as lesbians; current genealogical myths; and the lives, studies, and activism of lesbians who represent a range of geographical and historical contexts. The book presents research produced outside the United States/United Kingdom, two places which tend to dominate the field, and essays that focus on areas, such as medieval studies, that are often ignored in theoretical discussions. Twenty-First Century Lesbian Studies considers these questions: does the term “lesbian” still have relevance as an identity descriptor or political position? who does “lesbian” include and/or exclude? how does intersectional thinking impact the way we formulate lesbian identities? are we now “post-lesbian?” what, if anything, defines the field of lesbian studies? what is the current state of the field? what is the possible future of the field? what current topics should be most important to practitioners? how is work that falls under the “lesbian studies” umbrella connected to efforts in the areas of feminism, LGBT, intersex, and queer straight studies? and many more Twenty-First Century Lesbian Studies is an enlightening, entertaining, and essential read for academics and students working in all disciplines in the social sciences and humanities, and for the lesbian/queer population, in general.

2022 Honorable Mention, John Leo & Dana Heller Award for Best Single Work, Anthology, Multi-Authored, or Edited Book in LGBTQ Studies, Popular Culture Association (PCA) 2023 Honorable Mention, Outstanding Book, Latinx Studies Section of Latin American Studies Association (LASA) This study argues that powerful authorities and institutions exploit the ambiguity of Latinidad in ways that obscure inequalities in the United States. Is Latinidad a racial or an ethnic designation? Both? Neither? The increasing recognition of diversity within Latinx communities and the well-known story of shifting census designations have cast doubt on the idea that Latinidad is a race, akin to white or Black. And the mainstream media constantly cover the “browning” of the United States, as though the racial character of Latinidad were self-evident. Many scholars have argued that the uncertainty surrounding Latinidad is emancipatory: by queering race—by upsetting assumptions about categories of human difference—Latinidad destabilizes the architecture of oppression. But Laura Grappo is less sanguine. She draws on case studies including the San Antonio Four (Latinas who were wrongfully accused of child sex abuse); the football star Aaron Hernandez’s incarceration and suicide; Lorena Bobbitt, the headline-grabbing Ecuadorian domestic-abuse survivor; and controversies over the racial identities of public Latinx figures to show how media institutions and state authorities deploy the ambiguities of Latinidad in ways that mystify the sources of Latinx political and economic disadvantage. With Latinidad always in a state of flux, it is all too easy for the powerful to conjure whatever phantoms serve their interests.

In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music, theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology.