SUPERANNO The first full history of the New Orleans Jazz & Heritage Festival, with over 400 photographs, many in full color. Includes quotes from musicians with a listing of bands and the times and stages on which they performed. The colorful history of WWOZ-radio, chapters on the bountiful food and crafts heritage, and how the posters, and T-shirt

Jim Marshall is known as the defining father of music photography and his intimate photographs of the greats of Rock & Roll, Country, Folk, Blues and Jazz are legendary. Renowned for his extraordinary access and ability to capture the perfect moment, his influence is second to none. In 2014, Marshall became the only photographer ever to be honoured by the Grammys with a Trustees Award for his life's work. Published here for the first time ever are Marshall's jazz festival photographs from the 1960s. Over 95% of the material in this breathtaking coffee table volume.

An extraordinary documentation through photographs of the evolution of this yearly festival that in New Orleans has become a seasonal ritual comparable only to the revelry of Mardi Gras. Photographs.

"Cincinnati, Ohio, might have seemed like an unlikely choice to host the nation's largest annual R&B concert, but thanks to local promoter Dino Santangelo, the Ohio Valley Jazz Festival would become the 'Granddaddy of them all.' The first festival was held in 1962 at the Carthage Fairgrounds, but the event would continue to grow--moving to Crosley Field in 1964 and then Riverfront Stadium in 1971--to become the nation's biggest two-day stadium concert. The Ohio Valley Jazz Festival would eventually feature the most popular R&B artists of the day and draw audiences from as far as 500 miles away. The festival pioneered stadium concert production, generated millions for the regional economy, and eased the Greater Cincinnati community's difficult cultural transition throughout the turbulent 1960s and 1970s"--Back cover.

One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come.

Mid-fifties San Francisco. A jazz critic and a jazz disc jockey sit for hours philosophizing about the music they know so well. A west coast jazz festival - that's what the world needs. Something that will show people the meaning of jazz. Real jazz. By 1958 it is in place. Today the Monterey Jazz Festival, the dream of radio man Jimmy Lyons and San Francisco Chronicle columnist Ralph J. Gleason, is synonymous with the finest music the world of jazz has to offer. Scoresof performers. The known. The unknown. Three September days full of sound emanating from the California town John Steinbeck called a poem . . . a habit, a nostalgia, a dream." And while today's Festival is a dream-come-true for any jazz lover, its history is rich with drama, humor, catastrophe and success, a collage of emotion, compromise and risk-taking. And in these pages, every aspect jumps off the page in words and glorious black-and-white photographs. A special four-color gatefold featuresselected Monterey Jazz posters. In Monterey Jazz Festival: Forty Legendary Years, jazz journalist William Minor tells the story of the oldest, continuously performed jazz gathering in the world, the story of forty weekends of jazz that welcomed the likes of Dizzy Gillespie, Louis Armstrong, Dave Brubeck, Gerry Mulligan, Billie Holiday, Miles Davis, Carmen McRae, Janis Joplin, Herbie Hancock, Wynton Marsalis and Joshua Redman. Photographer and photo editorBill Wishner has collected more than one hundred fifty rare images of the performers and performances that have highlighted the Festival over nearly half a century. Monterey Jazz Festival: Forty Legendary Years includes a complete listing of all musicians who have performed on the Monterey stages from 1958 to 1997. This is the definitive history of the Festival that defines jazz. "

Tallinn ’67 Jazz Festival: Myths and Memories explores the legendary 1967 jazz gathering that centered Tallinn, Estonia as the jazz capital of the USSR and marked both the pinnacle of a Soviet jazz awakening as well as the end of a long series of evolutionary jazz festivals in Estonia. This study offers new insights into what was the largest Soviet jazz festival of its time through an abundance of collected materials – including thousands of pages of archival documents, more than a hundred hours of interviews and countless media reviews and photographs – while grappling with the constellation of myths integral to jazz discourse in an attempt to illuminate ‘how it really was’. Accounts from musicians, jazz fans, organisers and listeners bring renewed life to this transcultural event from more than half a century ago, framed by scholarly discussions contextualizing the festival within the closed conditions of the Cold War. Tallinn ’67 Jazz Festival details the lasting international importance of this confluence of Estonian, Soviet and American jazz and the ripple effects it spread throughout the world.