(series copy)These encyclopedic companions are browsable, invaluable individual guides to authors and their works. Useful for students, but written with the general reader in mind, they are clear, concise, accessible, and supply the basic cultural, historical, biographical and critical information so crucial toan appreciation and enjoyment of the primary works. Each is arranged in an A-Z fashion and presents and explains the terms, people, places, and concepts encountered in the literary worlds of James Joyce, Mark Twain, and Virginia Woolf.As a keen explorer of the mundane material of everyday life, James Joyce ranks high in the canon of modernist writers. He is arguably the most influential writer of the twentieth-century, and may be the most read, studied, and taught of all modern writers. The James Joyce A-Z is the ideal companionto Joyce's life and work. Over 800 concise entries relating to all aspects of Joyce are gathered here in one easy-to-use volume of impressive scope.

"Gathers together impressive, prominent voices in the field of Joycean studies and popular culture. . . . I was impressed by the elegance with which I was introduced to the idea that Tom Swifties, Marilyn Monroe, and electronic media all have something to offer to the study of Joyce (and vice versa). . . . Delightful new materials. . . . All Joyceans will want to own this volume. . . . Those interested in popular culture per se will also have to see what's happening now in the Joycean arena."--Cheryl Herr, University of Iowa Joyce not only used popular culture, he contributed to it. These essays employ a variety of sophisticated critical techniques to bring out his surprising involvement in the popular culture of his time. Treating all of Joyce's work from Dubliners through Finnegans Wake, they question the conventional idea that popular culture is the inverse of modernist high art, showing instead how popular culture intertwines with modernist (and postmodernist) art. In a general historical introduction, R. B. Kershner the entire question of Joyce and popular culture within the context of Joyce criticism and the cultural studies movement. Contents Introduction, by R. B. Kershner THEORETICAL APPROACHES 1. Theoretical Approaches to Popular Culture, by Derek Attridge 2. A Tale of "Unwashed Joyceans": James Joyce, Popular Culture, and Popular Theory, by David Glover 3. A(dorna) to Z(izek): From the Culture Industry to the Joyce Industry, and Beyond, by Michael Walsh POPULAR SOURCES AND PARADIGMS 4. Should Boys Have Sweethearts?, by Chester G. Anderson 5. Molly Bloom and Lady Hester Stanhope, by Michael H. Begnal 6. "Nothing for a Woman in That": James Lovebirch and Masochistic Fantasy in Ulysses, by Stephen Watt 7. Dr. J. Collins Looks at J. J.: The Invention of a Shaun, by David Hayman THE CONTEXT OF CULTURE 8. Wilde about Joyce, by Zack Bowen 9. The (Tom) Swiftean Comedy of "Scylla and Charybdis," by Thomas Jackson Rice 10. Advertising and Religion in James Joyce's Fiction: The New (Improved!) Testament, by Garry M. Leonard 11. Joyce's Techno-Poetics of Artifice: Machines, Media, Memory, and Modes of Communication in Ulysses and Finnegans Wake, by Donald Theall JOYCE IN POPULAR CULTURE 12. Appropriating the Master Appropriator: "The James Joyce Murder" as Feminist Critique, by Helene Meyers 13. James Joyce as Woman: Fionnula Flanagan, Joyce, and Film, by Adrian Peever 14. Marilyn Monroe Reading Ulysses: Goddess or Postcultural Cyborg? by Richard Brown 15. The Joycean Unconscious, or Getting Respect in the Real World, by Vincent J. Cheng R. B. Kershner is professor of English at the University of Florida and an advisory editor for the James Joyce Quarterly. He is the author of Joyce, Bakhtin and Popular Literature: Chronicles of Disorder (1989) and Dylan Thomas: The Poet and His Critics (1977) and the editor of the St. Martin's Press case studies edition of A Portrait of the Artist as a Young Man (1992).

This strikingly illustrated edition presents Joyce’s epic novel in a new, more accessible light, while showcasing the incredible talent of a leading Spanish artist. The neo-figurative artist Eduardo Arroyo (1937–2018), regarded today as one of the greatest Spanish painters of his generation, dreamed of illustrating James Joyce’s Ulysses. Although he began work on the project in 1989, it was never published during his lifetime: Stephen James Joyce, Joyce’s grandson and the infamously protective executor of his estate, refused to allow it, arguing that his grandfather would never have wanted the novel illustrated. In fact, a limited run appeared in 1935 with lithographs by Henri Matisse, which reportedly infuriated Joyce when he realized that Matisse, not having actually read the book, had merely depicted scenes from Homer’s Odyssey. Now available for the first time in English, this unique edition of the classic novel features three hundred images created by Arroyo—vibrant, eclectic drawings, paintings, and collages that reflect and amplify the energy of Joyce’s writing.

The papers collected in this volume capture some of the excitement of the 11th International James Joyce Symposium, held in Venice and Trieste, June 1988. 'The contents of this book are by no means as restrictive as the title might suggest. The contributors explore not only Joyce's 'languages' and modes of communication and meaning, but, as well, concepts of significance and communication in broader contexts. Through Joyce, the writers explore and develop their own approaches and theories about language and languages, about semiotics and understanding. And about psychology, gender, physiology, politics, philosophy, linguistics, science, and culture. About literature in other words.'

Examines the life and writings of James Joyce, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.

The renowned Sudanese-Egyptian author explores the lives of immigrants at home and abroad in this “earnest and engrossing” story collection (Publishers Weekly, starred review). A young woman’s encounter with a former classmate elicits painful reminders of her old life in Khartoum. A wealthy young Sudanese woman studying in Aberdeen begins an unlikely friendship with one of her Scottish classmates. A woman experiences an evolving relationship to her favorite writer, whose portrait of their shared culture both reflects and conflicts with her own sense of identity. Shuttling between the dusty, sun-baked streets of Khartoum and the university halls and cramped apartments of Aberdeen and London, Elsewhere, Home explores, with subtlety and restraint, the profound feelings of yearning, loss, and alienation that come with leaving one’s homeland in pursuit of a different life.