Latina Superhero, Graphic Novel

Color the graphic novel of a Latina Superhero

The A LA BRAVA team is finally together! Jalisco. Santa. Loquita. Ruca. And Bandita. The superheroes are brought together by Muneca, an eager agent wanting to prove herself and her new-found grassroots organization. When the controversial Fair Share Bill, a bill to tax the billionaires, gets presented to Congress, females in political powers mysteriously start dying. The media labels it as freak accidental deaths but Muneca has her suspicions as to who's behind it all. So she bands the superheroes together and has them stake out the possible suspects, billionaires. After a failed assassination attempt on President Hilda Ruth Sotomayor, the superheroes put aside their differences and work together to figure out which billionaire is causing political unrest and the murders.

Centuries ago, two Mayan brothers constructed a spacecraft that sent them hurtling into outer space. Returned to Earth, only to find their culture and civilization destroyed, one of the brothers vows revenge and seeks to decimate the planet with intergalactic technology gathered on his travels. To prevent this, his sibling creates a contingency plan that activates the world’s protectors – descendants of their own Pacal family. Now, the fate of the planet lies in the hands of three cousins scattered throughout Central and North America who have never even met.

The teen detective in the supernatural world. Loquita is from Miami, Florida and is a sophomore in high school. As she comes into womanhood, she gains her powers. Loquita starts to see demons and is scared beyond belief. It doesn't help that no one else can see them. A ghost, Sissel, asks Loquita to help save her and although Loquita has no idea how, she accepts. Loquita follows the clues leading her deeper into the supernatural, all while maintaining her grades and family life.

LA MANO DEL DESTINO tells the tale of a once-champion Luchador who, after being betrayed by his friends and unmasked in the ring, agrees to a Faustian bargain with a mysterious promoter. He gains a new power and the identity of La Mano del Destino in order to exact revenge upon his betrayers. Set in a swanky, 1960s Mexico where Lucha Libre is intrinsically woven into all aspects of society, this tale winds its way through the machinations and motivations of all types who inhabit this unique setting. Can La Mano del Destino get his revenge while remaining the champion he knows himself to be? Mesoamerican myth, Silver-Age storytelling, and high-flying Lucha Libre action converge to tell this epic story of vengeance and destiny! Collects LA MANO DEL DESTINO #1-6

A critical cultural materialist introduction to the study of global entertainment media. In Global Entertainment Media, Tanner Mirrlees undertakes an analysis of the ownership, production, distribution, marketing, exhibition and consumption of global films and television shows, with an eye to political economy and cultural studies. Among other topics, Mirrlees examines: Paradigms of global entertainment media such as cultural imperialism and cultural globalization. The business of entertainment media: the structure of capitalist culture/creative industries (financers, producers, distributors and exhibitors) and trends in the global political economy of entertainment media. The "governance" of global entertainment media: state and inter-state media and cultural policies and regulations that govern the production, distribution and exhibition of entertainment media and enable or impede its cross-border flow. The new international division of cultural labor (NICL): the cross-border production of entertainment by cultural workers in asymmetrically interdependent media capitals, and economic and cultural concerns surrounding runaway productions and co-productions. The economic motivations and textual design features of globally popular entertainment forms such as blockbuster event films, TV formats, glocalized lifestyle brands and synergistic media. The cross-cultural reception and effects of TV shows and films. The World Wide Web, digitization and convergence culture.