The sequel to THE BLACK JACKALS is set in the turmoil of the eastern Mediterranean in 1941, with the Brits struggling to hold their line in Greece against the powerful German and Italian forces.

Meet James Keane: loveable rogue and unlikely hero. 'Wonderfully imaginative' Bernard Cornwell, author of The Last Kingdom. Perfect for fans of Simon Scarrow and Bernard Cornwell. James Keane - card sharp and ladies' man - is one of the finest soldiers of Wellington's army. Keane - hot-tempered, a maverick, never quite accepted by his fellow officers - is in trouble for killing his man in a duel: an activity forbidden by Wellington. To avoid court martial, he takes on an unwelcome assignment: to form an ill-assorted bunch of reprobates into an elite unit capable of operating behind the lines. A nineteenth-century Dirty Dozen.

The battle for Greece is over. Outgunned and outmanoeuvred by the relentless German advance, Lamb and his Jackals make the hazardous journey to the seemingly wonderful safe haven of Crete. But there they find a chaotic situation; divided command, leaderless disorganised units, restless partisans, the beleaguered King of Greece and his court, and numbers of civilian refugees, many of them British. Facing the awesome German paratroopers for the first time, the Jackals must fight alongside the chaotic troops on the island. An influx of high-ranking British irregulars, each with their own flamboyant style, lead the Jackals into a potentially deadly situation.

'Wonderfully imaginative' Bernard Cornwell, author of The Last Kingdom. James Keane strikes again with this thrilling second instalment in the series. Perfect for fans of Simon Scarrow and Bernard Cornwell. French troops led by one of Napoleon's best generals are massing on the border. Wellington's outnumbered force needs to pick off the smaller French units if they are to stand their ground. For that they need information, which is where Captain James Keane and his company of reformed scouting officers come in. But it soon becomes apparent that someone high up in Wellington's headquarters is a spy for the French...and Keane's enemies within the army are quick to point the finger. Keane must defend his crew against their accusers - or root out the traitor himself.

'Wonderfully imaginative' Bernard Cornwell, author of The Last Kingdom British Intelligence maverick James Keane goes undercover in Napoleon's Paris for his most daring espionage mission yet. Perfect for fans of Simon Scarrow and Bernard Cornwell. It's 1812, and one man is on the top of the world. Napoleon Bonaparte has enjoyed victories all over Europe and is rebuilding the glorious city of Paris. Meanwhile, his enemies struggle to keep alive the embers of rebellion that still burn at the city's heart. To aid this noble cause, a few British intelligence officers have been smuggled in, and James Keane is one of them. Keane finds himself at once adrift in a world of gambling houses and derelict cemeteries - of ex-Jacobites, disaffected French royalists, Irishmen and Americans, all of them voicing dissension. If Keane is to succeed, a means must be discovered by which to persuade these miscreants to rise against Napoleon's rule, without alerting the endless spies and informers that surround them. Forging alliances between unlikely collaborators proves especially difficult for Keane, whose honourable nature objects so strongly to this double-dealing. But he must persevere, or else lose the golden opportunity to aid in the defeat of the tyrannical French Emperor once and for all. WHAT READERS ARE SAYING 'Enthralling' ***** 'Full of intrigue' ***** 'I can't wait for the next in the series' *****

You ask what the Jackals do in the Zaharets. I ask you, what happens if they do nothing? – Nawsi Namar of Orsem Honess, speaking to the Sar of Ameena Noani The Fall of the Children of Bronze is a grand campaign for Jackals, and includes 14 adventures spanning 9 years. Players will explore the ancient myths and legends of the War Road, from the bustling streets of Ameena Noani in the north and Sentem in the south, to abandoned temples in the wastes and mansions deep within the earth. They will encounter beings and powers from the past – ancient but far from dormant – and come face to face with the hidden hand that would the Law of Men torn down and chaos brought to the Zaharets.

In Between God and Beast, Avraham Balaban argues that Oz's fiction has, from the outset, followed Jung's psychological theory. The major psychic processes that are depicted throughout Oz's prose are typically Jungian. For example, the treasure hunt, which is the deep structure of many of Oz's stories and novels, reflects the search for the "self" in which all the vying forces of one's psyche coexist peacefully. Oz uses many of the symbols of the treasure as well as of the self as they are presented by Jung. Many of the symbols examined in this study have never before been discussed in articles about Oz's writings. Balaban also devotes a considerable portion of his study to the religious dimension of Oz's work as well as the impact of his personal life on his writings. Balaban reveals that from the beginning Oz's work has moved in two directions: it demonstrates an unceasing effort to delve ever deeper into the dark side of consciousness while heightening the contrast between the opposing elements vying within his protagonists; and it consistently attempts to bring those oppositions to peaceful coexistence and even to a fruitful mutual relationship.