It is now 80 years since Mussolini's Fascism came to power in Italy, but the political heirs of the original Fascism are part of government in today's Italy. The resurgence of neo-fascist and neo-Nazi extremism all over Europe are a reminder of the continuing place of fascism in contemporary European society, despite its political and military defeat in 1945. This thoroughly revised, updated and expanded edition provides a critical and comprehensive overview of the origins of Fascism and the movement's taking and consolidation of power. Philip Morgan: - Explains how the experience of the First World War created Fascism - Describes how the unsettled post-war conditions in Italy enabled an initially small group of political adventurers around Mussolini to build a large movement and take power in 1922 - Focuses on the workings of the first ever 'totalitarian' system and its impacts on the lives and outlooks of ordinary Italians - Considers the meshing of internal 'fascistisation' and expansionism, which emerged most clearly after 1936 as Italy became more closely aligned with Nazi Germany - Examines the demise of Italian Fascism between 1943 and 1945 as Mussolini and his party became the puppets of Nazism - Provides an explanation and interpretation of Fascism, locating it in contemporary history and taking account of recent debates on the nature of the phenomenon. Clear and approachable, this essential text is ideal for anyone interested in Italy's turbulent political history in the first half of the 20th century.

With Mussolini ’s Italy, R.J.B. Bosworth—the foremost scholar on the subject writing in English—vividly brings to life the period in which Italians participated in one of the twentieth century’s most notorious political experiments. Il Duce’s Fascists were the original totalitarians, espousing a cult of violence and obedience that inspired many other dictatorships, Hitler’s first among them. But as Bosworth reveals, many Italians resisted its ideology, finding ways, ingenious and varied, to keep Fascism from taking hold as deeply as it did in Germany. A sweeping chronicle of struggle in terrible times, this is the definitive account of Italy’s darkest hour.

The new editions of Access to History combine all the strengths of this well-loved series with a new design and features that allow all students access to the content and study skills needed to achieve exam success. The third edition of Italy: Liberalism and Fascism 1870-1945 has been revised to reflect the needs of the current specifications. The new edition starts by examining the weakness of Liberal Italy and how the First World War increased its problems, before going on to analysing and explaining the rise of Fascism and Mussolini's subsequent consolidation of power. It also includes detailed chapters on life in Fascist Italy, its economy, politcal system and foreign policy before concluding with an examination of why Mussolini's regime collapsed in 1943. Throughout the book, key dates, terms and issues are highlighted, and historical interpretations of key debates are outlined. Summary diagrams are included to consolidate knowledge and understanding of the period, and exam style questions and tips for each examination board provide the opportunity to develop exam skills.

"For the common reader as well as the professional one, Victoria de Grazia opens doors and sheds new light on a fascinating subject."—Mary Gordon, author of The Other Side

The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.

Ordinary Violence in Mussolini's Italy reveals the centrality of violence to Fascist rule, arguing that the Mussolini regime projected its coercive power deeply and diffusely into society through confinement, imprisonment, low-level physical assaults, economic deprivations, intimidation, discrimination, and other everyday forms of coercion. Fascist repression was thus more intense and ideological than previously thought and even shared some important similarities with Nazi and Soviet terror.

In Transatlantic Fascism, Federico Finchelstein traces the intellectual and cultural connections between Argentine and Italian fascisms, showing how fascism circulates transnationally. From the early 1920s well into the Second World War, Mussolini tried to export Italian fascism to Argentina, the “most Italian” country outside of Italy. (Nearly half the country’s population was of Italian descent.) Drawing on extensive archival research on both sides of the Atlantic, Finchelstein examines Italy’s efforts to promote fascism in Argentina by distributing bribes, sending emissaries, and disseminating propaganda through film, radio, and print. He investigates how Argentina’s political culture was in turn transformed as Italian fascism was appropriated, reinterpreted, and resisted by the state and the mainstream press, as well as by the Left, the Right, and the radical Right. As Finchelstein explains, nacionalismo, the right-wing ideology that developed in Argentina, was not the wholesale imitation of Italian fascism that Mussolini wished it to be. Argentine nacionalistas conflated Catholicism and fascism, making the bold claim that their movement had a central place in God’s designs for their country. Finchelstein explores the fraught efforts of nationalistas to develop a “sacred” ideological doctrine and political program, and he scrutinizes their debates about Nazism, the Spanish Civil War, imperialism, anti-Semitism, and anticommunism. Transatlantic Fascism shows how right-wing groups constructed a distinctive Argentine fascism by appropriating some elements of the Italian model and rejecting others. It reveals the specifically local ways that a global ideology such as fascism crossed national borders.