Anthrax scares. Airplane crashes. The AIDS epidemic. Presidential election polls and voting results. Global warming. All these news stories require scientific savvy, first to report, and then-for the average person-to understand. It Ain't Necessarily So cuts through the confusion and inaccuracies surrounding media reporting of scientific studies, surveys, and statistics. Whether the problem is bad science, media politics, or a simple lack of information or knowledge, this book gives news consumers the tools to penetrate the hype and dig out the facts. "Whether it's a scientific study on day care or health care, hunger in America or the environment, once it gets into the hands of journalists - look out! You may think you're getting the straight story - but it ain't necessarily so, as this aptly named book makes clear. But beware: It Ain't Necessarily So may confirm your worst fears about the media. Which is precisely why it's such an important contribution to our understanding of how things really operate inside the American newsroom." (Bernard Goldberg, author of Bias)

THE MAKING AND MEANING OF RADIOHEAD'S GROUNDBREAKING, CONTROVERSIAL, EPOCHDEFINING ALBUM, KID A. In 1999, as the end of an old century loomed, five musicians entered a recording studio in Paris without a deadline. Their band was widely recognized as the best and most forward-thinking in rock, a rarefied status granting them the time, money, and space to make a masterpiece. But Radiohead didn't want to make another rock record. Instead, they set out to create the future. For more than a year, they battled writer's block, intra-band disagreements, and crippling self-doubt. In the end, however, they produced an album that was not only a complete departure from their prior guitar-based rock sound, it was the sound of a new era-and it embodied widespread changes catalyzed by emerging technologies just beginning to take hold of the culture. What they created was Kid A. Upon its release in 2000, Radiohead's fourth album divided critics. Some called it an instant classic; others, such as the UK music magazine Melody Maker, deemed it "tubby, ostentatious, self-congratulatory... whiny old rubbish." But two decades later, Kid A sounds like nothing less than an overture for the chaos and confusion of the twenty-first century. Acclaimed rock critic Steven Hyden digs deep into the songs, history, legacy, and mystique of Kid A, outlining the album's pervasive influence and impact on culture in time for its twentieth anniversary in 2020. Deploying a mix of criticism, journalism, and personal memoir, Hyden skillfully revisits this enigmatic, alluring LP and investigates the many ways in which Kid A shaped and foreshadowed our world.

Do you remember your first love, the song that was playing when you experienced your first kiss, where you were for your first time, or how long it took to get past your first heartbreak? These events mold us, shape us, and forever alter us. When Alexander Gray meets Mia Price, the southern belle of his dreams, he must decide which fate would wound him more: being spurned or being burned? He screws up his courage long enough to ask her out, and they realize that perhaps they are meant to build a life together after all. That path will not be a smooth one for either, but now, as a couple, they must face their choices together. Along the way, they must survive run-ins with ex-girlfriends, ex-boyfriends, and new acquaintancesnot to mention the specter of unresolved issues from the past. Alex and Mias relationship must survive the dangers of young love, or they may find that growing up can lead to growing apart. Theirs is a journey laced with hope, laughter, and the ever-shifting challenges of an emerging relationship, but most of all, it is rich with love.

Hamlin Garland is best known for his fiction involving hard-working Midwestern farmers. Hamlin Garlend was an American novelist, poet, essayist, short story writer, Georgist, and psychical researcher. Middle Border Series A Son of the Middle Border A Daughter of the Middle Border Trail-Makers of the Middle Border Back-Trailers from the Middle Border The Novels Jason Edwards Rose of Dutcher’s Coolly A Member of the Third House A Little Norsk A Spoil of Office The Spirit of Sweetwater Boy Life on the Prairie The Eagle’s Heart Her Mountain Lover The Captain of the Gray-Horse Troop Hesper The Light of the Star The Tyranny of the Dark Witch’s Gold The Long Trail Money Magic The Shadow World The Moccasin Ranch Cavanagh, Forest Ranger Victor Ollnee’s Discipline The Forester’s Daughter The Short Stories Main-Travelled Roads Prairie Folks Wayside Courtships Delmar of Pima Other Main-Travelled Roads They of the High Trails The Non-Fiction The Trail of the Gold Seekers A Pioneer Mother

NATIONAL BESTSELLER "A profound book.... It will break your heart but also leave you with hope." —J.D. Vance, author of Hillbilly Elegy "[A] deeply empathetic book." —The Economist With stark photo essays and unforgettable true stories, Chris Arnade cuts through "expert" pontification on inequality, addiction, and poverty to allow those who have been left behind to define themselves on their own terms. After abandoning his Wall Street career, Chris Arnade decided to document poverty and addiction in the Bronx. He began interviewing, photographing, and becoming close friends with homeless addicts, and spent hours in drug dens and McDonald's. Then he started driving across America to see how the rest of the country compared. He found the same types of stories everywhere, across lines of race, ethnicity, religion, and geography. The people he got to know, from Alabama and California to Maine and Nevada, gave Arnade a new respect for the dignity and resilience of what he calls America's Back Row--those who lack the credentials and advantages of the so-called meritocratic upper class. The strivers in the Front Row, with their advanced degrees and upward mobility, see the Back Row's values as worthless. They scorn anyone who stays in a dying town or city as foolish, and mock anyone who clings to religion or tradition as naïve. As Takeesha, a woman in the Bronx, told Arnade, she wants to be seen she sees herself: "a prostitute, a mother of six, and a child of God." This book is his attempt to help the rest of us truly see, hear, and respect millions of people who've been left behind.