Centuries in the future, Francis Sandow is the only man alive who was born as long ago as the 20th century. His body is kept young and in perfect health by advanced scientific methods; he has amassed such a fortune that he can own entire planets; and he has become a god. No, not a god of Earth, but one of the panetheon of the alien Pei'ans: he is Shimbo of Darktree, Shrugger of Thunders. Yet he doesn't believe that his personality has merged with the ancient consciousness of Shimbo, that he really can call down the skies upon his enemies. The time comes, however, when Francis Sandow must use these powers against the most dangerous antagonist in the universe: another Pei'an god -- Shimbo's own enemy, Belion. And Belion has no doubt whatever of his own powers.... Roger Zelazny was a three-time Nebula Award and six-time Hugo Award-winning author of science fiction and fantasy classics, including the short stories "24 Views of Mount Fuji, by Hokusai," "Permafrost," and "Home is the Hangman." Zelazny was the bestselling author of the ten-volume Chronicles of Amber series of fantasy novels, as well as the novels Lord of Light, and Psychoshop (written with Alfred Bester). Zelazny's novel Damnation Alley served as the basis for the 1972 cult film of the same name, starring Jan Michael Vincent and George Peppard. Roger Zelazny was a three-time Nebula Award and six-time Hugo Award-winning author of science fiction and fantasy classics, including the short stories "24 Views of Mount Fuji, by Hokusai," "Permafrost," and "Home is the Hangman." Zelazny was the bestselling author of the ten-volume Chronicles of Amber series of fantasy novels, as well as the novels Lord of Light, and Psychoshop (written with Alfred Bester). Zelazny's novel Damnation Alley served as the basis for the 1972 cult film of the same name, starring Jan Michael Vincent and George Peppard.

Set in the midst of the Mongolian invasion of medieval Russia, Buyan tells a powerful story of love and loss as one man embarks on a dangerous quest, fighting his way through soldiers, spirits, and even ancient gods in a desperate attempt to be reunited with his wife. The grandson of Genghis Khan, Batu, and his Golden Horde have just begun a ruthless march across Siberia. Batu intends to spread his Mongolian empire all the way to Europe and to conquer the great city of Novgorod. Meanwhile, the Teutonic Knights of Europe spread the Crusades eastward, burning cities one by one in their unstoppable advance. But in the midst of all this fighting, a small village in Nenetsia is attacked, and a simple hunter named Maansi tragically loses the love of his life. Determined to be reunited with his wife, Maansi travels toward the sea in search of the mythical island of the dead—Buyan. But the path to Buyan is fraught with not only bloodthirsty warriors and religious zealots, but also ancient spirits who have been angered by the war as well as the unforgiving gods of old. Still, desperate to see his wife’s face again, Maansi will not let anything stand in the way of his quest to find Buyan.

In the early eighteenth century, a delegation of Iroquois visited Britain, exciting the imagination of the London crowds with images of the “feathered people” and warlike “Mohocks.” Today, performing in a popular Afrodiasporic tradition, “Mardi Gras Indians” or “Black Masking Indians” take to the streets of New Orleans at carnival time and for weeks thereafter, parading in handmade “suits” resplendent with beadwork and feathers. What do these seemingly disparate strands of culture share over three centuries and several thousand miles of ocean? Interweaving theatrical, musical, and ritual performance along the Atlantic rim from the eighteenth century to the present, Cities of the Dead explores a rich continuum of cultural exchange that imaginatively reinvents, recreates, and restores history. Joseph Roach reveals how performance can revise the unwritten past, comparing patterns of remembrance and forgetting in how communities forge their identities and imagine their futures. He examines the syncretic performance traditions of Europe, Africa, and the Americas in the urban sites of London and New Orleans, through social events ranging from burials to sacrifices, auctions to parades, encompassing traditions as diverse as Haitian Voudon and British funerals. Considering processes of substitution, or surrogation, as enacted in performance, Roach demonstrates the ways in which people and cultures fill the voids left by death and departure. The twenty-fifth anniversary edition of this classic work features a new preface reflecting on the relevance of its arguments to the politics of performance and performance in contemporary politics.

Examines the post-mortem journeys of bodies, body-parts, organs, and brains in modern British medical research. This title is also available as Open Access.

Aided by the mysterious magic of Deltora's last dragons, Lief, Barda and Jasmine have found and destroyed two of the Four Sisters, evil Shadow Lord creations which have been poisoning Deltora. Now, aware that time is running out for the kingdom's starving people, the companions are racing to their next goal, on the wild west coast. But the Shadow Lord has become aware of their quest. And, somehow, he knows every move they make. Terrible dangers from the present and the past lie in wait for them. And the greatest shock of all lurks in the lair of the ferocious Kobb, on the desolate Isle of the Dead.