A centennial celebration of the career and legacy of the first made-in-America violin virtuoso and one of the twentieth century’s greatest musicians. No single American could personify what Henry Luce called the American Century. But over his eighty-one years, Isaac Stern came closer than most. Russian-Jewish parents brought him to San Francisco at ten months; practice and talent got him to Carnegie Hall, critical acclaim, and the attention of the legendary impresario Sol Hurok at twenty-five. As America came of age, so too did Stern. He would go on to make music on five continents, records in formats from 78 rpm to digital, and friends as different as Frank Sinatra and Sir Isaiah Berlin. An unofficial cultural ambassador for Cold War America, he toured the world from Tokyo to Tehran and Tbilisi. He also shaped public policy from New York and Washington to Jerusalem and Shanghai. His passion for developing young talents—including Itzhak Perlman, Pinchas Zukerman, Yo-Yo Ma, and Midori—led him to loan instruments to needy players, broker gigs for Soviet émigrés, and reply in person to inquiring fifth-graders. As the first historian to mine his papers at the Library of Congress, David Schoenbaum traces Stern’s sixty-year career from his formative years in San Francisco to concurrent careers as an activist, public citizen, chairman, and cultural leader in the Jewish community. Wide-ranging yet intimate, The Lives of Isaac Stern is a portrait of an artist and statesman who began as an American dreamer and left a lasting inheritance to his art, profession, and the world.

For sixty-four years, Isaac Stern has been a great--and greatly loved--performing artist, famous for his profound music-making, his gusto for life, his passionate dedication to sharing his knowledge and wisdom with younger musicians, and his determination in a good cause (Stern is, after all, The Man Who Saved Carnegie Hall). Indeed, there is no more revered musician in the world than Isaac Stern, revered not only as a great violinist but as a warm and generous personality and as a crucial figure and spokesperson in the world of the arts. Brought to America from Russia when he was ten months old, Stern grew up in San Francisco and was quickly recognized as an extraordinary talent. He began performing publicly while still very young, and was soon touring across the country and around the world. His fame escalated when he led the fight to save Carnegie Hall, and again when he was the subject of the Academy Award-winning documentary film "From Mao to Mozart. In this book he shares with us both his personal and his artistic experiences: the story of his rise to eminence; his feelings about music and the violin; his rich emotional life; his great friendships and collaborations with colleagues such as Leonard Bernstein and Pablo Casals; his background as an ardent supporter of Israel; his ideas and beliefs about art, life, love, and the world we live in. At seventy-nine, Stern's mind, his wit, and his spirit are as strong as ever, and they are conveyed to us in the most sympathetic and articulate way by Chaim Potok. The two men spent a year talking and sharing their perceptions, and the result is a book in which Stern's voice comes through with complete conviction andpersuasiveness. The man on the page is the musician and humanitarian we have loved and admired for so long. Here is the most readable and revealing musical autobiography of the decade.

From the acclaimed author of Bartali's Bicycle comes the inspiring story of violin virtuoso Isaac Stern and his mission to save the beloved Carnegie Hall from demolition. When Carnegie Hall first opened its doors in 1891, no one could have predicted its incredible success. With talented artists like Duke Ellington and Albert Einstein gracing its stage, the hall quickly became a place where all people--no matter their skin color, religion, or social status--could come together under one roof to be entertained. People like Isaac Stern. The son of Jewish immigrants who fled war-torn Ukraine for America to escape the Holocaust, Isaac was a talented violinist whose dream of one day performing on Carnegie Hall's legendary stage came true, many times over. So when a real estate tycoon sets out to demolish Carnegie Hall, Isaac knew something had to be done to preserve decades of hopes, dreams, and inclusivity. Author Megan Hoyt and illustrator Katie Hickey tell the true story of one man's fight to save a historical landmark whose timeless symbol of equality will forever stand the test of time.

A centennial celebration of the career and legacy of the first made-in-America violin virtuoso and one of the twentieth century’s greatest musicians. No single American could personify what Henry Luce called the American Century. But over his eighty-one years, Isaac Stern came closer than most. Russian-Jewish parents brought him to San Francisco at ten months; practice and talent got him to Carnegie Hall, critical acclaim, and the attention of the legendary impresario Sol Hurok at twenty-five. As America came of age, so too did Stern. He would go on to make music on five continents, records in formats from 78 rpm to digital, and friends as different as Frank Sinatra and Sir Isaiah Berlin. An unofficial cultural ambassador for Cold War America, he toured the world from Tokyo to Tehran and Tbilisi. He also shaped public policy from New York and Washington to Jerusalem and Shanghai. His passion for developing young talents—including Itzhak Perlman, Pinchas Zukerman, Yo-Yo Ma, and Midori—led him to loan instruments to needy players, broker gigs for Soviet émigrés, and reply in person to inquiring fifth-graders. As the first historian to mine his papers at the Library of Congress, David Schoenbaum traces Stern’s sixty-year career from his formative years in San Francisco to concurrent careers as an activist, public citizen, chairman, and cultural leader in the Jewish community. Wide-ranging yet intimate, The Lives of Isaac Stern is a portrait of an artist and statesman who began as an American dreamer and left a lasting inheritance to his art, profession, and the world.

Recognized as one of the earliest Jewish neo-Platonist writers, Isaac ben Solomon Israeli (ca. 855–955) influenced Muslim, Jewish, and Christian scholars through the Middle Ages. A native of Egypt who wrote in Arabic, Israeli explored definitions of such terms as imagination, sense-perception, desire, love, creation, and “coming-to-be” in his writings. This classic volume contains English translations of Israeli’s philosophical writings, including the Book of Definitions, the Book of Substances, and the Book on Spirit and Soul. Additionally, Isaac Israeli features a biographical sketch of the philosopher and extensive notes and comments on the texts, as well as a survey and appraisal of his philosophy. Restored to print for the first time in decades, Isaac Israeli will be essential reading for students and scholars of medieval philosophy and Jewish studies.

Traces the history of the instrument, from its first appearance in the mid-16th century to its modern use by artists, writers and Hollywood and discusses how the affordable, portable instrument can be used to play Beethoven, jazz and indie rock. 10,000 first printing.

The author tells of his own development as a student, "of how he and his intrepid colleagues were converted to chamber music ... [and of how] four individualists master and then overcome the confining demands of ensemble playing."--Jacket.