Well-known storyteller Ralph Milton is at it again: biblical characters come to life in his book, Is This Your Idea of A Good Time, God? This retelling of 23 biblical stories will move you to laughter and tears, and bring new insights into characters like Eve and Adam, Hagar, Jacob, Naaman, Peter, Pontius Pilate, and Mary of Magdala. Each story is prefaced with biblical and historical background. Use these stories as preaching materials, private meditations, or with Bible study groups. A guide is included at the back of the book for leading Bible studies for adults.

Scripture reveals a God who meets us where we are, not where we pretend to be. No More Faking Fine is your invitation to get honest with God through the life-giving language of lament. If you've ever been given empty clichés during challenging times, you know how painful it is to be misunderstood by well-meaning people. When life hurts, we often feel pressure--from others and ourselves--to keep it together, suck it up, or pray it away. But Scripture reveals a God who lovingly invites us to give honest voice to our emotions when life hits hard. For most of her life, Esther Fleece Allen believed she could bypass the painful emotions of her broken past by shutting them down altogether. She was known as an achiever and an overcomer on the fast track to success. But in silencing her pain, she robbed herself of the opportunity to be healed. Maybe you've done the same. Esther's journey into healing began when she discovered that God has given us a real-world way to deal with raw emotions and an alternative to the coping mechanisms that end up causing more pain. It's called lament--the gut-level, honest prayer that God never ignores, never silences, and never wastes. No More Faking Fine is your permission to lament, taking you on a journey down the unexpected pathway to true intimacy with God. Drawing from careful biblical study and hard-won insight, Esther reveals how to use God's own language to come closer to him as he leads us through our pain to the light on the other side, teaching you that: We are robbing ourselves of a divine mystery and a divine intimacy when we pretend to have it all together God does not expect us to be perfect; instead, he meets us where we are There is hope beyond your heartache, disappointment, and grief Like Esther, you'll soon find that when one person stops faking fine, it gives everyone else permission to do the same.

Using Zen parables and personal experiences, Rohr leads readers beyond the techniques of prayer to a place where they can receive the gift of contemplation--and know that everything belongs.

Editor Gregory Ganssle calls on four Christian philosophers to present and defend their views on the place of God in a time-bound universe. The positions taken up here include divine timeless eternity, eternity as relative timelessness, timelessness and omnitemporality, and unqualified divine temporality.

God Has a Name is a simple yet profound guide to understanding God in a new light--focusing on what God says about himself. This one shift has the potential to radically alter how you relate to God, not as a doctrine, but as a relational being who responds to you in an elastic, back-and-forth way. In God Has a Name, John Mark Comer takes you line by line through Exodus 34:6-8--Yahweh's self-revelation on Mount Sinai, one of the most quoted passages in the Bible. Along the way, Comer addresses some of the most profound questions he came across as he studied these noted lines in Exodus, including: Why do we feel this gap between us and God? Could it be that a lot of what we think about God is wrong? Not all wrong, but wrong enough to mess up how we relate to him? What if our "God" is really a projection of our own identity, ideas, and desires? What if the real God is different, but far better than we could ever imagine? No matter where you are in your spiritual journey, the act of learning who God is just might surprise you--and change everything.

Julian's Cell is a unique work of historical fiction, an attempt to imagine Julian of Norwich's life as it could have been. This is the earthy story of "Katherine" - daughter of a stern and bitter mother. Married at age 16 to Walter, she loses both her children and her husband during the great plagues. She has visions of the passion of Christ and becomes an anchorite - she is "buried alive" in a cell attached to St. Julian's church to lead a life devoted to prayer and spiritual counsel. Today she is known as Mother Julian, or Julian of Norwich, the first woman to write in the English language, and one of the greatest Christian theologians and mystics of all time.

Why is God's beauty often absent from our theology? Rarely do theologians take up the theme of God's beauty—even more rarely do they consider how God's beauty should shape the task of theology itself. But the psalmist says that the heart of the believer's desire is to behold the beauty of the Lord. In The Beauty of the Lord, Jonathan King restores aesthetics as not merely a valid lens for theological reflection, but an essential one. Jesus, our incarnate Redeemer, displays the Triune God's beauty in his actions and person, from creation to final consummation. How can and should theology better reflect this unveiled beauty? The Beauty of the Lord is a renewal of a truly aesthetic theology and a properly theological aesthetics.