Updated and Revised 2nd Edition! Irish Witchcraft from an Irish Witch is a delightful mixture of academia and accessibility; a book that explores Witchcraft in Ireland: how it was, is, and will be. It succeeds where many books have failed - fulfilling the longing for real Irish Witchcraft, while crafting the delicate balance between learning from the past and weaving a modern system based on truth and respect. Lora O'Brien is an Irish Draoí (user of magic) working closely with her heritage and her native land, providing a contemporary guide to genuine practice. Irish Witchcraft from an Irish Witch explores the past: -- Providing an investigation of the Witches' place in Irish mythology. -- Looking at Witchcraft and magic by examining the customs connected with the Sidhe (the Irish Fairies). -- Examining historical evidence of the Witch trials that swept across the island of Ireland through the ages. And the present and beyond by: -- Working with Irish Gods and Goddesses, landscapes, and energies. -- Examining the wheel of the year, with its festivals, cycles, and seasons of Irish culture. -- Looking at ritual progression through a Witch's life: magical training, physical growth. -- Providing alternatives to the traditional stages of a child's life in modern Irish culture. When it was released in 2004, this was the first traditionally published Pagan book ever written by an Irish author. It was the book that this author had sought, for over a decade previously... The 2nd edition of this book continues to do now what it did for so many on first publication - it bridges the gap between 'Celtic' NeoPagan nonsense, and authentic Irish Pagan Practice.

Witch trials in the European or American sense were not common in Ireland although they did occur. In this book the stories of four remarkable court cases that took place from the fourteenth to the nineteenth century are told; other chapters chronicle the extraordinary lives of individuals deemed to be practitioners of the black arts – hedge witches, sorcerers and sinister characters. The book gives a unique insight into the fascinating overlap between witch belief and the vast range of fairy lore that held sway for many centuries throughout the land.

Explores the past, present, and future of witchcraft in Ireland.

Irish Reconstructionist Polytheism is an often misunderstood path, but it is one with great richness and depth for those who follow it. This short introductory book touches on the basic beliefs and practices of Irish Polytheism as well as other important topics for people interested in practicing the religion using a Reconstructionist methodology or who would just like to know more about it. Explore the cosmology of the ancient Irish and learn how the old mythology and living culture show us the Gods and spirits of Ireland and how to connect to them. Ritual structure is explored, as well as daily practices and holidays, to create a path that brings the old beliefs forward into the modern world.

Early medieval Ireland is remembered as the "Land of Saints and Scholars," due to the distinctive devotion to Christian faith and learning that permeated its culture. As early as the seventh century, however, questions were raised about Irish orthodoxy, primarily concerning Easter observances. Yet heresy trials did not occur in Ireland until significantly later, long after allegations of Irish apostasy from Christianity had sanctioned the English invasion of Ireland. In The Templars, the Witch, and the Wild Irish, Maeve Brigid Callan analyzes Ireland's medieval heresy trials, which all occurred in the volatile fourteenth century. These include the celebrated case of Alice Kyteler and her associates, prosecuted by Richard de Ledrede, bishop of Ossory, in 1324. This trial marks the dawn of the "devil-worshipping witch" in European prosecutions, with Ireland an unexpected birthplace.Callan divides Ireland’s heresy trials into three categories. In the first stand those of the Templars and Philip de Braybrook, whose trial derived from the Templars’, brought by their inquisitor against an old rival. Ledrede’s prosecutions, against Kyteler and other prominent Anglo-Irish colonists, constitute the second category. The trials of native Irishmen who fell victim to the sort of propaganda that justified the twelfth-century invasion and subsequent colonization of Ireland make up the third. Callan contends that Ireland’s trials resulted more from feuds than doctrinal deviance and reveal the range of relations between the English, the Irish, and the Anglo-Irish, and the church’s role in these relations; tensions within ecclesiastical hierarchy and between secular and spiritual authority; Ireland’s position within its broader European context; and political, cultural, ethnic, and gender concerns in the colony.

In 1711, in County Antrim, Ireland, eight women were put on trial accused of bewitching and demonically possessing young Mary Dunbar, amid an attack by evil spirits on the local community and the supernatural murder of a clergyman's wife. Mary Dunbar was the star witness in this trial, and the women were, by the standards of the time, believable witches – they dabbled in magic, they smoked, they drank, they had disabilities. A second trial targeted a final male 'witch' and head of the Sellor 'witch family'. With echoes of the Salem witch-hunt, this is a story of murder, of a community in crisis, and of how the witch hunts that claimed over 50,000 lives in Europe played out on Irish shores. It plunges the reader into a world were magic was real and the power of the devil felt, with disastrous consequences.

1812 - 1814 The Hell Fire Club is being revived – by a sensuous wanton who calls herself the Irish Witch. Once more the titled of the land are being sucked into its vortex of vice and degradation. And among them is Susan, Roger Brook's young and lovely daughter. Soon it will be Walpurgis Night. Soon a ruined castle will echo to the baying of initiates as Susan is led towards an altar – there to be ritually violated by the Priest of Satan.