This book is for someone who can already play the silver flute to some extent. I hope to show you some of the techniques to engage with the sounds of traditional wooden flute, as well as teach you a few tunes along the way. There are lots of my own tunes included which are particularly suited to the silver flute and a few traditional tunes to help illustrate the techniques."a wealth of information for silver flute players who wish their instrument to sound more like a traditional wooden flute...deeply thought through and gives really useful practical advice. ...It really is an impressive book...both entertaining and really useful." - Living Tradition Magazine"hugely important book...Philippe is a master of those techniques...Irish Music Magazine's John Brophy's comment is quoted in the book; "I've heard nobody else who can make the Boehm flute sound like the true traditional thing, who can mould tone to the tune so nicely, the sheer musicality is exceptionally impressive."...This is an invaluable resource for Silver flute players and is a great teaching aid; it should be in every secondary school music room in the country." - Seán Laffey, IRISH MUSIC MAGAZINE"This book serves as an ideal introduction for any Boehm flute players who are interested in exploring the traditional language of Irish Music. One of the most important elements in idiomatic Irish flute playing is the execution of a wide range of ornaments, and they are clearly explaned her and backed up with examples from the repertoire. Barnes stresses the difference between classical ornamentation (which is essentially melodic) and Irish ornamentatin where the focus is on rhythm. He disusses differences in hand position and an appropriate approach to vibrato, and covers techniques such as feathering, cuts, rolls, cranns, bounces and slides. Each technique is clearly explaned in straigntforward language, and there is plenty of repertoire included to help skills develop in each area. Recommended." Carla Rees, British Flute Society Magazine

While the wooden simple-system flute is traditionally used in playing Irish music, a growing number of folk players have adopted the silver flute as a viable alternative. Here for the first time, The Complete Irish Flute Book presents the silver or Boehm flutist with a method for learning authentic Irish ornamentation! This thorough guide provides detailed fingering charts, exercises, and technical essays for learning to execute ornaments in the in the Irish style. Through a wealth of hornpipes, reels, jigs, set dances, and slow airs and songs. This book focuses not only on musical accuracy, but stylistic authenticity as well. The companion CD contains 26 of the 101 tunes from the book.

Edited especially for flute players. May be used as supplementary etudes or just for fun.

For the beginner to the highly advanced player of Irish flute, tin whistle, or Boehm-system flute. Features a simple and penetrating new approach to understanding and notating ornamentation that goes beyond any previous method, exploring ornamentation techniques never described in print before. Also includes adaptations for Boehm-system flute players, guidance on breathing and phrasing, 49 ornamentation exercises, history and theory of traditional Irish flute and whistle music, and 27 meticulous transcriptions of recordings by these important Irish flute and tin whistle players: John McKenna,Tom Morrison, William Cummins, Séamus Ennis, Willie Clancy, Paddy Taylor, Paddy Carty, Grey Larsen, Josie McDermott, Matt Molloy, Cathal McConnell, Mary Bergin, Donncha Ó Briain (Denis O'Brien), Desi Wilkinson, Breda Smyth, Seán Ryan, Conal Ó Gráda, Micho Russel, Joanie Madden, Kevin Crawford, Catherine McEvoy, and Seamus Egan. for those who don't read music, almost all the exercises, examples and tunes appear on the two companion CDs. Grey has, through his research, patience, and diligence, completed a work on Irish flute and tin whistle that I feel is essential reading for anybody interested in getting it right. - Matt Molloy, Irish Flute player with the Chieftains.

DADGAD Guitar Progressions for backing traditional music.Guitarist for CrossHarbour, The Wilderness Yet, The Dave Munnelly Band and Calum Stewart.Strumming patterns and chords for use with and without a capo. All the main keys covered. Tablature and notation."I saw the future of trad music and its name is CrossHarbour" - tradconnect"a masterclass in empathy and phrasing" - Irish Times"a fine example of how traditional music is still thriving in a modern way" - The Daily Telegraph

From the author of The Essential Guide to Irish Flute and Tin Whistle, comes 300Gems of Irish Music for All Instruments. These 300 tunes, selected from among the author's favorites, are notated in a style that makes them accessible to players of fiddle, flute, whistle, accordion, concertina, harp, keyboard, guitar, mandolin, banjo, uilleann pipes - to all melody players. Here you will find some of the most beautiful tunes in the storehouse of Irish music - session standards and rare treasures alike - tunes that will help both the performer and the Irish session participant build a vibrant and varied repertoire. Many of the transcriptions pay homage to recordings by famous Irish musicians and groups such as Matt Molloy (of the Chieftains), Martin Hayes, Sharon Shannon, Mary Bergin, Kevin Burke, James Kelly, Willie Clancy, Altan, the Bothy Band and the Mulcahy Family, as well as to early 20th century recordings from revered Irish masters Michael Coleman, Paddy Killoran, Dennis Murphy, BobbyCasey, Paddy Canny and others.