Offering a fresh new perspective on the history of the end of Empire, with the Irish and Indian independence movements as its focus, this book details how each country’s nationalist agitators engaged with each other and exchanged ideas. Using previously unpublished sources from the Indian Political Intelligence collection, it chronicles the rise and fall of movements such as the India-Irish Independence League and the League Against Imperialism, whose histories have, until now, remained deeply hidden in the archives. O’Malley also highlights opaque aspects of the careers of popular figures from both Irish and Indian history including Subhas Chandra Bose, Jawaharlal Nehru, Eamon de Valera and Maud Gonne McBride at points when their paths crossed. This book encompasses aspects of Irish, Indian, British, Imperial and intelligence history and will be of interest to students, teachers and general history enthusiasts alike.

This book includes essays on a number of distinguished civil servants as well as chapters on such topics as law, religion, education, folk tale collecting, and literary connections between India and Ireland.

India in Art in Ireland is the first book to address how the relationship between these two ends of the British Empire played out in the visual arts. It demonstrates that Irish ambivalence about British imperialism in India complicates the assumption that colonialism precluded identifying with an exotic other. Examining a wide range of media, including manuscript illuminations, paintings, prints, architecture, stained glass, and photography, its authors demonstrate the complex nature of empire in India, compare these empires to British imperialism in Ireland, and explore the contemporary relationship between what are now two independent countries through a consideration of works of art in Irish collections, supplemented by a consideration of Irish architecture and of contemporary Irish visual culture. The collection features essays on Rajput and Mughal miniatures, on a portrait of an Indian woman by the Irish painter Thomas Hickey, on the gate lodge to the Dromana estate in County Waterford, and a consideration of the intellectual context of Harry Clarke's Eve of St. Agnes window. This book should appeal not only to those seeking to learn more about some of Ireland's most cherished works of art, but to all those curious about the complex interplay between empire, anti-colonialism, and the visual arts.

Offering a fresh new perspective on the history of the end of Empire, with the Irish and Indian independence movements as its focus, this book details how each country s nationalist agitators engaged with each other and exchanged ideas. Using previously unpublished sources from the Indian Political Intelligence collection; it chronicles the rise and fall of movements such as the Indian-Irish Independence League and the League Against Imperialism whose histories have, until now, remained deeply hidden in the archives. The maturation of the Indo-Irish nexus documented in this book eventually culminated with the establishment of diplomatic ties between both independent states in the 1960s, yet the British government initially interpreted these transnational links as a potential threat to the Empire and monitored their development through its security services. O Malley highlights opaque aspects of the careers of popular figures from both Irish and Indian history including Subhas Chandra Bose, Jawaharlal Nehru, Eamon de Valera and Maud Gonne McBride at points when their paths crossed and also looks at how many one-time agitators went on to become international statesmen. This book encompasses aspects of Irish, Indian, British, Imperial and intelligence history and will be of interest to students, teachers and general history enthusiasts alike.