In the wake of World War II, Americans developed an unusually deep and all-encompassing national unity, as postwar affluence and the Cold War combined to naturally produce a remarkable level of agreement about the nation's core values. Or so the story has long been told. Inventing the "American Way" challenges this vision of inevitable consensus. Americans, as Wendy Wall argues in this innovative book, were united, not so much by identical beliefs, as by a shared conviction that a distinctive "American Way" existed and that the affirmation of such common ground was essential to the future of the nation. Moreover, the roots of consensus politics lie not in the Cold War era, but in the turbulent decade that preceded U.S. entry into World War II. The social and economic chaos of the Depression years alarmed a diverse array of groups, as did the rise of two "alien" ideologies: fascism and communism. In this context, Americans of divergent backgrounds and beliefs seized on the notion of a unifying "American Way" and sought to convince their fellow citizens of its merits. Wall traces the competing efforts of business groups, politicians, leftist intellectuals, interfaith proponents, civil rights activists, and many others over nearly three decades to shape public understandings of the "American Way." Along the way, she explores the politics behind cultural productions ranging from The Adventures of Superman to the Freedom Train that circled the nation in the late 1940s. She highlights the intense debate that erupted over the term "democracy" after World War II, and identifies the origins of phrases such as "free enterprise" and the "Judeo-Christian tradition" that remain central to American political life. By uncovering the culture wars of the mid-twentieth century, this book sheds new light on a period that proved pivotal for American national identity and that remains the unspoken backdrop for debates over multiculturalism, national unity, and public values today.

This book is a study in religion, culture, and social change. Taking the position that death is a cultural event, James J. Farrell examines the historical roots of contemporary American attitudes toward and practices concerning death. Middle-class Victorians tried to assuage their fear by making death appear natural, painless, predictable, beautiful, and ultimately inconspicuous. Scientific naturalism was a crucial catalyst of this transformation. Naturalists redefined death, the medical profession called for the establishment of rural cemeteries, and the sanitary science movement influenced embalming methods and funeral practices. The main part of this work describes and analyzes the convergence of the intellectual and social trends that changed American beliefs and behavior concerning death. The penultimate chapter focuses on Vermilion County, and the development of funeral practices in that specific place. The author uses local sources to add an empirical dimension to the intellectual history that characterizes the rest of the book. -- From publisher's description.

"In this book Jill Pearlman argues that Gropius did not effect changes alone and, further, that the Harvard Graduate School of Design was not merely an offshoot of the Bauhaus. - She offers a crucial missing piece to the story - and to the history of modern architecture - by focusing on Joseph Hudnut, the school's dean and founder."--BOOK JACKET.

Revisiting all the original documents and using her deep knowledge of eighteenth-century history and politics, Carol Berkin takes a fresh look at the men who framed the Constitution, the issues they faced, and the times they lived in. Berkin transports the reader into the hearts and minds of the founders, exposing their fears and their limited expectations of success.

"The best explanation that I have seen for our distinctive combination of faith, hope and naiveté concerning the governmental process." —Michael Kamman, Washington Post This book makes the provocative case here that America has remained politically stable because the Founding Fathers invented the idea of the American people and used it to impose a government on the new nation. His landmark analysis shows how the notion of popular sovereignty—the unexpected offspring of an older, equally fictional notion, the "divine right of kings"—has worked in our history and remains a political force today.

Profiles thirty-five inventors whose various innovations changed life in modern America.

Why Has America Stopped Inventing? takes a close look at why America’s 200 year experiment with patents appears to be failing, and why America has all but stopped inventing. It explains why our over-legislated patent system has snuffed out any incentive to invent desperately needed technologies, such as new forms of clean energy. Why Has America Stopped Inventing? shows how this happened by comparing the experiences of America’s most successful 19th century inventors with those of today.