Rwanda is a small landlocked country located in Central-East Africa. It has a total land area of 26,338 square kilometers and is bordered by Uganda to the north, Tanzania to the east, Burundi to the south and the Democratic Republic of Congo to the west. The population is predominantly composed of three ethnic groups: the Hutu, Tutsi, and Twa. The country experienced a major genocide in 1994, resulting in the deaths of approximately 800,000 people, mainly Tutsi. The genocide shattered the country's economic and social infrastructure, leading to a long period of recovery and reconstruction. Since then, Rwanda has undergone significant transformation and is emerging as one of Africa's success stories. The government has prioritized modernizing the agriculture sector, promoting investment in infrastructure, and reducing corruption. Rwanda has also embraced technology, becoming a hub for information communication and innovation. The country is now known for its initiatives such as the Kigali Innovation City, which aims to create jobs through attracting tech companies to set up shop in the country. While there are still challenges, Rwanda is making strides towards becoming a prosperous and thriving nation.

This is a general introduction to Rwanda and Burundi, twin nations in the Great Lakes region of East Africa, which are composed of members of the same ethnic groups: Hutu, Tutsi, and Twa. Subjects covered include geography, recent history and how the people live – some of their customs and traditions and how they earn their living among other subjects. The book also covers some of the crises the countries have faced in recent years to provide a more comprehensive picture of life in those countries which have been some of the most traumatised in the history of post-colonial Africa. The book is intended for members of the general public although some of them may find the work too detailed in terms of recent history for general purposes and may feel that it is better suited to those interested in research and academic pursuits relating to these twin nations. It will probably serve both, the general reader and members of the academic community, without being too detailed yet comprehensive enough to be of interest to students in African studies including those who specialise in doing research on the Great Lakes region of East Africa with particular emphasis on Rwanda and Burundi.

In 2004, the Academy Award–nominated movie Hotel Rwanda lionized hotel manager Paul Rusesabagina for single-handedly saving the lives of all who sought refuge in the Hotel des Milles Collines during Rwanda's genocide against the Tutsi in 1994. Because of the film, the real-life Rusesabagina has been compared to Oskar Schindler, but unbeknownst to the public, the hotel's refugees don't endorse Rusesabagina's version of the events. In the wake of Hotel Rwanda's international success, Rusesabagina is one of the most well-known Rwandans and now the smiling face of the very Hutu Power groups who drove the genocide. He is accused by the Rwandan prosecutor general of being a genocide negationist and funding the terrorist group Democratic Forces for the Liberation of Rwanda (FDLR). In Inside the Hotel Rwanda, survivor Edouard Kayihura tells his own personal story of what life was really like during those harrowing 100 days within the walls of that infamous hotel and offers the testimonies of others who survived there, from Hutu and Tutsi to UN peacekeepers. Kayihura tells of his life in a divided society and his journey to the place he believed would be safe from slaughter. Inside the Hotel Rwanda exposes Paul Rusesabagina as a profiteering, politically ambitious Hutu Power sympathizer who extorted money from those who sought refuge, threatening to send those who did not pay to the genocidaires, despite pleas from the hotel's corporate ownership to stop. Inside the Hotel Rwanda is at once a memoir, a critical deconstruction of a heralded Hollywood movie alleged to be factual, and a political analysis aimed at exposing a falsely created hero using his fame to be a political force, spouting the same ethnic apartheid that caused the genocide two decades ago.

This book explores key innovations in Rwandan law, exploring how the homegrown legal system with the civil law and common law legal systems. The author explores the history of Rwandan law through pre-colonial, to colonial and post-independence periods, examines the homegrown legal and justice approaches, such as Gacaca, Abunzi and Imihigo, introduced in post genocide Rwanda to deal with legal problems that could not be dealt with using the western legal system; and highlights the innovative Rwandan approach to incorporating international law in the domestic legal system. The book also covers the evolution of the Rwandan Constitutional Law and Constitutionalism since independence; the development of family law from a legal system that oppressed women to one that promotes girls and women rights. Finally, the book explores the contribution of common law in the transformation of the organization, jurisdiction and functioning of Rwandan Courts. This book will be of interest to scholars and students of African law, international law and the legal system in Rwanda.

Explores the role of the media in the Rwandan genocide -- within the country and beyond.

Deogratias is just a boy. Benina is just a girl. Teenagers just like teenagers everywhere. Only he is a Hutu, and she is a Tutsiso say their ID cards.We are in Rwanda in the days leading to a swift and gruesome genocide which the world will watch but do nothing to stop. In less than a hundred days, eight hundred thousand human beings will be hacked to death.Moment by moment, piece by piece, J.P. Stassen skillfully builds a masterpiece, an unforgettable tale that probes mans inhumanity to man. His eloquence, his storytelling power, and his sheer poetry elevate this harrowing story to the rank of a testimonial to one of the darkest chapters in recent human history.With great skill and understanding, Stassens Deogratias takes us back and forth in time, showing only before and after the killings and inexorably revealing the grip of madness and horror on one young boy and his country.Difficult, beautiful, honest, and heartbreaking, this is a masterwork by a major artist of our time.