This book explores the roots of borderline states of mind in early relational trauma and shows how it is possible, and necessary, to visit 'the darkest places' in order to work through these traumas. This is despite the fact that re-experiencing such traumas is unbearable for the patient and they naturally want to enlist the analyst in ensuring that they will never be experienced again. This is the backdrop for the extreme pressures and roles that are constellated in the analysis that can lead to impasse or breakdown of the analytic relationship. The author explores how these areas can be negotiated safely and that, whilst drawing heavily on recent developments in attachment, relational, trauma and infant development theory, an analytic attitude needs to be maintained in order to integrate these experiences and allow the individual to feel, finally, accepted and whole. The book builds on Freud's views of repetition compulsion and re-enactment and develops Jung's concept of the traumatic complex.

It is autumn 1937 when a mystery woman appears in Port Alma, a sea village nestled on the chilly coast of Maine. A fragile, green-eyed beauty, the woman arrives with little more than the clothes on her back and a wealth of unspoken secrets. Before a year goes by, she will flee Port Alma on the same bus that brought her there. But before she goes, she will irrevocably alter the lives of two brothers — leaving one dead, and the other perched on the edge of madness. There is much that Dora March has hidden. But in Port Alma, Maine, there are other secrets, too....

This book brings the key evidence together and presents a new picture of Parmenides, the ancient Greek poet, as priest, initiate and healer.

Longtime readers have come to understand that Outside's true gift is in chronicling misadventure. The Darkest Places chronicles mysterious disappearances, unsolved murders, and deadly disasters, taking us to far-flung places no sane person would want to go.

Horror films revel in taking viewers into shadowy places where the evil resides, whether it is a house, a graveyard or a dark forest. These mysterious spaces foment the terror at the heart of horror movies, empowering the ghastly creatures that emerge to kill and torment. With Dark Places, Barry Curtis leads us deep inside these haunted spaces to explore them – and the monstrous antagonists who dwell there. In this wide-ranging and compelling study, Curtis demonstrates how the claustrophobic interiors of haunted spaces in films connect to the ‘dark places’ of the human psyche. He examines diverse topics such as the special effects – ranging from crude to state-of-the-art – used in movies to evoke supernatural creatures; the structures, projections and architecture of horror movie sets; and ghosts as symbols of loss, amnesia, injustice and vengeance. Dark Places also examines the reconfiguration of the haunted house in film as a motel, an apartment, a road or a spaceship, and how these re-imagined spaces thematically connect to Gothic fictions. Curtis draws his examples from numerous iconic films – including Nosferatu, Psycho, The Texas Chainsaw Massacre and The Shining – as well as lesser-known international works, which allow him to consider different cultural ideas of ‘haunting’. Japanese horror films and their Hollywood remakes – such as Ringu and The Ring, or Juon and The Grudge – come under particular scrutiny, as he explores Japanese cinema’s preoccupation with malevolent forces from the past. Whether you love the splatter of blood or prefer to hide under the couch, Dark Places cuts to the heart of why we are drawn to carnage.

Preliminary Material -- Reading Feminism in Kate Grenville's Fiction /Susan Sheridan -- Kate Grenville as Public Intellectual /Brigid Rooney -- Author, Author!: The Two Faces of Kate Grenville /Elizabeth Mcmahon -- Madness and Power: Lilian's Story and the Decolonized Body /Bill Ashcroft -- “Africa and Australia” Revisited: Reading Kate Grenville's Joan Makes History /Kwaku Larbi Korang -- “Mobility is the Key”: Bodies, Boundaries, and Movement in Kate Grenville's Lilian's Story /Ruth Barcan -- Homeless and Foreign: The Heroines of Lilian's Story and Dreamhouse /Kate Livett -- “Impossible Speech” and the Burden of Translation: Lilian's Story from Page to Screen /Alice Healy -- Constructions of Nation and Gender in The Idea of Perfection /Sue Kossew -- Poison in the Flour: Kate Grenville's The Secret River /Eleanor Collins -- History, Fiction, and The Secret River /Sarah Pinto -- Learning From Each Other: Language, Authority and Authenticity in Kate Grenville's The Lieutenant /Lynette Russell -- Bibliography -- Notes on Contributors -- Index.

A detective story, a black comedy, a tragedy, and out of print for over 25 years, this monumental tour-de-force is a dissertation on the histories and stereotypes that conspire to man and to unman black Americans by a Faulkner Award-winning writer.