Concentrating on the rivalry between the formal and informal empires of Great Britain, Japan and the United States of America, this book examines how regional relations were negotiated in Asia and the Pacific during the interwar years. A range of international organizations including the League of Nations and the Institute of Pacific Relations, as well as internationally minded intellectuals in various countries, intersected with each other, forming a type of regional governance in the Asia-Pacific. This system transformed itself as post-war decolonization accelerated and the United States entered as a major power in the region. This was further reinforced by big foundations, including Carnegie, Rockefeller and Ford. This book sheds light on the circumstances leading to the collapse of formal empires in the Asia-Pacific alongside hitherto unknown aspects of the region’s transnational history. A valuable resource for students and scholars of the twentieth century history of the Asia-Pacific region, and of twentieth century internationalism

DIVAn historical analysis of how the Chinese constructed their understandings of their place in the world in the late nineteenth and early twentieth centuries./div

The early 20th-century world experienced a growth in international cooperation. Yet the dominant historical view of the period has long been one of national, military, and social divisions rather than connections. International Cooperation in the Early Twentieth Century revises this historical consensus by providing a more focused and detailed analysis of the many ways in which people interacted with each other across borders in the early decades of the 20th century. It devotes particular attention to private and non-governmental actors. Daniel Gorman focuses on international cooperation, international social movements, various forms of cultural internationalism, imperial and anti-imperial internationalism, and the growth of cosmopolitan ideas. The book incorporates a non-Western focus alongside the transatlantic core of early 20th-century internationalism. It interweaves analyses of international anti-colonial networks, ideas emanating from non-Western sites of influence such as Japan, China and Turkey, the emergence of networks of international indigenous peoples in resistance to a state-centric international system, and diaspora and transnational ethno-cultural-religious identity networks.

Throughout this lively and concise historical account of Mao Zedong’s life and thought, Rebecca E. Karl places the revolutionary leader’s personal experiences, social visions and theory, military strategies, and developmental and foreign policies in a dynamic narrative of the Chinese revolution. She situates Mao and the revolution in a global setting informed by imperialism, decolonization, and third worldism, and discusses worldwide trends in politics, the economy, military power, and territorial sovereignty. Karl begins with Mao’s early life in a small village in Hunan province, documenting his relationships with his parents, passion for education, and political awakening during the fall of the Qing dynasty in late 1911. She traces his transition from liberal to Communist over the course of the next decade, his early critiques of the subjugation of women, and the gathering force of the May 4th movement for reform and radical change. Describing Mao’s rise to power, she delves into the dynamics of Communist organizing in an overwhelmingly agrarian society, and Mao’s confrontations with Chiang Kaishek and other nationalist conservatives. She also considers his marriages and romantic liaisons and their relation to Mao as the revolutionary founder of Communism in China. After analyzing Mao’s stormy tenure as chairman of the People’s Republic of China, Karl concludes by examining his legacy in China from his death in 1976 through the Beijing Olympics in 2008.

In Staging the World Rebecca E. Karl rethinks the production of nationalist discourse in China during the late Qing period, between China’s defeat in the Sino-Japanese War in 1895 and the proclamation of the Republic in 1911. She argues that at this historical moment a growing Chinese identification with what we now call the Third World first made the modern world visible as a totality and that the key components of Chinese nationalist discourse developed in reference to this worldview. The emergence of Chinese nationalism during this period is often portrayed as following from China’s position vis-à-vis Japan and the West. Karl has mined the archives of the late Qing period to discern the foci of Chinese intellectuals from 1895 to 1911 to assert that even though the China/Japan/West triangle was crucial, it alone is an incomplete—and therefore flawed—model of the development of nationalism in China. Although the perceptions and concerns of these thinkers form the basis of Staging the World, Karl begins by examining a 1904 Shanghai production of an opera about a fictional partition of Poland and its modern reincarnation as an ethno-nation. By focusing on the type of dialogue this opera generated in China, Karl elucidates concepts such as race, colonization, globalization, and history. From there, she discusses how Chinese conceptions of nationalism were affected by the “discovery” of Hawai’i as a center of the Pacific, the Philippine revolution against the United States, and the relationship between nationality and ethnicity made apparent by the Boer War in South Africa.

Emancipation, a defining feature of twentieth-century China society, is explored in detail in this compelling study. Angelina Chin expands the definition of women’s emancipation by examining what this rhetoric meant to lower-class women, especially those who were engaged in stigmatized sexualized labor who were treated by urban elites as uncivilized, rural, threatening, and immoral. Beginning in the early twentieth century, as a result of growing employment opportunities in the urban areas and the decline of rural industries, large numbers of young single lower-class women from rural south China moved to Guangzhou and Hong Kong, forming a crucial component of the service labor force as shops and restaurants for the new middle class started to develop. Some of these women worked as prostitutes, teahouse waitresses, singers, and bonded household laborers. At the time, the concept of“women’s emancipation” was high on the nationalist and modernizing agenda of progressive intellectuals, missionaries, and political activists. The metaphor of freeing an enslaved or bound woman’s body was ubiquitous in local discussions and social campaigns in both cities as a way of empowering women to free their bodies and to seek marriage and work opportunities. Nevertheless, the highly visible presence of sexualized lower-class women in the urban space raised disturbing questions in the two modernizing cities about morality and the criteria for urban citizenship. Examining various efforts by the Guangzhou and Hong Kong political participants to regulate women’s occupations and public behaviors, Bound to Emancipate shows how the increased visibility of lower-class women and their casual interactions with men in urban South China triggered new concerns about identity, consumption, governance, and mobility in the 1920s and 1930s. Shedding new light on the significance of South China in modern Chinese history, Chin also contributes to our understanding of gender and women’s history in China.