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The north road from Casterbridge is tedious and lonely, especially in winter-time. Along a part of its course it connects with Long-Ash Lane, a monotonous track without a village or hamlet for many miles, and with very seldom a turning. Unapprized wayfarers who are too old, or too young, or in other respects too weak for the distance to be traversed, but who, nevertheless, have to walk it, say, as they look wistfully ahead, 'Once at the top of that hill, and I must surely see the end of Long-Ash Lane!' But they reach the hilltop, and Long-Ash Lane stretches in front as mercilessly as before.

Examines the development of the Victorian short story, which by the 1890s had become the most popular literary product of the late nineteenth century.

The north road from Casterbridge is tedious and lonely, especially in winter-time. Along a part of its course it connects with Long-Ash Lane, a monotonous track without a village or hamlet for many miles, and with very seldom a turning. Unapprized wayfarers who are too old, or too young, or in other respects too weak for the distance to be traversed, but who, nevertheless, have to walk it, say, as they look wistfully ahead, 'Once at the top of that hill, and I must surely see the end of Long-Ash Lane!' But they reach the hilltop, and Long-Ash Lane stretches in front as mercilessly as before. Some few years ago a certain farmer was riding through this lane in the gloom of a winter evening. The farmer's friend, a dairyman, was riding beside him. A few paces in the rear rode the farmer's man. All three were well horsed on strong, round-barrelled cobs; and to be well horsed was to be in better spirits about Long-Ash Lane than poor pedestrians could attain to during its passage.

Hardy's Geography reconsiders a familiar element in Hardy's novels: their use of place and, specifically, of Dorset. Hardy said his Wessex was a 'partly real, partly dream-country'. This study examines how reality and dream interact in his work. Should we look for a real place corresponding to Casterbridge? What is the relation between one person's feelings for a place and society's view of it. Pite concludes that Hardy addresses these issues through a distinctive regional awareness.

This critical study of Hardy's short stories provides a thorough account of the ruling preoccupations and recurrent writing strategies of his entire corpus as well as providing detailed readings of several individual texts. It relates the formal choices imposed on Hardy as contributor to Blackwood's Magazine and other periodicals to the methods he employed to encode in fiction his troubled attitude towards the social politics of the West Country, where most of the stories are set. No previous criticism has shown how the powerful challenges to the reader mounted in Hardy's later stories reveal the complexity of his motivations during a period when he was moving progressively in the direction of exchanging fiction for poetry. * Unique in providing a comprehensive criticism of Hardy's entire output of short stories. * Full, detailed, close readings of a number of key stories make this useful as a potential teaching resource. * Draws on the work of social historians to make clear the background of social and political unrest in Dorset that is partly uncovered and partly hidden in Hardy's portrayals of his fictional Wessex. * Offers fascinating insights into Hardy's near-obsession in his mature phase with the marriage contract, and with its legal binding of erratic men and women.

This is the definitive textual analysis of all of Hardy's collected short stories, tracing the development of each from manuscript, through newspaper serial versions, galley proofs and revises to collected editions in volume form. It is no surprise to discover that Hardy's capacity for inveterate revision is manifested in his tales as it was in his novels. Even those stories for which he professed little regard were meticulously and continuously revised, in some cases more than thirty years after their first publication. The alterations extend to the most minute details of plot, landscape, characterisation and style, as well as the restoration of bowdlerised passages which had been demanded by serial magazines. This study will play a major role in elevating the importance of this genre in Hardy's prolific output and will illuminate his textual practices - an area of considerable and growing interest to a large number of scholars and students.