The Covid-19 lockdowns caused people worldwide to be confined to their homes for longer and on a greater scale than ever before. This forced many unprecedented changes to the way we treat domestic space – as relationships shifted between the public and the private worlds, and homes were rapidly adapted to accommodate the additional roles of schools, offices, gyms, restaurants, making-spaces and more. Above all, our understanding of the home as a site to support and enhance the well-being of its inhabitants changed in a variety of novel ways. Interiors in the Era of Covid is a collection of essays which explore the complex ways in which our inside spaces (contemporary and historical) have responded to Covid-19 and other human crises. With case studies ranging from US and Europe to Japan, China, Colombia, and Bangladesh, this is a truly global work which examines wide-ranging subjects from home-working and home technologies, to the impact of lockdown on people's identities, gender roles in the home, and the realities of domestic living with Covid in refugee camps. Exploring the roles played by designers (both amateur and professional) in accommodating changing requirements and anticipating future ones – whether Covid or beyond – this book is a must-read for students and researchers in interior design, architecture, architectural and design history, and anyone interested in the home and the relationships between health and design.

Each element, or fundamental, uses theory and contemporary and historical references to illustrate the richness and diversity of design practice. The book contains five sections which together encapsulate the principle ideas, skills and knowledge that are employed in the creation of spatial solutions that support the needs of the client and which recognize the qualities of the building and its situation. Using illustrations and photographs these elements are identified and described in a way that makes them accessible to the reader.

This third edition of An Introduction to Design and Culture has been revised and updated throughout to include issues of globalization, sustainability and digital/interactive design. New for this edition is a chapter which covers key changes in design culture. Design culture has changed dramatically in the 21st century, the designer-hero is now much less in evidence and design has become much more interdisciplinary. Drawing on a wealth of mass-produced artefacts, images and environments including sewing machines, cars, televisions, clothes, electronic and branded goods and exhibitions, author Penny Sparke shows how design has helped to shape and reflect our social and cultural development. This introduction to the development of modern (and postmodern) design is ideal for undergraduate students.

The book explores care as a transition strategy to a healthier and more sustainable world. After the lesson learned from the pandemic, health as a fundamental human right is increasingly related to a care component: caring for sick people, persons with disabilities, elders, migrants and refugees, women and children, caring for bodies, minds, cities and nature. Endorsing the care system as a female knowledge based on complexity, flexibility, management of the unexpected, sense of responsibility, the project culture can extract this paradigm from the domestic perimeter, bring outside and make it accessible to all in work, politics, relationships, places and communities. The systemic connection between planet and people wellbeing will be grasped through a transdisciplinary perspective that allows to deal with the city of care at a mental, physical, social and global level. The first section addresses care and interior space, dealing with dwelling, working, proximity and cities on a human scale, with a particular attention to the post Covid conditions. The second section deals with healthcare design, the evolution and trend of healing spaces, the influence of technology and robotics on inclusive design processes. The third section considers a social care attitude and deals with the multiethnic urban dimension, care and creativity in design, society and relationships, the right to health of immigrant people.

Originally inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has since come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Author Jennifer Kaufmann-Buhler traces the history and evolution of the American open plan from the brightly-colored office landscapes of the 1960s and 1970s to the monochromatic cubicles of the 1980s and 1990s, analyzing it both as a design concept promoted by architects, designers, and furniture manufacturers, and as a real work space inhabited by organizations and used by workers. The thematically structured chapters each focus on an attribute of the open plan to highlight the ideals embedded in the original design concept and the numerous technical, material, spatial, and social problems that emerged as it became a mainstream office design widely used in public and private organizations across the United States. Kaufmann-Buhler's fascinating new book weaves together a variety of voices, perspectives, and examples to capture the tensions embedded in the open plan concept and to unravel the assumptions, expectations, and inequities at its core.

Foundations of Interior Design balances the theory of interior design with its practice as an applied art, combining real-life examples with a historical and conceptual look at design theory. It introduces its readers to the professional career path on which they are about to embark, highlighting the experiences of those already in the field. Its author, an interior design practitioner, educator, and writer, approaches the field from a service-industry perspective. With a conversational writing style, Slotkis presents a thorough introduction to design theory and execution, history, FFE, socially responsible design, and business practices. This book provides practical advice about interior design as a career, as well as conceptual information about colour schemes, planning, and the principles of design theory.This book is only for sale to customers in China, Taiwan, Korea, Japan & the Philippines. All other customer can order this title from Laurence King Publishing.

This book sets out to explore the creation of interior atmosphere as seen through the lens of mise-en-scène. You will learn how this film theory informs the concept of 'staged space' translated through the narrative and expressive qualities of a particular scene. Jean Whitehead quickly takes this concept beyond the screen and considers its application to the interior 'setting'. By learning to use the ingredients that inform an 'interior' mise-en-scène such as its backdrop, choice of props, use of special effects alongside the application of colour, pattern, graphics, light and shadow, an immersive atmospheric experience can be created. Packed with inspiring examples and case studies, ranging from cinematic interiors and art installations, to the work of notable interior designers, stylists and architects with an interior interest, this book broadens current thinking around the design of the decorated interior. It will help you to embrace the concepts that underpin an interior mise-en- scène through the use of softer decorative techniques and concerns.