***Winner of the 2019 IDEC Book Award*** Interiors Beyond Architecture proposes an expanded impact for interior design that transcends the inside of buildings, analysing significant interiors that engage space outside of the disciplinary boundaries of architecture. It presents contemporary case studies from a historically nuanced and theoretically informed perspective, presenting a series of often-radical propositions about the nature of the interior itself. Internationally renowned contributors from the UK, USA and New Zealand present ten typologically specific chapters including: Interiors Formed with Nature, Adaptively Reused Structures, Mobile Interiors, Inhabitable art, Interiors for Display and On Display, Film Sets, Infrastructural Interiors, Interiors for Extreme Environments, Interior Landscapes, and Exterior Interiors.

A large coffee table book with hundreds of ravishingly beautiful and inspiring pictures about the all important "finishing touches" of each interior: bespoke accessories made by exceptional craftsmen, wonderful lighting and exquisite fabrics, unique colors and paints, marvelous natural stones and wood. Text in English and French.

Interior Provocations: History, Theory, and Practice of Autonomous Interiors addresses the broad cultural, historical, and theoretical implications of interiors beyond their conventionally defined architectural boundaries. With provocative contributions from leading and emerging historians, theorists, and design practitioners, the book is rooted in new scholarship that expands traditional relationships between architecture and interiors and that reflects the latest theoretical developments in the fields of interior design history and practice. This collection contains diverse case studies from the late eighteenth century to the twenty-first century including Alexander Pope’s Memorial Garden, Design Indaba, and Robin Evans. It is an essential read for researchers, practitioners, and students of interior design at all levels.

Not the largest houses--but the most sensitively conceived of, and the most in tune with their own surroundings To Karen, the super house has nothing to do with size; instead, it is one that has a strong connection with nature, that goes well beyond the everyday, and that, through the sensitivity of both architect and client, is imbued with mindfulness. From Australia to Ireland, Italy to Morocco, she's found such spiritually uplifting places. Following interviews with many of the architects and owners, she discusses each house in detail; her informed and engaging text is matched by Richard Powers' striking photography. This collection is a must for anyone interested in architecture and design.

The Interior Architecture Theory Reader presents a global compilation that collectively and specifically defines interior architecture. Diverse views and comparative resources for interior architecture students, educators, scholars, and practitioners are needed to develop a proper canon for this young discipline. As a theoretical survey of interior architecture, the book examines theory, history, and production to embrace a full range of interior identities in architecture, interior design, digital fabrication, and spatial installation. Authored by leading educators, theorists, and practitioners, fifty chapters refine and expand the discourse surrounding interior architecture.

An exploration of the style that dominated 1950s architecture and design. This book is the first to explore fully the so-called 'contemporary' style that dominated architecture and design from the late 1940s to the end of the 1950s. It was an era of optimism and confidence, where new ideas in architecture and design flourished alongside the emergent consumer culture. Emanating mainly from the USA, the 'contemporary' style was fresh and liberating, manifesting itself in the picture window and the open plan, in new forms of furniture from Scandinavia and stylish light fittings from Italy, and most tellingly in the contemporary kitchen with its fitted units and mod-con appliances. This book examines the fresh and liberated design ideas of this buoyant era with an acute eye and open mind.

The first book on the work of a designer whose refined classical interiors are widely desired and emulated as the epitome of French style. Honored as one of the top designers by all the international design magazines and universally admired by design editors, Jean-Louis Deniot is in demand. His updated classical approach now graces interiors in Paris, the French countryside, Moscow, India, New York, Chicago, L.A., and beyond—and his legacy is already being compared to that of design greats such as Jacques Grange and Alberto Pinto. Deniot is an architect first, ensuring that the interior architecture of his rooms is harmonious before giving a neoclassical approach to the decor. He brings education, logic, and design history to his work, with one eye looking at the most refined style of French eighteenth century and one eye on the twentieth and twenty-first centuries. His mix is highly individual and includes contemporary art and custom-made furniture, yet his rooms always look comfortable and are never overly formal or trendy. This book demonstrates a new, sophisticated classical style that is changing the scene for international design and offering inspiration and ideas to decorators, homeowners, and antiques enthusiasts.