This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com While all media are part of intermedial networks, video games are often at the nexus of that network. They not only employ cinematics, embedded books, and in-world television screens for various purposes, but, in our convergence culture, video games also play a vital role in allowing players to explore transmedia storyworlds. At the same time, video games are frequently thematized and remediated in film, television, and literature. Indeed, the central role video games assume in intermedial networks provides testament to their significance in the contemporary media environment. In this volume, an international group of contributors discuss not only intermedial phenomena in video games, but also the intermedial networks surrounding them. Intermedia Games-Games Inter Media will deepen readers' understanding of the convergence culture of the early twenty-first century and video games' role in it.

Updated and substantially revised, the third edition of Intermedia unravels the intricate entanglements of media, society, and the individual. Including contributions by Anthony Smith, Sari Thomas, Michael Arlen, and Susan Sontag, this edition also provides eighteen new essays on timely subjects such as how and what children learn from television, and the impact and role of computers on the home, the school, and the workplace.

This interdisciplinary volume explores, analyzes, and celebrates intermedial processes. It investigates the dynamic relations between media in contemporary artistic productions such as digitalized poetry and installations or musical scores by Walter Steffens and Hugh Davies; in texts like Dieter Roth’s diaries, Ror Wolf’s guidebooks, Charles Baudelaire’s art criticism, or Lewis Carroll’s Alice books; and in inherently intermedial pieces like Stéphane Mallarmé’s Un Coup de Dés and Augusto de Campos’s poetry. Through distinct and diverse methodological approaches to intermedial inquiry, the contributors probe multiple forms of interaction between media: adaptation, appropriation, transposition, transfer, recycling, grafting, recontextualization, intertextualization, transmedialization, and transcreation. In so doing, they offer perspectives which refine our understanding of the term ‘medium’ and demonstrate ways in which intermedial creations engage their audiences and stimulate creative responses. Written in honor of Claus Clüver, a groundbreaking leader in intermediality studies, the essays participate in and broaden the scope of current discourses in the international forum. The range of their subjects and methodologies will interest literary scholars, art historians, musicologists, scholars of new media as well as those working in intermediality studies, word and image or word and music studies, and anyone whose interests cross traditional disciplinary boundaries.

The cooperation and collaboration between media, art forms, and cultural studies

As active and critical members of the Montreal media scene, we invite you to explore FNC as we have. Each spread in this zine was made by a team of two students, who wrote an article and designed a vectorized layout. You'll notice that each spread creates a different sense of space- even spreads, which feature the same exhibition. As interpreters and artists, we value this variety, these different perspectives, and their mosaic of creativity. Between writing, experiencing and designing, the interpretations of each team differ both aesthetically and critically, as they remix their experience into one cohesive design- into one cohesive space.