The writings of Gilles Deleuze and Felix Guattari offer the most enduring and controversial contributions to the theory and practice of art in post-war Continental thought. However, these writings are both so wide-ranging and so challenging that much of the synoptic work on Deleuzo-Guattarian aesthetics has taken the form of sympathetic exegesis, rather than critical appraisal. This rich and original collection of essays, authored by both major Deleuzian scholars and practicing artists and curators, offers an important critique of Deleuze and Guattari's legacy in relation to a multitude of art forms, including painting, cinema, television, music, architecture, literature, drawing, and installation art. Inspired by the implications of Deleuze and Guattari's work on difference and multiplicity and with a focus on the intersection of theory and practice, the book represents a major interdisciplinary contribution to Deleuze-Guattarian aesthetics.

This insightful book unfolds the boipara, exploring the acts of thinking and writing about space and place in the context of recent key conversations at the intersections of cultural geographies, mobilities, materialities and heritage studies. This book reconsiders how we can think about space, place and spatialisation using the book market as a case study. Focusing on everyday lived and imagined experiences within the space, it provides insights into the intricacies, complexities and mobilities involved in the many ways in which temporal, material, structural and sensorial experiences of spaces are inter-implicated. As expression and method, this work aims to be a writing of space (rather than a writing about space) produced through the interleafing of the author’s lived spatial experience of the boipara with the stories, experiences and memories of other regulars who have used and continue to use it, along with the non-human materialities and mobilities that characterise it. This book is essential reading for a wide international audience, particularly those interested in the evolving discussions on mobility, or writing about space and place, materiality, assemblage theory and heritage spaces in the South Asian context.

This collection, first published in 1994, contains thirteen critical essays by established scholars from the fields of philosophy, literary criticism, feminist theory, politics, and sociology, and a new essay by Deleuze himself. That the contributors are from a variety of fields indicates the extent to which Deleuze’s work can and will impact theory far beyond the discipline of philosophy.

This is the first scholarly book dedicated to reading the work of contemporary filmmakers and their impact on modern marketing and advertising. Drawing from consumer culture theory, film and media studies, the author presents an expansive analysis of a range of renowned filmmakers who have successfully applied their aesthetic and narrative vision to commercial advertising. It challenges some traditional advertising tropes and sheds light on the changing nature of advertising in the contemporary media context. Utilising Deleuze and Guattari’s notion of assemblage, this book addresses themes of spatiality and time, narrative and aesthetics and consumer reception within a new frame of reference that re-contextualises classical concepts of genre, platform and aesthetic categories. These diverse elements are embedded into a larger discussion of the resonance of contemporary advertising for consumer culture and the implications of the hybridity characteristic of convergent media platforms for understanding the potential of advertising in the twenty-first century. It offers a cutting-edge, interdisciplinary perspective for researchers, academics, and practitioners working in marketing communications, advertising, and media studies.